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Eugene Ormandy - Ormandy Conducts Carpenter, Griffes, Grainger, Zemachson and Harris (2022 Remastered Version) (2022) [Hi-Res]

Eugene Ormandy - Ormandy Conducts Carpenter, Griffes, Grainger, Zemachson and Harris (2022 Remastered Version) (2022) [Hi-Res]
  • Title: Ormandy Conducts Carpenter, Griffes, Grainger, Zemachson and Harris (2022 Remastered Version)
  • Year Of Release: 2022
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks) [96kHz/24bit]
  • Total Time: 1:06:17
  • Total Size: 649 / 197 MB
  • WebSite:
Tracklist:

01. I. En Voiture (2022 Remastered Version)
02. II. The Policeman (2022 Remastered Version)
03. III. The Hurdy - Gurdy (2022 Remastered Version)
04. IV. The Lake (2022 Remastered Version)
05. V. Dogs (2022 Remastered Version)
06. VI. Dreams (2022 Remastered Version)
07. The Pleasure-Dome of Kubla Khan, Op. 8 (2022 Remastered Version)
08. British Folk Music Settings, No. 16: Shepherd's Hey (2022 Remastered Version)
09. British Folk Music Settings, No. 22: Country Gardens (2022 Remastered Version)
10. British Folk-Music Settings, No. 6: Irish Tune from County Derr " Londonderry Air" (2022 Remastered Version)
11. British Folk-Music Settings, No. 1: Molly on the Shore" (2022 Remastered Version)
12. Chorale and Fugue in D Minor, Op. 4 (2022 Remastered Version)
13. When Johnny Comes Marching Home: An American Overture (2022 Remastered Version)

Longtime Philadelphia Orchestra conductor Eugene Ormandy (born Jenó Blau) developed what came to be known as the "Philadelphia Sound." (He groused that it should be called the "Ormandy Sound," even though its fundamentals had already been established during Leopold Stokowski's long tenure with the Philadelphia Orchestra.) Largely as an effort to overcome the dry acoustics of the orchestra's home, the Academy of Music, Ormandy emphasized lush string sonorities and, often, legato phrasing and rounded tone. He was lauded even by his own musicians for his ability to conduct everything from memory, even complex contemporary scores. Still, aside from the voluptuous tone, Ormandy's interpretations rarely bore an individual stamp. They were, however, highly polished, intelligently balanced, and well paced, always serving the scores honorably, and often with a dash of controlled excitement.



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