Tzimon Barto - Ives: Piano Sonata No. 2 "Concord, Mass., 1840-60" (20116) [Hi-Res]
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BAND/ARTIST: Tzimon Barto
- Title: Ives: Piano Sonata No. 2 "Concord, Mass., 1840-60"
- Year Of Release: 2016/2018
- Label: CapriccioNR
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
- Total Time: 00:56:01
- Total Size: 179 / 453 mb
- WebSite: Album Preview
Tracklist
01. Piano Sonata No. 2 "Concord, Mass., 1840-60": I. Emerson
02. Piano Sonata No. 2 "Concord, Mass., 1840-60": II. Hawthorne
03. Piano Sonata No. 2 "Concord, Mass., 1840-60": III. The Alcotts
04. Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau
![Tzimon Barto - Ives: Piano Sonata No. 2 "Concord, Mass., 1840-60" (20116) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-07/1658126413_tzimon-barto-ives-piano-sonata-no_-2-concord-mass_-1840-60-20116-back.jpg)
From weird and idiosyncratic, slightly crazy up to absolute genius the assessment of the composer Charles Ives is today at least just as diversified as that of his main work for piano, the Concord Sonata. The four movements are based on four American writers of the 19th century who were all closely connected to the little town of Concord in Massachusetts, forming a centre of so-called Transcendentalism there. In the music, Ives does not draw musical portraits of the writers, who would hardly have inspired him to this extent in terms of their biographies. He rather allows himself to be guided by the moods that came to his mind roughly 50 years later in associations with their texts and the philosophy they advocated. Beside the difficult technical terms (complete dispensal with bar lines for long passages, also the use of clusters etc.) Tzimon Bartos interpretation is full of his well known sensitivity and shows us a new impressive access to this bombastic work of 20th century piano literature.
01. Piano Sonata No. 2 "Concord, Mass., 1840-60": I. Emerson
02. Piano Sonata No. 2 "Concord, Mass., 1840-60": II. Hawthorne
03. Piano Sonata No. 2 "Concord, Mass., 1840-60": III. The Alcotts
04. Piano Sonata No. 2 "Concord, Mass., 1840-60": IV. Thoreau
From weird and idiosyncratic, slightly crazy up to absolute genius the assessment of the composer Charles Ives is today at least just as diversified as that of his main work for piano, the Concord Sonata. The four movements are based on four American writers of the 19th century who were all closely connected to the little town of Concord in Massachusetts, forming a centre of so-called Transcendentalism there. In the music, Ives does not draw musical portraits of the writers, who would hardly have inspired him to this extent in terms of their biographies. He rather allows himself to be guided by the moods that came to his mind roughly 50 years later in associations with their texts and the philosophy they advocated. Beside the difficult technical terms (complete dispensal with bar lines for long passages, also the use of clusters etc.) Tzimon Bartos interpretation is full of his well known sensitivity and shows us a new impressive access to this bombastic work of 20th century piano literature.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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