Deutsche Staatsphilharmonie Rheinland-Pfalz & Karl-Heinz Steffens - Alberto Ginastera: Obertura para el Fausto Criollo, Op. 9, Variaciones Concertantes, Op. 23, Ollantay, Op. 17 & Bomarzo Suite, Op. 34a (2015) [Hi-Res]
![Deutsche Staatsphilharmonie Rheinland-Pfalz & Karl-Heinz Steffens - Alberto Ginastera: Obertura para el Fausto Criollo, Op. 9, Variaciones Concertantes, Op. 23, Ollantay, Op. 17 & Bomarzo Suite, Op. 34a (2015) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-07/1658124293_karl-heinz-steffens-ginastera-obertura-para-el-fausto-criollo-op_-9-2015.jpg)
- Title: Alberto Ginastera: Obertura para el Fausto Criollo, Op. 9, Variaciones Concertantes, Op. 23, Ollantay, Op. 17 & Bomarzo Suite, Op. 34a
- Year Of Release: 2015
- Label: CapriccioNR
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz
- Total Time: 01:19:50
- Total Size: 335 / 749 mb
- WebSite: Album Preview
Tracklist
01. Obertura para el Fausto Criollo, Op. 9
02. Variaciones Concertantes, Op. 23: I. Tema per violoncello ed arpa
03. Variaciones Concertantes, Op. 23: II. Interludio per corde
04. Variaciones Concertantes, Op. 23: III. Variazione giocosa per flauto
05. Variaciones Concertantes, Op. 23: IV. Variazione in modo di scherzo per clarinetto
06. Variaciones Concertantes, Op. 23: V. Variazione drammatica per viola
07. Variaciones Concertantes, Op. 23: VI. Variazione canonica per oboe e fagotto
08. Variaciones Concertantes, Op. 23: VII. Variazione ritmica per trombe e trombone
09. Variaciones Concertantes, Op. 23: VIII. Variazione in modo di moto perpetuo per violino
10. Variaciones Concertantes, Op. 23: IX. Variazione pastorale per corno
11. Variaciones Concertantes, Op. 23: X. Interludio per fiati
12. Variaciones Concertantes, Op. 23: XI. Ripresa dal tema per contrabasso
13. Variaciones Concertantes, Op. 23: XII. Variazione finale in modo di rondo per orchestra
14. Ollantay, Op. 17: I. Paisaje de Ollantaytambo
15. Ollantay, Op. 17: II. Los Guerreros
16. Ollantay, Op. 17: III. La Muerte de Ollantay
17. Bomarzo Suite, Op. 34a
![Deutsche Staatsphilharmonie Rheinland-Pfalz & Karl-Heinz Steffens - Alberto Ginastera: Obertura para el Fausto Criollo, Op. 9, Variaciones Concertantes, Op. 23, Ollantay, Op. 17 & Bomarzo Suite, Op. 34a (2015) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-07/1658124327_karl-heinz-steffens-ginastera-obertura-para-el-fausto-criollo-op_-9-2015-back.jpg)
Within the breadth evinced by music life in Argentina, there were mainly three personalities in the 20th century that gave the republic, independent since 1816, an international voice: Alberto Ginastera, Carlos Gardel und Astor Piazzolla.
Whereas Gardel, as a singer and composer, was the most popular representative of the ‘Tango Argentino’ and Piazzolla an outstanding bandoneon player, composer and founder of the ‘Tango Nuevo’, Alberto Ginastera is considered the most important Argentinian composer of classical stamp.
For Ginastera, three periods can be differentiated, clearly delimited in time. In the period of ‘Objective Nationalism’ (1934-47), he employed direct musical elements of Argentinian folk music, including Obertura para el Fausto Criollo op.9 (1943) and the Symphonic Triptych Ollantay op.17, written after his return from the USA (1947).
The Variaciones Concertantes for chamber orchestra op.23 (1953) derive from the middle of Ginastera’s second period. Finally, the opera Bomarzo op.34 (1966/67) represents a main work of Ginastera’s third, ‘Neo-expressionist’ period.
Although he subsequently made great career strides also in the country of his birth, the external circumstances there remained untenable for Ginastera. In 1971, he moved with his second wife to Geneva, where he died in 1983.
01. Obertura para el Fausto Criollo, Op. 9
02. Variaciones Concertantes, Op. 23: I. Tema per violoncello ed arpa
03. Variaciones Concertantes, Op. 23: II. Interludio per corde
04. Variaciones Concertantes, Op. 23: III. Variazione giocosa per flauto
05. Variaciones Concertantes, Op. 23: IV. Variazione in modo di scherzo per clarinetto
06. Variaciones Concertantes, Op. 23: V. Variazione drammatica per viola
07. Variaciones Concertantes, Op. 23: VI. Variazione canonica per oboe e fagotto
08. Variaciones Concertantes, Op. 23: VII. Variazione ritmica per trombe e trombone
09. Variaciones Concertantes, Op. 23: VIII. Variazione in modo di moto perpetuo per violino
10. Variaciones Concertantes, Op. 23: IX. Variazione pastorale per corno
11. Variaciones Concertantes, Op. 23: X. Interludio per fiati
12. Variaciones Concertantes, Op. 23: XI. Ripresa dal tema per contrabasso
13. Variaciones Concertantes, Op. 23: XII. Variazione finale in modo di rondo per orchestra
14. Ollantay, Op. 17: I. Paisaje de Ollantaytambo
15. Ollantay, Op. 17: II. Los Guerreros
16. Ollantay, Op. 17: III. La Muerte de Ollantay
17. Bomarzo Suite, Op. 34a
Within the breadth evinced by music life in Argentina, there were mainly three personalities in the 20th century that gave the republic, independent since 1816, an international voice: Alberto Ginastera, Carlos Gardel und Astor Piazzolla.
Whereas Gardel, as a singer and composer, was the most popular representative of the ‘Tango Argentino’ and Piazzolla an outstanding bandoneon player, composer and founder of the ‘Tango Nuevo’, Alberto Ginastera is considered the most important Argentinian composer of classical stamp.
For Ginastera, three periods can be differentiated, clearly delimited in time. In the period of ‘Objective Nationalism’ (1934-47), he employed direct musical elements of Argentinian folk music, including Obertura para el Fausto Criollo op.9 (1943) and the Symphonic Triptych Ollantay op.17, written after his return from the USA (1947).
The Variaciones Concertantes for chamber orchestra op.23 (1953) derive from the middle of Ginastera’s second period. Finally, the opera Bomarzo op.34 (1966/67) represents a main work of Ginastera’s third, ‘Neo-expressionist’ period.
Although he subsequently made great career strides also in the country of his birth, the external circumstances there remained untenable for Ginastera. In 1971, he moved with his second wife to Geneva, where he died in 1983.
Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads