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Ensemble Labirinto Armonico - Quantz: Trio Sonatas (2022) [Hi-Res]

Ensemble Labirinto Armonico - Quantz: Trio Sonatas (2022) [Hi-Res]
  • Title: Quantz: Trio Sonatas
  • Year Of Release: 2022
  • Label: Dynamic
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 01:01:15
  • Total Size: 376 / 735 mbmb
  • WebSite:
Tracklist

01. Trio Sonata in G Major, QV 2:Anh. 26: I. Andante grave
02. Trio Sonata in G Major, QV 2:Anh. 26: II. Allegro
03. Trio Sonata in G Major, QV 2:Anh. 26: III. Largo
04. Trio Sonata in G Major, QV 2:Anh. 26: IV. Presto
05. Trio Sonata in G Minor, QV 2:34: I. Grave
06. Trio Sonata in G Minor, QV 2:34: II. Allegro
07. Trio Sonata in G Minor, QV 2:34: III. Siciliana
08. Trio Sonata in G Minor, QV 2:34: IV. Allegro
09. Trio Sonata in C Minor, QV 2:Anh. 5: I. Andante moderato
10. Trio Sonata in C Minor, QV 2:Anh. 5: II. Allegro
11. Trio Sonata in C Minor, QV 2:Anh. 5: III. Larghetto
12. Trio Sonata in C Minor, QV 2:Anh. 5: IV. Vivace
13. Trio Sonata in G Major, QV 2:Anh. 28: I. Andante
14. Trio Sonata in G Major, QV 2:Anh. 28: II. Allegro
15. Trio Sonata in G Major, QV 2:Anh. 28: III. Un poco largo
16. Trio Sonata in G Major, QV 2:Anh. 28: IV. Vivace
17. Trio Sonata in C Major, QV 2:Anh. 3: I. Affettuoso
18. Trio Sonata in C Major, QV 2:Anh. 3: II. Alla breve
19. Trio Sonata in C Major, QV 2:Anh. 3: III. Larghetto
20. Trio Sonata in C Major, QV 2:Anh. 3: IV. Vivace
21. Trio Sonata in G Major, QV 2:29: I. Andante
22. Trio Sonata in G Major, QV 2:29: II. Allegro
23. Trio Sonata in G Major, QV 2:29: III. Larghetto
24. Trio Sonata in G Major, QV 2:29: IV. Allegro assai

Ensemble Labirinto Armonico - Quantz: Trio Sonatas (2022) [Hi-Res]


The son of a blacksmith, Quantz had his early training, after the death of his parents, as an apprentice town musician in Merseburg. He was employed as an oboist by August II of Saxony in Dresden and in Warsaw, but sought to further his career by study of the transverse flute. At the same time he developed his abilities as a composer and his knowledge of current repertoire, with periods of study in Italy and visits to Paris and to London. In Berlin he taught the future Frederick the Great, who, on his accession to the Prussian throne in 1740, employed Quantz as a composer, principally for his own private concerts which Quantz superintended. Quantz’s treatise on flute playing has proved an informative guide to the general performance of music of the time.





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