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Zdeněk Mácal - Dvorak: Requiem & Symphony No. 9 (2000)

Zdeněk Mácal - Dvorak: Requiem & Symphony No. 9 (2000)
  • Title: Dvorak: Requiem & Symphony No. 9
  • Year Of Release: 2000
  • Label: Delos
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:15:19
  • Total Size: 514 MB
  • WebSite:
Tracklist:

Disc 1

1. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Requiem Aeternam (Soli, Chorus) (10:03)
2. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Graduale (Soprano, Chorus) (04:41)
3. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Dies Irae (Chorus) (02:08)
4. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Tuba Mirum (Soli, Chorus) (08:19)
5. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Quid Sum Miser (Soli, Chorus) (06:12)
6. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Recordare, Jesu Pie (Soli) (07:02)
7. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Confutatis Maledictis (Chorus) (04:00)
8. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Lacrimosa (Soli, Chorus) (05:53)
9. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Offertorium (Soli, Chorus) (11:36)
10. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Hostias (Soli, Chorus) (10:53)

Disc 2

1. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Sanctus (Soli, Chorus) (06:02)
2. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Pie Jesu (Soli, Chorus) (04:58)
3. Westminster Symphonic Choir, Gustav Belacek, John Aler, Oksana Krovytska, Wendy Hoffman, Zdenek Macal & New Jersey Symphony Orchestra – Requiem, Op. 89, B. 165: Agnus Dei (Soli, Chorus) (10:51)
4. Zdenek Macal & New Jersey Symphony Orchestra – Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro Molto (11:52)
5. Zdenek Macal & New Jersey Symphony Orchestra – Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (11:19)
6. Zdenek Macal & New Jersey Symphony Orchestra – Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Molto Vivace (08:10)
7. Zdenek Macal & New Jersey Symphony Orchestra – Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Allegro Con Fuoco (11:11)

Dvorak’s Requiem, which premiered in October, 1891, is a work rich in reference and association: it borrows conventions of text-setting from the Renaissance and the Baroque; it employes sophisticated techniques of form and orchestration developed during the Romantic era of music, and it evokes two millennia of ritual and belief. Based on the ancient Roman Catholic Mass for the Dead, the Requiem can be a daunting undertaking, needing the talents of a full orchestra, four soloists, and symphonic chrorus. Zdenek Macal and the New Jersey Symphony Orchestra provide a perfect support structure, wending their way masterfully through the many invocations of Dvorak’s motto theme.


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