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Saarbrucken Radio Symphony Orchestra, Stanislaw Skrowaczewski - Beethoven: Symphonies Nos. 7 & 8 (2006)

Saarbrucken Radio Symphony Orchestra, Stanislaw Skrowaczewski - Beethoven: Symphonies Nos. 7 & 8 (2006)
  • Title: Beethoven: Symphonies Nos. 7 & 8
  • Year Of Release: 2006
  • Label: Oehms Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:04:25
  • Total Size: 297 Mb
  • WebSite:
Tracklist:

Symphony No. 7 in A major, Op. 92 (Ludwig van Beethoven)
1. I. Poco sostenuto - Vivace 13:41
2. II. Allegretto 07:54
3. III. Presto, assai meno presto 09:20
4. IV. Allegro con brio 08:38
Symphony No. 8 in F major, Op. 93 (Ludwig van Beethoven)
5. I. Allegro vivace e con brio 08:48
6. II. Allegretto scherzando 03:58
7. III. Tempo di menuetto 04:54
8. IV. Allegro vivace 07:12

Performers:
Saarbrucken Radio Symphony Orchestra
Stanislaw Skrowaczewski

Even though Oehms Classics' 2006 releases of Ludwig van Beethoven's symphonies are unlikely to be hailed as the last word on these masterpieces, they deserve attention for the precise conducting of Stanislaw Skrowaczewski and the committed playing of the Saarbrücken Radio Symphony Orchestra, and should be appreciated for their impressive musicality and expressive richness. The Symphony No. 7 in A major and the Symphony No. 8 in F major receive mainstream interpretations from Skrowaczewski, who seems to follow some aspects of modern research by keeping tempos brisk and articulation crisp, while at the same time he observes more traditional approaches, as in maintaining a full-sized symphony orchestra, using full-bodied modern instrumentation, and so on. This compromise seems to be the most sensible and appealing solution to win over a broad audience, since it can potentially please both enthusiasts of period style and fans of more conventional approaches; but few will argue with Skrowaczewski's polished results, regardless of their stylistic persuasions. The Symphony No. 7 is graceful and elegant, and the Symphony No. 8 is lively and rollicking with humor, and both performances have the coherence and emotional balance to satisfy the expectations of all but the fussiest partisans in the debate over authentic performance practice. Oehms recording is wonderful in its spacious depth and wide frequency range, and these are undoubtedly among the best-sounding Beethoven symphonies of the year.


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