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Konrad Jarnot, Helmut Deutsch - Ravel: Shéhérazade / Duparc: Les Mélodies (2005)

Konrad Jarnot, Helmut Deutsch - Ravel: Shéhérazade / Duparc: Les Mélodies (2005)
  • Title: Ravel: Shéhérazade / Duparc: Les Mélodies
  • Year Of Release: 2005
  • Label: Oehms Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 58:35
  • Total Size: 206 Mb
  • WebSite:
Tracklist:

Sheherazade (Maurice Ravel)
1. No. 1, Asie (Version for voice and orchestra) 09:55
2. No. 2, La flute enchantee (Version for voice and orchestra) 03:04
3. No. 3, L'indifferent (Version for voice and orchestra) 04:01
L'Invitation au voyage (version for voice and piano) (Henri Duparc)
4. L'Invitation au voyage (Version for voice and piano) 04:08
Serenade florentine (Henri Duparc)
5. Serenade florentine 02:18
La vague et la cloche (Henri Duparc)
6. La vague et la cloche 03:06
Extase (Henri Duparc)
7. Extase 03:06
Phidyle (Henri Duparc)
8. Phidyle (Version for voice and piano) 05:06
Le Manoir de Rosemonde (Henri Duparc)
9. Le manoir de Rosemonde 02:20
Lamento (Henri Duparc)
10. Lamento 03:28
Testament (Henri Duparc)
11. Testament 04:07
Chanson triste (version for voice and piano) (Henri Duparc)
12. Chanson triste (Version for voice and piano) 02:57
Élégie (Henri Duparc)
13. Elegie 03:05
Soupir, Op. 2 No. 1 (Henri Duparc)
14. Soupir 03:15
La vie anterieure (Henri Duparc)
15. La vie anterieure 04:39

Performers:
onrad Jarnot (baritone)
Helmut Deutsch (piano)

Maurice Ravel's Shéhérazade, in a version for baritone voice and piano, necessarily takes pride of place on the program, as any world-premiere recording must. But the greater part of this disc is devoted to songs by Henri Duparc, and after hearing this CD, the listener may find Duparc's seldom-heard but utterly captivating mélodies to be the real find. Without disparaging Ravel's exquisite setting of poems by Tristan Klingsor, or the dramatic performance by Konrad Jarnot and pianist Helmut Deutsch, Shéhérazade is the more familiar work, and many will have heard it before, though sung most often by a soprano. Performances of Duparc's mélodies, though, are less common, and any opportunity to hear his music performed well should be taken. His imaginatively constructed settings of poems by Baudelaire, Lahor, Gautier, and other French poets capture the emotional pangs of the late nineteenth century more penetratingly and honestly than many other attempts of the time, and with an exemplary economy of means. It's difficult to say where the sentiments of the performers lie -- Shéhérazade is a better showpiece for both singer and accompanist -- but Jarnot and Deutsch invest these mélodies with special affection and tenderness, and the fine recording does justice to these sensitive musicians, the music, and Duparc.


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