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Mark Wilde, Lucy Wakeford, David Owen Norris - Britten: Complete Scottish Songs (2011)

Mark Wilde, Lucy Wakeford, David Owen Norris - Britten: Complete Scottish Songs (2011)
  • Title: Britten: Complete Scottish Songs
  • Year Of Release: 2011
  • Label: Naxos
  • Genre: Classical, 20th century
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 74:42
  • Total Size: 236 MB
  • WebSite:
Tracklist:

[1]-[7] A Birthday Hansel, Op. 92 *
Robert Burns (1759–1796)
[8]-[19] Who are these children?, Op. 84
William Soutar (1898–1943)
[20] Cradle Song (Sleep, my darling, sleep)
Louis MacNiece (1907–1963)
[21] O that I’d ne’er been married
Robert Burns (1759–1796)
[22] Ca’ the yowes
Traditional Anon.
[23] There’s none to soothe
Traditional Anon.
[24] O can ye sew cushions?
Traditional Anon.
[25] The Bonny Earl o’ Moray
Traditional Anon.
[26] Bonny at Morn *
Traditional Anon.
[27] Come you not from Newcastle?
Traditional Anon.
[28] Dawtie’s Devotion
William Soutar (1898–1943)
[29] The Gully
William Soutar (1898–1943)
[30] Tradition
William Soutar (1898–1943)
[31]-[34] Four Burns Songs (arr. Colin Matthews)
Robert Burns (1759–1796)

This album featuring tenor Mark Wilde contains all of Britten's music with Scottish roots, including his original settings of texts by Scots authors like Robert Burns and William Soutar as well as his arrangements of folk songs. A Birthday Hansel, using Burns' poetry, was written for Queen Elizabeth's 75th birthday in 1976 and was his last song cycle. Britten scored it for tenor and harp, citing the authenticity of harp accompaniment in the Highlands tradition. The harp provides transitions between the songs, so the cycle is musically continuous. Who are these children? is also a late work, dating from 1969 with texts by Soutar, a mid-20th century poet. The album concludes with Colin Matthews' effective arrangements of four of the Burns songs with piano accompaniment. Wilde has a pleasant voice but his vowels aren't bright, and their somewhat covered quality sometimes comes across as slightly nasal. This tendency is especially noticeable in the most melismatic passages, such as "My Early Walk" from A Birthday Hansel, where a single vowel can be strung out for quite a while. He excels in bringing sharp characterization to the songs, which these pieces -- art songs with roots in folk culture -- require in order not to sound precious. He is also effective in singing with unmannered naturalness. Pianist David Owen Norris and harpist Lucy Wakeford provide sensitive accompaniments. Naxos' sound is clean, present, and well-balanced.




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