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Sophie Karthäuser, Lucile Richardot, Les Arts Florissants & Paul Agnew - Vivaldi: The Great Venetian Mass (2022) [Hi-Res]

Sophie Karthäuser, Lucile Richardot, Les Arts Florissants & Paul Agnew - Vivaldi: The Great Venetian Mass (2022) [Hi-Res]
  • Title: Vivaldi: The Great Venetian Mass
  • Year Of Release: 2022
  • Label: harmonia mundi
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 67:52
  • Total Size: 324 MB / 1.19 GB
  • WebSite:
Tracklist:

1. Vivaldi: Kyrie Eleison, RV. 587: Coro "Kyrie eleison" I (3:33)
2. Vivaldi: Kyrie Eleison, RV. 587: Coro "Christe eleison" (2:27)
3. Vivaldi: Kyrie Eleison, RV. 587: Coro "Kyrie eleison" II (2:09)
4. Vivaldi: Motetto "Ostro picta, armata spina", RV. 642, Introduzione al Gloria: Aria "Ostro picta, armata spina" (3:02)
5. Vivaldi: Motetto "Ostro picta, armata spina", RV. 642, Introduzione al Gloria: Recitativo "Sic transit vana et brevis gloria mundi" (1:06)
6. Vivaldi: Motetto "Ostro picta, armata spina", RV. 642, Introduzione al Gloria: Aria "Linguis favete, omnes silete" (3:36)
7. Vivaldi: Gloria, RV. 589: Coro "Gloria in excelsis Deo" (2:15)
8. Vivaldi: Gloria, RV. 589: Coro "Et in terra pax hominibus" (5:32)
9. Vivaldi: Gloria, RV. 589: Duetto "Laudamus te, benedicimus te" (2:21)
10. Vivaldi: Gloria, RV. 589: Coro "Gratias agimus tibi" (1:08)
11. Vivaldi: Gloria, RV. 589: Aria "Domine Deus, Rex cælestis" (3:36)
12. Vivaldi: Gloria, RV. 589: Coro "Domine fili unigenite" (2:17)
13. Vivaldi: Gloria, RV. 589: Accompagnato e Coro "Domine Deus, Agnus Dei" (4:16)
14. Vivaldi: Gloria, RV. 589: Coro "Qui tollis peccata mundi, suscipe depracationem" (0:52)
15. Vivaldi: Gloria, RV. 589: Aria "Qui sedes ad dexteram Patris" (2:18)
16. Vivaldi: Gloria, RV. 589: Coro "Quoniam tu solus sanctus" (3:27)
17. Vivaldi: Credo, RV. 591: Coro "Credo in unum Deum" (2:03)
18. Vivaldi: Credo, RV. 591: Coro "Et incarnatus est" (1:18)
19. Vivaldi: Credo, RV. 591: Coro "Crucifixus etiam pro nobis" (3:16)
20. Vivaldi: Credo, RV. 591: Coro "Et resurrexit tertia die" (2:48)
21. Vivaldi: Sanctus (contrafactum by Les Arts Florissants of Beatus Vir, RV. 597/1 & Dixit Dominus, RV. 807/7): Coro "Sanctus Dominus, Deus Sabaoth" (1:42)
22. Vivaldi: Sanctus (contrafactum by Les Arts Florissants of Beatus Vir, RV. 597/1 & Dixit Dominus, RV. 807/7): Coro "Pleni sunt cæli et terra gloria tua" (1:10)
23. Vivaldi: Sanctus (contrafactum by Les Arts Florissants of Beatus Vir, RV. 597/1 & Dixit Dominus, RV. 807/7): Coro "Osanna in excelsis" (0:56)
24. Vivaldi: Benedictus (contrafactum by Les Arts Florissants of Dixit Dominus, RV. 807/8): Aria "Benedictus qui venit in nomine Domini" (4:39)
25. Vivaldi: Benedictus (contrafactum by Les Arts Florissants of Dixit Dominus, RV. 807/8): Coro"Hosanna in excelsis" (0:58)
26. Vivaldi: Agnus Dei (contrafactum by Les Arts Florissants of Magnificat, RV. 610/1 et 8 & Kyrie RV. 587): Coro "Agnus Dei" (5:23)

A puzzling paradox: although Vivaldi devoted over 30 years to composing for the Ospedale della Pietà in Venice, no complete musical setting of any liturgy by him has come down to us. By intercalating existing examples of his sacred music (such as the famous Gloria) and other works given a different text to suit their new liturgical function (Sanctus and Agnus Dei), the ensemble Les Arts Florissants now offers us a compelling reconstruction of a solemn Mass which the “Red-Haired Priest” might have written... for just such an assembly of exceptional soloists!

"No musical setting of the other movements of the Mass by Vivaldi survives, requiring this reconstruction to conclude with other pieces by Vivaldi retrofitted to the text of the Sanctus and Agnus dei (editions prepared by Pascal Duc). This makes perfect sense, as Vivaldi was known to cannibalize his own work in this way, as did most Baroque composers. The flowing strings of the Benedictus are particularly effective, adapted from a movement of the composer's Dixit dominus. In an apt echo of the return of the start of a cyclic mass setting at its conclusion, the final section of the Agnus dei is based on the solemn opening of the Kyrie (sadly not that zippy chromatic section of the second Kyrie). The sound, captured in 2020 in the resonant acoustic of the Église Notre-Dame-du-Liban in Paris, has a pleasing ring." (Charles T. Downey, ionarts.blogspot.com)

Sophie Karthäuser, soprano
Lucile Richardot, mezzo-soprano
Renata Pokupić, mezzo-soprano
Les Arts Florissants
Paul Agnew, direction


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  •  wrote in 23:40
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gracias...