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Paolo Biordi & Francesco Tomei - Sainte-Colombe: Concerts à deux violes esgales, Vol. 1 (2022) [Hi-Res]

Paolo Biordi & Francesco Tomei - Sainte-Colombe: Concerts à deux violes esgales, Vol. 1 (2022) [Hi-Res]
  • Title: Sainte-Colombe: Concerts à deux violes esgales, Vol. 1
  • Year Of Release: 2022
  • Label: Dynamic
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:05:02
  • Total Size: 342 mb / 1.22 gb
  • WebSite:
Tracklist

01. Concert No. 1 for 2 Violas "Le retrouvé": I. Le retrouvé
02. Concert No. 1 for 2 Violas "Le retrouvé": II. Gigue en caprice
03. Concert No. 18 for 2 Violas "Les bateries": I. Les bateries
04. Concert No. 18 for 2 Violas "Les bateries": II. Sarabande en bourrasque
05. Concert No. 53 for 2 Violas "L’aureille": I. L’aureille
06. Concert No. 53 for 2 Violas "L’aureille": II. Courante première
07. Concert No. 53 for 2 Violas "L’aureille": III. Sarabande
08. Concert No. 53 for 2 Violas "L’aureille": IV. Courante deuxième
09. Concert No. 45 for 2 Violas "Le cor"
10. Concert No. 44 for 2 Violas "Tombeau": III. Les pleurs
11. Concert No. 59 for 2 Violas "Le précipité"
12. Concert No. 39 for 2 Violas "Le resjoui": I. Le resjoui
13. Concert No. 39 for 2 Violas "Le resjoui": II. Gavote
14. Concert No. 60 for 2 Violas "Le majestueux"
15. Concert No. 66 for 2 Violas "L'infidelle"
16. Concert No. 6 for 2 Violas "La Duchesse": I. La Duchesse
17. Concert No. 6 for 2 Violas "La Duchesse": II. Sarabande lente première
18. Concert No. 6 for 2 Violas "La Duchesse": III. Sarabande lente deuxième
19. Concert No. 61 for 2 Violas "Le varié"
20. Concert No. 28 for 2 Violas "Le passant": I. Le passant
21. Concert No. 28 for 2 Violas "Le passant": II. Gavote
22. Concert No. 7 for 2 Violas "Le pleureux": I. Sarabande la pleureuse
23. Concert No. 48 for 2 Violas "Le raporté": III. Chacone raportée

Paolo Biordi & Francesco Tomei - Sainte-Colombe: Concerts à deux violes esgales, Vol. 1 (2022) [Hi-Res]


Monsieur de Sainte-Colombes life is largely shrouded in mystery, and almost nothing was known of his music until these Concerts deux violes esgales were discovered in Geneva in 1966. Full of inspiration and fantasy, these pieces are often technically very demanding, innovatively deploying the viols entire range and putting players to the test in ways that were unprecedented in French viol literature. The sound of the viols is as haunting as the musics titles are teasingly expressive, and for their extraordinary imagination, originality and rare sonic splendour these works are justly considered one of the great monuments of European Baroque music.


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  • User offline
  • platico
  •  wrote in 00:05
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gracias...
  • User offline
  • Cantor
  •  wrote in 22:46
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Muchas gracias!!