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Luciano Pavarotti - Pavarotti: Moments (2022)

Luciano Pavarotti - Pavarotti: Moments (2022)
  • Title: Pavarotti: Moments
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 4:31:38
  • Total Size: 1.36 GB
  • WebSite:
Tracklist:

01. "Donna non vidi mai"
02. "Che gelida manina"
03. "Una furtiva lagrima"
04. "Questa o quella"
05. "La donna è mobile"
06. Di Capua, Mazzucchi: 'O sole mio (Arr. Chiaramello)
07. Caruso
08. Libiamo ne'lieti calici
09. Tosti: 'A vucchella
10. De Curtis: Torna a Surriento (Arr. Chiaramello)
11. Bixio: Mamma (Arr. Mancini)
12. Modugno: Volare
13. "Recondita armonia"
14. Funiculì, funiculà (Remastered 2013)
15. "Au fond du temple saint"
16. Ah! mes amis, quel jour de fête!
17. "Recitar!...Vesti la giubba"
18. Leoncavallo: Mattinata (Orch. Faris)
19. "M'appari" (Remastered 2013)
20. Se Bastasse Una Canzone
21. Holy Mother (Live)
22. Miserere (Live)
23. Franck: Panis Angelicus, Op.12/V
24. Buongiorno a te
25. A te, o cara
26. "O soave fanciulla"
27. 8. La Danza
28. "Di quella pira"
29. We Are The World (Live)
30. Bixio: La mia canzone al vento
31. Ti adoro
32. Schubert: Ave Maria, D839 (Remastered 2013)
33. "E lucevan le stelle"
34. Di Capua, Mazzucchi: I'te vurria vasà
35. "Pour mon âme quel destin"
36. "Ah sì ben mio"
37. Di Capua: Maria, Marì
38. Già il sole dal Gange
39. Zimmer: Il Gladiatore
40. Gounod: Ave Maria, CG 89a
41. "Ma se m'è forza perderti"
42. Bellini: Vaga luna che inargenti
43. Che fiero costume
44. "Signora...Che t'accadde...Parigi, o cara"
45. "Il mio giuro egli disse"
46. 2. Cujus animam gementem
47. Non piangere Liù
48. Cannio: 'O surdato 'nnamurato
49. "Un grande spettacolo!"
50. "Possente amor"
51. "Franchigia a Floria Tosca"
52. Durante: Danza, Danza Fanciulla
53. Bixio: Cantate con me
54. Anonymous: La Palummella
55. Respighi: Pioggia
56. "Pourquoi me réveiller, ô souffle du printemps?"
57. N. Valente, Tagliaferri: Passione (Arr. Chiaramello)
58. Fuor del mar
59. "Se quel guerrier io fossi!..Celeste Aida"
60. "La fleur que tu m'avais jetée"
61. Lara: Granada
62. Notte 'e piscatore (Live)
63. "Forse la soglia attinse"
64. Cardillo: Core 'ngrato (Arr. Chiaramello)
65. Tosti: L'ultima canzone
66. De Curtis: Voce 'e notte (Arr. Chiaramello)
67. "Tu che m'hai preso il cor" (Live)
68. Lama: Silenzio cantatore
69. Revaux: My Way
70. Verdi: Hymn of the Nations (Inno delle nazione)

One of the most successful and admired opera singers of all time, Luciano Pavarotti was king among tenors from the late 1960s through the 1990s. His voice was noted for its exciting upper register, and tailor-made for the operas of Verdi, Bellini, Donizetti, and Puccini, and as it darkened slightly over the years, for the verismo composers as well. His vocal longevity, which kept him singing youthfully well into his sixties, and still beautifully after that, was a credit to his commanding technique and artistry, and remarkable considering his nearly 40 years of performing.

Pavarotti's father was a baker, and his mother worked in a cigar factory. As a boy, he sang alto in the cathedral choir, and when his voice changed he joined the Modena city choir. He had brief careers as a schoolteacher and an insurance agent; during that time, his major extracurricular activity was not music but soccer, and his play made him a local star. However, increased involvement in the choir (which took prizes in international competitions) led him to pursue vocal studies, and he eventually settled on singing as his aspiration.

Pavarotti studied voice with Arrigo Polo in Modena, then with Ettore Campogalliani in Mantua. His operatic debut was as Rodolfo in La Bohème in Reggio Emilia (April 19, 1961), and soon increasing success led to a debut in Amsterdam on January 18, 1963, as Edgardo in Lucia di Lammermoor. After singing the same role with Joan Sutherland in Miami in 1965, he was engaged to travel with her in the Sutherland Williamson International Grand Opera Company, touring Australia. In 1966 he appeared at Covent Garden as Tonio in La fille du régiment, where his seemingly effortless handling of the nine successive high Cs in the aria "Pour mon âme" sent his career into high orbit. He repeated the feat at the Metropolitan Opera in 1972, and for more than two decades after that he was a fixture on the operatic scene, appearing in nearly every major European and American house, and even China, where he performed Puccini's La bohème in the 1980s.

Pavarotti appeared in the first "Live from the Met" broadcast on the PBS network and was the most consistent draw on that series for years. His outstanding catalogue of recordings on the London (Decca) record label preserves nearly every role he ever performed and is hard to match for its quality and scope. His charity work included AIDS benefit concerts and world hunger gala events, as well as his "Pavarotti and Friends" concerts to benefit children, especially in the former Yugoslav states. He also founded a quadrennial contest to identify talented young singers and boost their careers. And, as one of the "Three Tenors," he brought operatic singing to a wider popular audience than previously might have been thought possible. In 2003 he released his first solo crossover CD, Ti adoro. He was diagnosed with cancer in 2006, yet remained positive and hopeful of still being able to record and perform until his death. ~ Rovi Staff


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  • User offline
  • Kolomito
  •  wrote in 13:12
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Many thanks
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  • scnogueira
  •  wrote in 15:35
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