Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira - Ellipses (2022) [Hi-Res]
![Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira - Ellipses (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-06/1654621304_anastasia-kobekina-ellipses-2022.jpg)
BAND/ARTIST: Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira
- Title: Ellipses
- Year Of Release: 2022
- Label: Mirare
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
- Total Time: 00:50:08
- Total Size: 232 / 490 mb
- WebSite: Album Preview
Tracklist
01. Fandango per violoncello solo
02. Sonata for Cello and Piano
03. Bachianas Brasileiras: No. 5, Aria (Arr. for Cello and Guitar)
04. Sicilienne pour violoncelle baroque et clavecin
05. Sicilienne, Op. 78 for Cello and Piano
06. Sicilienne (Transcribed for Cello & Piano)
07. Sicilienne for Bassoon or Violoncello
08. Les Folies d'Espagne (Transcribed for Cello & Harpsichord)
09. La Follia pour violoncelle solo
10. Détail pour violoncelle baroque et clavecin
11. Gallardo pour violoncelle et tambourin
![Anastasia Kobekina, Vincent Boccadoro, Emmanuel Arakélian, Thibault Cauvin, Tristan Pereira - Ellipses (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-06/1654621313_anastasia-kobekina-ellipses-2022-back.jpg)
Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex-nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings.
01. Fandango per violoncello solo
02. Sonata for Cello and Piano
03. Bachianas Brasileiras: No. 5, Aria (Arr. for Cello and Guitar)
04. Sicilienne pour violoncelle baroque et clavecin
05. Sicilienne, Op. 78 for Cello and Piano
06. Sicilienne (Transcribed for Cello & Piano)
07. Sicilienne for Bassoon or Violoncello
08. Les Folies d'Espagne (Transcribed for Cello & Harpsichord)
09. La Follia pour violoncelle solo
10. Détail pour violoncelle baroque et clavecin
11. Gallardo pour violoncelle et tambourin
Anastasia Kobekina suggests the history of the cello through ellipses, jumps in time between pieces from the 18th century, among the very first written for this instrument alone (Boccherini, Fesch, Galliard), and others from our time (Thierry Escaich, Jules Matton) which draw their writing processes and their sound palettes from the ancient repertoire. Whether it is a question of nostalgia, sometimes ironic, of homage or of intellectual and artistic transmission between composers, the compositions for cello are never born ex-nihilo. By returning to the sources of the Baroque era, composers write the present and the future of the cello. Anastasia Kobekina blurs the boundaries by building indescribable bridges between their so diverse writings.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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