Ars Antiqua Austria, Gunar Letzbor & St. Florianer Sängerknaben - Weichlein: Messen (2018)
BAND/ARTIST: Ars Antiqua Austria, Gunar Letzbor, St. Florianer Sängerknaben
- Title: Weichlein: Messen
- Year Of Release: 2018
- Label: Accent
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:05:03
- Total Size: 627 mb
- WebSite: Album Preview
Tracklist
CD1
01. Canon über das Post-Horn
02. Eripe me Domine
03. Domine
04. Missa rectorium cordium: I. Kyrie
05. Missa rectorium cordium: II. Gloria
06. Missa rectorium cordium: III. Credo
07. Missa rectorium cordium: IV. Sanctus
08. Missa rectorium cordium: V. Benedictus
09. Missa rectorium cordium: VI. Agnus Dei
CD2
01. Missa Sanctissimæ Trinitatis: I. Kyrie
02. Missa Sanctissimæ Trinitatis: II. Gloria
03. Missa Sanctissimæ Trinitatis: III. Credo
04. Missa Sanctissimæ Trinitatis: IV. Sanctus
05. Missa Sanctissimæ Trinitatis: V. Agnus Dei
06. Missa gloriosæ virginis in coelo: I. Kyrie
07. Missa gloriosæ virginis in coelo: II. Gloria
08. Missa gloriosæ virginis in coelo: III. Credo
09. Missa gloriosæ virginis in coelo: IV. Sanctus
10. Missa gloriosæ virginis in coelo: V. Agnus Dei
Composers
Weichlein, Father Romanus (1652-1706)
Romanus Weichlein was born in Linz from parents who were both musicians and who gave him a good musical education. He received his first musical training at the abbey of Lambach and entered the Benedictine Order in 1671. He went to Salzburg where he got acquainted with Heinrich Ignaz Franz von Biber. He returned to Lambach, and later became chaplain and musical director of the Benedictine convent of Nonnberg in Salzburg.
His oeuvre consists of twelve sonatas for strings and bc opus 1 and a collection of seven mass settings opus 2. The latter collection is the source of the two masses of the second disc; the Missa Rectorum Cordium has been preserved in manuscript. The masses don't contain very virtuosic parts, with the exception of some vocal passages now and then.
Polyphonic and homophonic episodes alternate, there are tutti and solo sections and instrumental preludes and interludes. Weichlein also makes use of the practice of instruments playing colla parte, for instance 3 trombones in the Missa Rectorum Cordium.
“The St. Florianer Sängerknaben is really an outstanding choir of boys - sopranos and altos - which produces a warm sound and sings with great flexibility and excellent text expression … These are enthralling recordings which show a lesser-known aspect of Austrian music-making in the time of Biber.”
CD1
01. Canon über das Post-Horn
02. Eripe me Domine
03. Domine
04. Missa rectorium cordium: I. Kyrie
05. Missa rectorium cordium: II. Gloria
06. Missa rectorium cordium: III. Credo
07. Missa rectorium cordium: IV. Sanctus
08. Missa rectorium cordium: V. Benedictus
09. Missa rectorium cordium: VI. Agnus Dei
CD2
01. Missa Sanctissimæ Trinitatis: I. Kyrie
02. Missa Sanctissimæ Trinitatis: II. Gloria
03. Missa Sanctissimæ Trinitatis: III. Credo
04. Missa Sanctissimæ Trinitatis: IV. Sanctus
05. Missa Sanctissimæ Trinitatis: V. Agnus Dei
06. Missa gloriosæ virginis in coelo: I. Kyrie
07. Missa gloriosæ virginis in coelo: II. Gloria
08. Missa gloriosæ virginis in coelo: III. Credo
09. Missa gloriosæ virginis in coelo: IV. Sanctus
10. Missa gloriosæ virginis in coelo: V. Agnus Dei
Composers
Weichlein, Father Romanus (1652-1706)
Romanus Weichlein was born in Linz from parents who were both musicians and who gave him a good musical education. He received his first musical training at the abbey of Lambach and entered the Benedictine Order in 1671. He went to Salzburg where he got acquainted with Heinrich Ignaz Franz von Biber. He returned to Lambach, and later became chaplain and musical director of the Benedictine convent of Nonnberg in Salzburg.
His oeuvre consists of twelve sonatas for strings and bc opus 1 and a collection of seven mass settings opus 2. The latter collection is the source of the two masses of the second disc; the Missa Rectorum Cordium has been preserved in manuscript. The masses don't contain very virtuosic parts, with the exception of some vocal passages now and then.
Polyphonic and homophonic episodes alternate, there are tutti and solo sections and instrumental preludes and interludes. Weichlein also makes use of the practice of instruments playing colla parte, for instance 3 trombones in the Missa Rectorum Cordium.
“The St. Florianer Sängerknaben is really an outstanding choir of boys - sopranos and altos - which produces a warm sound and sings with great flexibility and excellent text expression … These are enthralling recordings which show a lesser-known aspect of Austrian music-making in the time of Biber.”
Year 2018 | Classical | FLAC / APE
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