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Herbert Von Karajan - Karajan: Classical Academia (2022)

Herbert Von Karajan - Karajan: Classical Academia (2022)
  • Title: Karajan: Classical Academia
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 22:38:04
  • Total Size: 6.12 GB
  • WebSite:
Tracklist:

01. Entr'acte (Act IV)
02. Prelude (Sonnenaufgang)
03. Nr.12 Entr'acte
04. Moderato assai quasi andante
05. 3. Gavotta (Non troppo allegro)
06. Promenade I
07. 7. Badinerie
08. 4. Bourrée
09. II. Danses caractéristiques a. Marche (Tempo di marcia viva)
10. IIb. Danse de la fée-Dragée (Andante non troppo)
11. Deutscher Gesang (da capo) (I)
12. IIc. Danse russe Trépak (Tempo di Trépak, molto vivace)
13. IIe. Danse chinoise (Allegro moderato)
14. 2. Largo
15. 4. Romanze (Minnelied). Andantino
16. IIf. Danse des mirlitons (Moderato assai)
17. Pas de caractère: Puss In Boots
18. I. Scene - Swan Theme
19. III. Danse des petits cygnes
20. 2. Deutscher Gesang. Allegro moderato
21. 7. Deutscher Tanz. Walzer
22. Prélude
23. Barcarolle
24. J. Strauss I: Radetzky-Marsch, Op. 228
25. Europa Hymn (Excerpt)
26. Entr'acte (Act II)
27. Entr'acte (Act III)
28. Tema: Moderato semplice
29. Variazione I: Tempo del Tema
30. Variazione II: Tempo del Tema
31. Variazione IV: Andante grazioso
32. Variazione VI: Andante
33. Variazione VII e Coda: Allegro vivo
34. Overture
35. Polka
36. Ländler (Allegro)
37. Tempo di marcia
38. Theme: "Chorale St. Antoni"
39. Variation I: Poco più animato
40. Variation II: Più vivace
41. Variation III: Con moto
42. Variation V: Vivace
43. Variation VI: Vivace
44. Variation VIII: Presto non troppo
45. 2. Rondeau
46. 6. Menuet
47. IV. In the Hall of the Mountain King
48. III. Peer Gynt's Return
49. 5. Ballade
50. 1. Prélude in A major, Op. 28, No. 7
51. 3. Vivace
52. 4. Allegro
53. III. Allegro assai
54. 2. Adagio
55. Credo in unum Deum
56. Patrem omnipotentem
57. Crucifixus
58. Osanna in excelsis (II)
59. Promenade
60. Promenade
61. 3a. Sequientia: Dies irae
62. Prelude (Sonnenaufgang)
63. Introduction
64. Ein ernster Tag, ein großer Tag!
65. Presentation Of The Rose
66. The Tuileries Gardens
67. Promenade (II)
68. The Market-place at Limoges
69. 4. Largo
70. Opening Applause
71. Closing Applause
72. (Without Tempo Indication)
73. Vivo
74. Polka
75. 1. Marsch
76. 3. Jagdlied. Allegretto
77. Deutscher Gesang (da capo) (II)
78. 5. Kriegslied. Allegro assai con brio
79. Deutscher Gesang (da capo) (III)
80. 6. Trinklied. Allegro con brio
81. Deutscher Gesang (da capo) (IV)
82. 8. Coda. Allegro vivace
83. Overtura. Adagio - Allegro molto con brio
84. I. Allegro con brio
85. II. Andante con moto
86. III. Allegro
87. IV. Allegro
88. I. Adagio molto. Allegro con brio
89. II. Andante cantabile con moto
90. III. Menuetto. Allegro molto e vivace
91. IV. Finale. Adagio. Allegro molto e vivace
92. I. Allegro con brio
93. II. Marcia funebre. Adagio assai
94. III. Scherzo. Allegro vivace
95. IV. Finale. Allegro molto
96. I. Adagio molto. Allegro con brio
97. II. Larghetto
98. III. Scherzo. Allegro
99. IV. Allegro molto
100. I. Adagio. Allegro vivace
101. II. Adagio
102. III. Allegro vivace
103. IV. Allegro ma non troppo
104. I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
105. II. Szene am Bach. Andante molto mosso
106. III. Lustiges Zusammensein der Landleute. Allegro
107. IV. Gewitter, Sturm. Allegro
108. V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
109. I. Poco sostenuto. Vivace
110. II. Allegretto
111. III. Presto. Assai meno presto
112. IV. Allegro con brio
113. I. Allegro vivace e con brio
114. II. Allegretto scherzando
115. III. Tempo di menuetto
116. IV. Allegro vivace
117. I. Allegro ma non troppo, un poco maestoso
118. II. Molto vivace
119. III. Adagio molto e cantabile
120. Intermezzo sinfonico
121. 1. Canon
122. I. Morning Mood
123. No. 1 in C Major
124. No. 7 in C Minor
125. III. Menuetto (Allegro molto e vivace)
126. III. Scherzo (Allegro)
127. III. Allegro
128. Overture
129. J. Strauss II: Vergnügungszug, Op. 281 (Live At Grosser Saal, Musikverein, Vienna / 1987)
130. Josef Strauss: Ohne Sorgen, Op. 271 (Live At Grosser Saal, Musikverein, Vienna / 1987)
131. IV. Gewitter, Sturm. Allegro
132. I. Miniature Overture
133. IId. Danse arabe (Allegretto)
134. III. Valse des fleurs (Tempo di Valse)
135. Polonaise
136. Valse
137. Variazione III: Andante sostenuto
138. Variazione V: Allegro moderato
139. Moderato in modo di marcia funebre - Andante molto maestoso - Allegro risoluto
140. I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato
141. II. Walzer: Moderato (Tempo di valse)
142. III. Elégie: Larghetto elegiaco
143. IV. Finale (Tema russo): Andante - Allegro con spirito
144. Introduction - The Lilac Fairy
145. Pas d'action. Rose Adagio
146. Panorama (andantino)
147. Valse
148. I. Valse in A
149. IV. Scene
150. V. Danse Hongroise (Czardas)
151. VI. Scène finale.
152. I. Andante sostenuto - Allegro vivo
153. II. Andantino marziale, quasi moderato
154. III. Scherzo (Allegro molto vivace - Trio. L'istesso tempo)
155. IV. Finale (Moderato assai - Allegro vivo - Presto)
156. Romeo and Juliet, Fantasy Overture
157. Largo - Allegro giusto
158. I. Adagio - Allegro non troppo
159. II. Allegro con grazia
160. III. Allegro molto vivace
161. IV. Finale (Adagio lamentoso - Andante)
162. I. Introduzione e Allegro. Moderato assai (Tempo di marcia funebre)
163. II. Alla tedesca. Allegro moderato e semplice
164. III. Andante elegiaco
165. IV. Scherzo. Allegro vivo
166. V. Finale. Allegro con fuoco (Tempo di Polacca)
167. 4. Langsam - Lebhaft - Schneller - Presto
168. 1. Andante - Allegro ma non troppo
169. 2. Andante con moto
170. 3. Scherzo (Allegro vivace)
171. 4. Allegro vivace
172. 1. Ziemlich langsam - Lebhaft
173. 2. Romanze (Ziemlich langsam)
174. 3. Scherzo
175. 4. Langsam - Lebhaft - Schneller - Presto
176. I. Allegro affettuoso
177. II. Intermezzo (Andantino grazioso)
178. III. Allegro vivace
179. J. Strauss II, Josef Strauss: Pizzicato Polka (Live At Grosser Saal, Musikverein, Vienna / 1987)
180. Introduction
181. 3. Allegretto grazioso - Molto vivace
182. 5. Gigue
183. 3. Gavotte I-II
184. 1. (Allegro)
185. 2. Adagio
186. 3. Allegro
187. I. (Allegro)
188. II. Andante
189. 1. (Allegro)
190. 3. Allegro
191. 1. Ouverture
192. Confiteor unum baptisma
193. Et expecto resurrectionem
194. Sanctus
195. Osanna in excelsis (I)
196. Benedictus
197. Agnus Dei
198. Dona nobis pacem
199. 1. (Allegro)
200. 1. Allegro
201. 4. Menuet - Trio - Polonaise
202. 1. Allegro (I)
203. No.33 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen"
204. II. Allegretto scherzando
205. 2. Dies irae
206. 3. Menuetto (Allegretto)
207. 1. Allegro
208. 2. Adagio
209. 3. Rondo (Allegro)
210. 1. Allegro aperto
211. 2. Adagio
212. 3. Rondeau (Tempo di minuetto)
213. I. Allegro ma non troppo
214. II. Larghetto
215. III. Rondo. Allegro
216. I. Allegro
217. II. Largo (Attacca)
218. III. Rondo alla Polacca
219. I. Allegro moderato (Live)
220. II. Canzonetta. Andante (Live)
221. III. Finale. Allegro vivacissimo (Live)
222. 1. Allegro non troppo
223. 2. Adagio
224. 3. Allegro giocoso, ma non troppo vivace - Poco più presto
225. 1. Allegro
226. 2. Andante
227. 3. Vivace non troppo - Poco meno allegro - Tempo I
228. I. Allegro molto appassionato
229. II. Andante
230. III. Allegro non troppo - Allegro molto vivace
231. I. Vorspiel (Allegro moderato)
232. II. Adagio
233. III. Finale (Allegro energico)
234. Ecco. Son giunte al sommo del pendio
235. Chorus: "Sicut locutus est"
236. Verwandlungsmusik

Herbert von Karajan was among the most famous conductors of all time -- a man whose talent and autocratic bearing lifted him to a position of unprecedented dominance in European musical circles. He was born on April 5, 1908 in Salzburg, Austria, to a cultured Austrian family of Greek descent (their original name was Karajannis). His musical training began at the Mozarteum Conservatory in Salzburg where he studied piano with Franz Ledwenke, theory with Franz Zauer, and composition with Bernhard Paumgartner, who encouraged Karajan to pursue conducting. Karajan graduated from the conservatory in 1926, and continued his studies at the Vienna Academy of Music and Performing Arts, where he studied piano with Josef Hofman and conducting with Alexander Wunderer and Franz Schalk. Karajan's conducting debut came on January 22, 1929, with the Mozarteum Orchestra in Salzburg. Consequently, the young maestro directed a performance of Strauss' Salome at the Salzburg Festspielhaus, and was named principal conductor of the Ulm Stadttheater, where he remained in that capacity until 1934.

The next fourteen years saw the young conductor's reputation grow rapidly. He was named music director of the Aachen Stadttheater (1934-1942), had his debut at the Vienna State Opera (1937), and accepted a position with the Deutsch Grammophon Gesellschaft (1938-1943). In 1939, Karajan was appointed conductor of the Berlin State Opera, and director of the Preussiche Staatskapelle Symphony concerts. In 1948, he was appointed for life, to the position of director of the Chorale Society at the Society of the Friends of Music, in Vienna.

In 1948, Herbert von Karajan also served at the Vienna Symphony Orchestra, the Philharmonia Orchestra, and La Scala, before succeeding Wilhelm Furtwängler as the music director of the Berlin Philharmonic Orchestra -- a union that would cement his reputation as one of the world's premier conductors. In 1955, Karajan brought that orchestra to the United States on the first of many international tours. The decade that followed saw Karajan accept several appointments, including those to the Salzburg Festival and the Vienna State Opera. In 1967, Karajan had his Metroplitan Opera debut, conducting a performance of Wagner's Die Walküre, and the same year, founded the Salzburg Easter Festival. In 1968, the Herbert von Karajan Foundation was founded to support the research of "conscious musical perception."

Herbert von Karajan was awarded the "Ring of the Province of Salzburg," Golden Grammophone, Arts Prize (Lucerne), Grand Prix International du Disque, Gold Medal of the Royal Philharmonic Society, German Golden Disc Prize, UNESCO International Music Prize, Olympia Prize of the Onassis Foundation, and multiple Grammophone awards, among others. He was elected to an honorary senate seat at the University of Salzburg. The maestro was also recognized with honorary degrees from a host of universities.

Karajan, along with Akio Morita and Norio Ohga (president and vice-president respectively, of Japanese Sony Group), unveiled and presented the Compact Disc Digital Audio System in 1981. In 1982, Karajan founded Telemondial S.A.M. with Uli Markle, in an effort to document the maestro's illustrious legacy on videotape and laser disc, and to help broaden the scope of "musical expression," through the use of modern technology. In 1984, Karajan recorded the complete Beethoven symphonies with film adaptation, made possible by his own Telemondial. In 1988, Deutsch Grammophone released a collection of one hundred "masterworks" recordings made by the conductor. Herbert von Karajan's discography is impressive to say the least, and will certainly endure in musical arenas, as some of the most valued interpretations of the repertoire available. Herbert von Karajan, often referred to as "general music director of Europe," died in Salzburg of heart failure July 16, 1989. ~ David Brensilver


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