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Joanna Macgregor - Ives: Piano Sonata No. 1 / Barber: Piano Sonata, Op. 26 & Excursions, Op. 20 (2016)

Joanna Macgregor - Ives: Piano Sonata No. 1 / Barber: Piano Sonata, Op. 26 & Excursions, Op. 20 (2016)

BAND/ARTIST: Joanna Macgregor

  • Title: Ives: Piano Sonata No. 1 / Barber: Piano Sonata, Op. 26 & Excursions, Op. 20
  • Year Of Release: 2016
  • Label: SoundCircus
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:08:02
  • Total Size: 216 / 173 Mb
  • WebSite:
Tracklist:

1. Piano Sonata No. 1: I. Adagio con moto 08:08
2. Piano Sonata No. 1: II. Allegro moderato 01:34
3. Piano Sonata No. 1: II. In the Inn. Largo 03:38
4. Piano Sonata No. 1: III. Largo - Allegro - Presto 07:04
5. Piano Sonata No. 1: IV. — 01:01
6. Piano Sonata No. 1: IV. Allegro - Presto 02:37
7. Piano Sonata No. 1: V. Andante maestoso 10:57
8. Piano Sonata, Op. 26: I. Allegro energico 07:58
9. Piano Sonata, Op. 26: II. Allegro vivace e leggiero 02:00
10. Piano Sonata, Op. 26: III. Adagio mesto 06:50
11. Piano Sonata, Op. 26: IV. Fuga. Allegro con spirito 04:55
12. Excursions, Op. 20: No. 1, Un poco allegro 03:03
13. Excursions, Op. 20: No. 2, In Slow Blues Tempo 03:31
14. Excursions, Op. 20: No. 3, Allegretto 02:34
15. Excursions, Op. 20: No. 4, Allegro molto 02:12

Performers:
Joanna Macgregor - piano

Joanna MacGregor’s recording [of the Ives Sonata no.1] is now a landmark….the sonata contains some of the most remarkable examples of Ives’s notated improvisations influenced by ragtime performers, especially in the second and fourth movements. In the latter, MacGregor outshines American competitors in masculinity, which would have appealed to Ives, by playing with a driving rhythm, loud throughout. At 0’59” when Ives specifies ‘as fast as possible’ she throws caution to the wind….the slow movement, mostly concerned with that fine hymn What a Friend we have in Jesus, is beautifully appreciated by MacGregor, who also makes excellent sense of the finale. Overall this is a performance which represents Ives in his many inter-related facets so faithfully that it ought to have an impact in the USA.

The Barber Sonata has regularly attracted performers who enjoy its challenges. Everything from MacGregor is well controlled, and her slightly free approach to the first movement brings out the Chopin connection. The scherzo is neat and the eloquent slow movement has exactly the right cumulative intensity. Almost the only American qualities surface in the syncopated fugue-subject of the finale. Both here and in the four Excursions which complete this well-recorded CD, MacGregor’s enthusiasm for popular idioms comes through and pays off.



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