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Elena Harsanyi, Elvira Bill, Mirko Ludwig, Andreas Wolf, Kölner Akademie & Michael Alexander Willens - Two Passion Oratorios (2022) [Hi-Res]

Elena Harsanyi, Elvira Bill, Mirko Ludwig, Andreas Wolf, Kölner Akademie & Michael Alexander Willens - Two Passion Oratorios (2022) [Hi-Res]
  • Title: Two Passion Oratorios
  • Year Of Release: 2022
  • Label: cpo
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:14:45
  • Total Size: 337 MB / 1.34 GB
  • WebSite:
Tracklist:

1. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Coro "come? S'imbrune il ciel" (2:41)
2. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Coro "e lumi e cor non ha chi lagrimar" (0:51)
3. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "ben ha cor di Giudeo" (1:22)
4. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Aria "mio Gesu, dolce adorato" (3:42)
5. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "che miro?" (1:06)
6. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo accompagnato "o qual dura penar!" (1:11)
7. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Aria "genti, genti" (3:09)
8. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "addolorata ed adorate Madre" (2:26)
9. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Aria "madre, non isdegnar" (4:46)
10. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "madre in Amor" (1:22)
11. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Aria "lato, mani, pie forati" (4:08)
12. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "o ciel?" (1:45)
13. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Duetto "croce mal nata" (1:51)
14. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "qual rigore di padre!" (0:34)
15. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "miseri ch'habbiam fatto?" (1:09)
16. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Aria "mia Sion, che facesti?" (2:41)
17. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Recitativo "piani popolo mio" (1:13)
18. Passion Oratorio "come? S'imbruna il ciel! Occhi piangete!: Coro "alla croce alme redente" (2:41)
19. Passion Oratorio "l'aride tempie ignude": Siinfonia (3:07)
20. Passion Oratorio "l'aride tempie ignude": Recitativo "l'aride tempie ignude" (1:08)
21. Passion Oratorio "l'aride tempie ignude": Aria "di mia vittoria su questa tomba" (4:24)
22. Passion Oratorio "l'aride tempie ignude": Recitativo "non dir superbo Gloria dell'armi tue d'un dio la morte" (0:51)
23. Passion Oratorio "l'aride tempie ignude": Aria "di Giesu tenere viscere" (5:23)
24. Passion Oratorio "l'aride tempie ignude": Aria "e non ti sfacci cuor dispietato" (4:37)
25. Passion Oratorio "l'aride tempie ignude": Accompagnato "marmi, ch'estino il sommo ben chiudete" (1:31)
26. Passion Oratorio "l'aride tempie ignude": Recitativo "lagrime avventurose" (0:41)
27. Passion Oratorio "l'aride tempie ignude": Aria "qual pianta" (5:44)
28. Passion Oratorio "l'aride tempie ignude": Recitativo accompagnato "erger ti ardisci al favellar di spene" (1:54)
29. Passion Oratorio "l'aride tempie ignude": Recitativo "per accendere altrui del vivo zelo" (0:54)
30. Passion Oratorio "l'aride tempie ignude": Coro "quel core sincere sol giunge" (6:03)

"The Passion music Johann David Heinichen wrote for the Dresden court is a document of cultural and confessional openness of the Saxon residence, and his two Italian oratorios heard here are surrogates of large-scale Passion music. ""Come? S'imbruna il ciel"" - composed in 1728 - is the latest of the sepolcri, his other Passion ""L'aride tempie ignude"" the first of the sepolcri to survive from Heinichen in Dresden. Both texts are by Stefano Pallavicino, who had been active at the Dresden court since 1719. In the first-mentioned Passion, the meditation on the Passion event recurs to the experience of the earthquake that, according to biblical accounts, occurred immediately after the death of Jesus. The description of the violent natural events gives Mary the Mother of God, John (Jesus' favorite disciple), and Mary Magdalene an opportunity to reflect on their relationship to the Crucified. Different aspects of affection and love are thematized. The meditation on the Passion event in the second-named Passion is designed as an allegorical play of death (Morte) and hope (Speranza), divine love (Amor divino) and penance (Poenitenza), and follows an easily comprehensible dramaturgy. The affinity to opera seria is evident in both passions not only in the arrangement of the pieces. The keys, gestures and instrumentation also correspond to the models familiar from baroque musical theater. Full of affect!

Elena Harsányi, Soprano
Elvira Bill, Alto
Mirko Ludwig, Tenor
Andreas Wolf, Bass

Michael Alexander Willens
Kölner Akademie


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