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Robert Plane, Northern Sinfonia, Howard Griffiths - Finzi: Clarinet Concerto, Five Bagatelles, Three Soliloquies, Romance (1998)

Robert Plane, Northern Sinfonia, Howard Griffiths - Finzi: Clarinet Concerto, Five Bagatelles, Three Soliloquies, Romance (1998)
  • Title: Finzi: Clarinet Concerto, Five Bagatelles, Three Soliloquies, Romance
  • Year Of Release: 1998
  • Label: Naxos
  • Genre: Classical
  • Quality: FLAC (tracks) / MP3 320 Kbps
  • Total Time: 01:11:00
  • Total Size: 305 / 182 Mb
  • WebSite:
Tracklist:

Clarinet Concerto, Op. 31 (27:59)
1. Allegro Vigoroso 7:50
2. Adagio, Ma Senza Rigore 11:38
3. Rondo: Allegro Giocoso 8:25
Five Bagatelles, Op. 23a (14:36)
4. I Prelude: Allegro Deciso 3:17
5. II Romance: Andante Tranquillo 4:11
6. III Carol: Andante Semplice 1:55
7. IV Forlana: Allegretto Grazioso 2:58
8. V Fughetta: Allegro Vivace 2:08
Three Soliloquies From “Love’s Labours Lost”, Op. 28 (4:55)
9. Soliloquy I: The King’s Poem 1:57
10. Soliloquy II: Longaville’s Sonnet 1:38
11. Soiloquy III: Dumaine’s Poem 1:10
12. A Severn Rhapsody, Op. 3 6:42
13. Romance In E Flat Major For String Orchestra, Op. 11. 8:11
14. Introit In F Major For Solo Violin And Small Orchestra, Op. 6 8:22

Performers:
Robert Plane (clarinet)
Lesley Hatfield (violin)
Northern Sinfonia
Howard Griffiths

This is a highly commanding performance of Finzi's gorgeous Clarinet Concerto from Northern Sinfonia principal, Robert Plane. With his bright, singing tone and effortless technical mastery, there's no shortage of intuitive poetry from Plane in the sublime central Adagio. Howard Griffiths's conducting is exemplary. We also get an atmospheric account of Lawrence Ashmore's idiomatic orchestration of the Five Bagatelles (with the poignant 'Romance' a highlight), as well as exquisitely drawn renderings of both the Romance for strings and 'Three Soliloquies' from Finzi's incidental music for a 1946 BBC production of Love's Labour's Lost. The fragrant, very early Severn Rhapsody (1923) makes a welcome return to the catalogue under Griffiths's deeply felt advocacy, and Lesley Hatfield makes a touching soloist in the radiant Introit (the slow movement of a withdrawn Violin Concerto). The sound and balance are extremely truthful, though the acoustic may be a little over-resonant for some tastes.


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  • hollinsuk
  •  wrote in 13:09
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Many thanks for 320 kbps share.

Cheers.