Diego Dini-Ciacci, Paolo Carlini, Orchestra di Padova e del Veneto, Zsolt Hamar - Wolf-Ferrari: Idillio Concertino In a Major - Suite-Concertino In F Major - Concertino In a Flat Major (2007)
BAND/ARTIST: Diego Dini-Ciacci, Paolo Carlini, Orchestra di Padova e del Veneto, Zsolt Hamar
- Title: Wolf-Ferrari: Idillio Concertino In a Major - Suite-Concertino In F Major - Concertino In a Flat Major
- Year Of Release: 2007
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:10:05
- Total Size: 283 mb
- WebSite: Album Preview
Tracklist
01. Idillio-concertino in A Major, Op. 15: I. Preambola
02. Idillio-concertino in A Major, Op. 15: II. Scherzo
03. Idillio-concertino in A Major, Op. 15: III. Adagio
04. Idillio-concertino in A Major, Op. 15: IV. Rondo
05. Suite-concertino in F Major, Op. 16: I. Notturno: Andante un poco mosso
06. Suite-concertino in F Major, Op. 16: II. Strimpellata: Presto
07. Suite-concertino in F Major, Op. 16: III. Canzone: Andante cantabile
08. Suite-concertino in F Major, Op. 16: IV. Andante con moto
09. Concertino in A-Flat Major, Op. 34: I. Preludio
10. Concertino in A-Flat Major, Op. 34: II. Capriccio
11. Concertino in A-Flat Major, Op. 34: III. Adagio
12. Concertino in A-Flat Major, Op. 34: IV. Finale
Lovely, melodic, and ephemeral, these three concertos by German-Italian composer Ermanno Wolf-Ferrari will charm listeners looking for twentieth century music that recalls with warm nostalgia the final years of the nineteenth century. Each concerto is in four movements and scored for different woodwind soloists plus a small orchestra. Both the delightful Idillio-Concertino for oboe and the sonorous Suite-Concertino for bassoon were premiered in 1933 while the wistfully tuneful Concertino for English Horn was posthumously premiered in 1955, seven years after the composer's death. All three are thoroughly Romantic in their arching melodies, chromatic harmonies, and freewheeling approach to form, and faintly neo-classical in their ebullient tone, buoyant rhythms, and ever-so-slightly ironic wit. Superbly played by Diego Dini-Ciacci on oboe and english horn and by Paolo Carlini on bassoon, and enthusiastically accompanied by the Orchestra di Padova e del Veneto led by Zsolt Hamar, Wolf-Ferrrari's concertos are as appealing as cheese, apples, and wine in autumn. Recorded in Padua's Pollini Auditorium, the soloists here sound much too close while the orchestra sounds too far away. The result is an unrealistic and sometimes unpleasant sound.
01. Idillio-concertino in A Major, Op. 15: I. Preambola
02. Idillio-concertino in A Major, Op. 15: II. Scherzo
03. Idillio-concertino in A Major, Op. 15: III. Adagio
04. Idillio-concertino in A Major, Op. 15: IV. Rondo
05. Suite-concertino in F Major, Op. 16: I. Notturno: Andante un poco mosso
06. Suite-concertino in F Major, Op. 16: II. Strimpellata: Presto
07. Suite-concertino in F Major, Op. 16: III. Canzone: Andante cantabile
08. Suite-concertino in F Major, Op. 16: IV. Andante con moto
09. Concertino in A-Flat Major, Op. 34: I. Preludio
10. Concertino in A-Flat Major, Op. 34: II. Capriccio
11. Concertino in A-Flat Major, Op. 34: III. Adagio
12. Concertino in A-Flat Major, Op. 34: IV. Finale
Lovely, melodic, and ephemeral, these three concertos by German-Italian composer Ermanno Wolf-Ferrari will charm listeners looking for twentieth century music that recalls with warm nostalgia the final years of the nineteenth century. Each concerto is in four movements and scored for different woodwind soloists plus a small orchestra. Both the delightful Idillio-Concertino for oboe and the sonorous Suite-Concertino for bassoon were premiered in 1933 while the wistfully tuneful Concertino for English Horn was posthumously premiered in 1955, seven years after the composer's death. All three are thoroughly Romantic in their arching melodies, chromatic harmonies, and freewheeling approach to form, and faintly neo-classical in their ebullient tone, buoyant rhythms, and ever-so-slightly ironic wit. Superbly played by Diego Dini-Ciacci on oboe and english horn and by Paolo Carlini on bassoon, and enthusiastically accompanied by the Orchestra di Padova e del Veneto led by Zsolt Hamar, Wolf-Ferrrari's concertos are as appealing as cheese, apples, and wine in autumn. Recorded in Padua's Pollini Auditorium, the soloists here sound much too close while the orchestra sounds too far away. The result is an unrealistic and sometimes unpleasant sound.
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