![](/templates/plixid/images/plixid_writer_picture.jpg)
The Contours - Do You Love Me (Now That I Can Dance) (1962)
BAND/ARTIST: The Contours
- Title: Do You Love Me (Now That I Can Dance)
- Year Of Release: 1962
- Label: UNI/MOTOWN
- Genre: Soul, R&B
- Quality: 320 kbps | FLAC (tracks)
- Total Time: 00:29:26
- Total Size: 68 mb | 133 mb
- WebSite: Album Preview
Tracklist:
01. The Contours - Do You Love Me (Mono Single)
02. The Contours - Shake Sherrie (Single Version / Mono)
03. The Contours - You Better Get In Line
04. The Contours - The Stretch (Single Version)
05. The Contours - It Must Be Love (Single Version)
06. The Contours - Whole Lotta Woman (National Single Version)
07. The Contours - Claudia
08. The Contours - So Grateful
09. The Contours - The Old Miner
10. The Contours - Funny (Single Version)
11. The Contours - Move Mr. Man (Mono Single)
01. The Contours - Do You Love Me (Mono Single)
02. The Contours - Shake Sherrie (Single Version / Mono)
03. The Contours - You Better Get In Line
04. The Contours - The Stretch (Single Version)
05. The Contours - It Must Be Love (Single Version)
06. The Contours - Whole Lotta Woman (National Single Version)
07. The Contours - Claudia
08. The Contours - So Grateful
09. The Contours - The Old Miner
10. The Contours - Funny (Single Version)
11. The Contours - Move Mr. Man (Mono Single)
The first LP released on Gordy Records is also the Contours' first and only regular album release on Motown; a later collection also titled Do You Love Me was a greatest-hits compilation. This is worth a few bucks if you can find a copy. Three cuts were released on the Motown label before they were switched to Gordy ("The Stretch," "Funny," and "Whole Lotta Woman"); all stiffed. On Gordy, the group enjoyed their biggest hit the first time out in "Do You Love Me." "You Better Get In Line," a slick dance number, died as the flipside of "Shake Sherrie." A lively "You Must Be Love" has Billy Gordon swapping leads with Joe Billingslea. "Shake Sherrie" has a looping beat, a wandering baritone sax, and incredulous vocals from Gordon, Billingslea, Sylvester Potts, Billy Hogg, and Hubert Johnson. The rest suffer from a lack of identity; neither the group nor Motown had defined their sound when these were cut.
Soul | R&B | Oldies | FLAC / APE | Mp3
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads