Geneviève Laurenceau, Maximilian Hornung, Oliver Triendl - Magnard: Piano Trio in F Minor, Op. 18 & Violin Sonata in G Major, Op. 13 (2015)
BAND/ARTIST: Geneviève Laurenceau, Maximilian Hornung, Oliver Triendl
- Title: Magnard: Piano Trio in F Minor, Op. 18 & Violin Sonata in G Major, Op. 13
- Year Of Release: 2015
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:17:50
- Total Size: 363 mb
- WebSite: Album Preview
Tracklist
01. Piano Trio in F Minor, Op. 18: I. Sombre
02. Piano Trio in F Minor, Op. 18: II. Chantant
03. Piano Trio in F Minor, Op. 18: III. Vif. Tempo de valse
04. Piano Trio in F Minor, Op. 18: IV. Largement-Vif
05. Violin Sonata in G Major, Op. 13: I. Large
06. Violin Sonata in G Major, Op. 13: II. Calme
07. Violin Sonata in G Major, Op. 13: III. Très vif
08. Violin Sonata in G Major, Op. 13: IV. Large
Magnard’s oeuvre is not very extensive, but some of his consistently innovative compositions number among the outstanding works of French music history. His chamber compositions are always in four movements, and this structural standard functions as a mark of his independence from the national practice (cf. the symphonies in three movements by Chausson or Dukas based on Franck’s model) and unwaveringly point to timeless models of German provenance.
01. Piano Trio in F Minor, Op. 18: I. Sombre
02. Piano Trio in F Minor, Op. 18: II. Chantant
03. Piano Trio in F Minor, Op. 18: III. Vif. Tempo de valse
04. Piano Trio in F Minor, Op. 18: IV. Largement-Vif
05. Violin Sonata in G Major, Op. 13: I. Large
06. Violin Sonata in G Major, Op. 13: II. Calme
07. Violin Sonata in G Major, Op. 13: III. Très vif
08. Violin Sonata in G Major, Op. 13: IV. Large
Magnard’s oeuvre is not very extensive, but some of his consistently innovative compositions number among the outstanding works of French music history. His chamber compositions are always in four movements, and this structural standard functions as a mark of his independence from the national practice (cf. the symphonies in three movements by Chausson or Dukas based on Franck’s model) and unwaveringly point to timeless models of German provenance.
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