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François Lazarevitch and Justin Taylor - C. P. E. Bach: Sonatas for Flute and Fortepiano (2022) [Hi-Res]

François Lazarevitch and Justin Taylor - C. P. E. Bach: Sonatas for Flute and Fortepiano (2022) [Hi-Res]
  • Title: C. P. E. Bach: Sonatas for Flute and Fortepiano
  • Year Of Release: 2022
  • Label: Alpha Classics
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks+booklet)
  • Total Time: 01:19:43
  • Total Size: 306 MB / 2.76 GB
  • WebSite:
Tracklist:

1. Trio Sonata in D Minor, Wq.145: I. Allegretto (5:14)
2. Trio Sonata in D Minor, Wq.145: II. Largo (3:41)
3. Trio Sonata in D Minor, Wq.145: III. Allegro (6:32)
4. Trio Sonata in D Major, Wq. 83: I. Allegro un poco (4:19)
5. Trio Sonata in D Major, Wq. 83: II. Largo (5:57)
6. Trio Sonata in D Major, Wq. 83: III. Allegro (5:48)
7. Flute Sonata in A Minor, Wq. 132: I. Poco adagio (4:24)
8. Flute Sonata in A Minor, Wq. 132: II. Allegro (5:26)
9. Flute Sonata in A Minor, Wq. 132: III. Allegro (4:47)
10. Trio Sonata in C Major, Wq. 149: I. Allegro di molto (3:01)
11. Trio Sonata in C Major, Wq. 149: II. Andante (4:58)
12. Trio Sonata in C Major, Wq. 149: III. Allegretto (5:46)
13. Fantasia in F-Sharp Minor, Wq. 67: I. Adagio - Allegretto (2:27)
14. Fantasia in F-Sharp Minor, Wq. 67: II. Largo - Adagio - Largo (4:08)
15. Fantasia in F-Sharp Minor, Wq. 67: III. Adagio - Allegretto - Adagio - Allegretto - Largo (3:50)
16. Trio Sonata in B Minor, Wq. 143: I. Allegro (3:30)
17. Trio Sonata in B Minor, Wq. 143: II. Adagio (3:46)
18. Trio Sonata in B Minor, Wq. 143: III. Presto (2:17)

With these sonatas by C. P. E. Bach, François Lazarevitch continues the exploration of the jewels of the flute and recorder repertory he has embarked on with Les Musiciens de Saint-Julien or as a soloist with recordings of music by Bach, Telemann, Vivaldi and van Eyck. François Lazarevitch and Justin Taylor now bring their sensitivity and virtuosity to bear on the sonatas for flute and obbligato harpsichord of Carl Philipp Emmanuel Bach. The majority of these works date from the years 1745-66, when he was in the service of the flute-playing King Frederick II. Two solos complete the program: the famous Sonata in A minor for unaccompanied flute and the Fantasia in F# minor for keyboard, which testifies to Emanuel’s improvisational artistry. Situated at the epicenter of the Enlightenment era, Bach’s second son was the key figure of Empfindsamkeit (Sensibility), the movement that explored the deep and unfathomable stirrings of humanity and nature, countering the learned style of the early eighteenth-century masters with freedom of inspiration and hence emancipation of form. The artist now sought above all to express the impulses of the soul, displaying unexpected traits that sometimes verge on the bizarre.


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  • User offline
  • platico
  •  wrote in 00:35
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gracias...
  • User offline
  • olga1001
  •  wrote in 16:01
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Fantastic :))
Performance is better than their J.S. Bach !?
Now they would play better J.S. Bach, I believe :p
And I wish they would try BWV 1031 & 1033 (hoaxes) !
Many thanks
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  • gemofroe
  •  wrote in 15:55
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thanks a lot