La Petite Bande, Sigiswald Kuijken - Bach: h-Moll-Messe (2009) [Hi-Res]
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BAND/ARTIST: La Petite Bande, Sigiswald Kuijken
- Title: Bach: h-Moll-Messe
- Year Of Release: 2009
- Label: Challenge Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:42:02
- Total Size: 421 mb / 1.53 gb
- WebSite: Album Preview
Tracklist
CD1
01. h-Moll-Messe, BWV 232: Ia. Kyrie, Kyrie eleison
02. h-Moll-Messe, BWV 232: Ib. Kyrie, Christe eleison
03. h-Moll-Messe, BWV 232: Ic. Kyrie, Kyrie eleison
04. h-Moll-Messe, BWV 232: IIa. Gloria, Gloria in excelsis
05. h-Moll-Messe, BWV 232: IIb. Gloria, Et in terra pax
06. h-Moll-Messe, BWV 232: IIc. Gloria, Laudamus te
07. h-Moll-Messe, BWV 232: IId. Gloria, Gratias agimus tibi
08. h-Moll-Messe, BWV 232: IIe. Gloria, Domine Deus
09. h-Moll-Messe, BWV 232: IIf. Gloria, Qui tollis peccata mundi
10. h-Moll-Messe, BWV 232: IIg. Gloria, Qui sedes ad dexteram Patris
11. h-Moll-Messe, BWV 232: IIh. Gloria, Quoniam tu solus sanctus
12. h-Moll-Messe, BWV 232: IIi. Gloria, Cum Sancto Spiritu
CD2
01. h-Moll-Messe, BWV 232: IIIa. Symbolum Nicenum, Credo in unum Deum
02. h-Moll-Messe, BWV 232: IIIb. Symbolum Nicenum, Patrem omnipotentem
03. h-Moll-Messe, BWV 232: IIIc. Symbolum Nicenum, Et in unum Dominum
04. h-Moll-Messe, BWV 232: IIId. Symbolum Nicenum, Et incarnatus est
05. h-Moll-Messe, BWV 232: IIIe. Symbolum Nicenum, Crucifixus
06. h-Moll-Messe, BWV 232: IIIf. Symbolum Nicenum, Et resurrexit
07. h-Moll-Messe, BWV 232: IIIg. Symbolum Nicenum, Et in Spiritum Sanctum Dominum
08. h-Moll-Messe, BWV 232: IIIh. Symbolum Nicenum, Confiteor
09. h-Moll-Messe, BWV 232: IIIi. Symbolum Nicenum, Et expecto
10. h-Moll-Messe, BWV 232: IVa. Sanctus, Osanna, Benedictus, Agnus Dei, Sanctus
11. h-Moll-Messe, BWV 232: IVb. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
12. h-Moll-Messe, BWV 232: IVc. Sanctus, Osanna, Benedictus, Agnus Dei, Benedictus
13. h-Moll-Messe, BWV 232: IVd. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
14. h-Moll-Messe, BWV 232: IVe. Sanctus, Osanna, Benedictus, Agnus Dei, Agnus Dei
15. h-Moll-Messe, BWV 232: IVf. Sanctus, Osanna, Benedictus, Agnus Dei, Dona nobis pacem
It would be hard to imagine a greater contrast between performances of Bach's B minor Mass than Otto Klemperer's 1967 recording featuring the New Philharmonia Orchestra and Chorus, and Sigiswald Kuijken's 2009 version with La Petite Band. Klemperer's recording features a star-studded cast of soloists and sounds as if it were carved from giant slabs of granite, while Kuijken is seated in the concertmaster's chair, leading a performance with one voice to a part. Musical fashions change, and this recording reflects research and an aesthetic attitude that the B minor Mass does not need to be backed by an army of vocalists and instrumentalists. As with his series of Bach cantatas, Kuijken eliminates nearly all doublings, instrumental and vocal, except for the first and second violins, of which there are two each. Although other conductors have taken similar approaches, most notably Joshua Rifkin in his pioneering 1981 recording, it could be argued that Kuijken has done it best. Aside from the effortless virtuosity of all the musicians, the qualities that most distinguish this performance are its inwardness and its spirituality. Technical mastery is a quality shared by all great recordings of the B minor Mass, but the inwardness and the intimacy of this performance make it unique. Each musician is alone on his or her part, as in chamber music, so each part is infused with individual personality. Under Kuijken's intense and assured leadership, the result is a recording that stands among the greatest ever made, including Klemperer's. Challenge Classics' super audio sound is richly detailed, amazingly clear, and evocative.
CD1
01. h-Moll-Messe, BWV 232: Ia. Kyrie, Kyrie eleison
02. h-Moll-Messe, BWV 232: Ib. Kyrie, Christe eleison
03. h-Moll-Messe, BWV 232: Ic. Kyrie, Kyrie eleison
04. h-Moll-Messe, BWV 232: IIa. Gloria, Gloria in excelsis
05. h-Moll-Messe, BWV 232: IIb. Gloria, Et in terra pax
06. h-Moll-Messe, BWV 232: IIc. Gloria, Laudamus te
07. h-Moll-Messe, BWV 232: IId. Gloria, Gratias agimus tibi
08. h-Moll-Messe, BWV 232: IIe. Gloria, Domine Deus
09. h-Moll-Messe, BWV 232: IIf. Gloria, Qui tollis peccata mundi
10. h-Moll-Messe, BWV 232: IIg. Gloria, Qui sedes ad dexteram Patris
11. h-Moll-Messe, BWV 232: IIh. Gloria, Quoniam tu solus sanctus
12. h-Moll-Messe, BWV 232: IIi. Gloria, Cum Sancto Spiritu
CD2
01. h-Moll-Messe, BWV 232: IIIa. Symbolum Nicenum, Credo in unum Deum
02. h-Moll-Messe, BWV 232: IIIb. Symbolum Nicenum, Patrem omnipotentem
03. h-Moll-Messe, BWV 232: IIIc. Symbolum Nicenum, Et in unum Dominum
04. h-Moll-Messe, BWV 232: IIId. Symbolum Nicenum, Et incarnatus est
05. h-Moll-Messe, BWV 232: IIIe. Symbolum Nicenum, Crucifixus
06. h-Moll-Messe, BWV 232: IIIf. Symbolum Nicenum, Et resurrexit
07. h-Moll-Messe, BWV 232: IIIg. Symbolum Nicenum, Et in Spiritum Sanctum Dominum
08. h-Moll-Messe, BWV 232: IIIh. Symbolum Nicenum, Confiteor
09. h-Moll-Messe, BWV 232: IIIi. Symbolum Nicenum, Et expecto
10. h-Moll-Messe, BWV 232: IVa. Sanctus, Osanna, Benedictus, Agnus Dei, Sanctus
11. h-Moll-Messe, BWV 232: IVb. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
12. h-Moll-Messe, BWV 232: IVc. Sanctus, Osanna, Benedictus, Agnus Dei, Benedictus
13. h-Moll-Messe, BWV 232: IVd. Sanctus, Osanna, Benedictus, Agnus Dei, Osanna in excelsis
14. h-Moll-Messe, BWV 232: IVe. Sanctus, Osanna, Benedictus, Agnus Dei, Agnus Dei
15. h-Moll-Messe, BWV 232: IVf. Sanctus, Osanna, Benedictus, Agnus Dei, Dona nobis pacem
It would be hard to imagine a greater contrast between performances of Bach's B minor Mass than Otto Klemperer's 1967 recording featuring the New Philharmonia Orchestra and Chorus, and Sigiswald Kuijken's 2009 version with La Petite Band. Klemperer's recording features a star-studded cast of soloists and sounds as if it were carved from giant slabs of granite, while Kuijken is seated in the concertmaster's chair, leading a performance with one voice to a part. Musical fashions change, and this recording reflects research and an aesthetic attitude that the B minor Mass does not need to be backed by an army of vocalists and instrumentalists. As with his series of Bach cantatas, Kuijken eliminates nearly all doublings, instrumental and vocal, except for the first and second violins, of which there are two each. Although other conductors have taken similar approaches, most notably Joshua Rifkin in his pioneering 1981 recording, it could be argued that Kuijken has done it best. Aside from the effortless virtuosity of all the musicians, the qualities that most distinguish this performance are its inwardness and its spirituality. Technical mastery is a quality shared by all great recordings of the B minor Mass, but the inwardness and the intimacy of this performance make it unique. Each musician is alone on his or her part, as in chamber music, so each part is infused with individual personality. Under Kuijken's intense and assured leadership, the result is a recording that stands among the greatest ever made, including Klemperer's. Challenge Classics' super audio sound is richly detailed, amazingly clear, and evocative.
Classical | FLAC / APE | HD & Vinyl
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