Jean-Frédéric Neuburger - Récital de piano à Paris, Cité de la musique (2011) [Hi-Res]
![Jean-Frédéric Neuburger - Récital de piano à Paris, Cité de la musique (2011) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-01/1641720385_jean-frederic-neuburger-recital-de-piano-a-paris-cite-de-la-musique-2011.jpg)
BAND/ARTIST: Jean-Frédéric Neuburger
- Title: Récital de piano à Paris, Cité de la musique
- Year Of Release: 2011
- Label: Mirare
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:15:04
- Total Size: 257 / 586 mb
- WebSite: Album Preview
Tracklist
01. Harmonies poétiques et religieuses: Funérailles
02. Maldoror
03. Sonate pour piano: Première partie
04. Sonate pour piano: Deuxième partie
05. Images: Livre II, Et la lune descend sur le temple qui fut.
![Jean-Frédéric Neuburger - Récital de piano à Paris, Cité de la musique (2011) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-01/1641720378_jean-frederic-neuburger-recital-de-piano-a-paris-cite-de-la-musique-2011-back.jpg)
'Maldoror' is a fantastic panorama lasting around twenty minutes, freely inspired by the poetic and subversive universe of Lautréamont's 'Chants de Maldoror' (1868). One may detect in it a hotchpotch of influences, including Stockhausen, Xenakis for the fragmentation of the piano at certain points, and probably even the Schumann of the Phantasiestücke. In addition to the traditional virtuosity demanded by the work, the pianist must prepare the strings of four bass notes in order to produce a deformed sound, more percussive in nature, while still retaining the resonant aspect of the piano. However, we are not dealing here with a genuine percussion-piano in the manner of John Cage, but rather an imaginary organ pedalboard and deformations, almost to the point of ugliness, of the attacks in the instrument's bottom register.
01. Harmonies poétiques et religieuses: Funérailles
02. Maldoror
03. Sonate pour piano: Première partie
04. Sonate pour piano: Deuxième partie
05. Images: Livre II, Et la lune descend sur le temple qui fut.
'Maldoror' is a fantastic panorama lasting around twenty minutes, freely inspired by the poetic and subversive universe of Lautréamont's 'Chants de Maldoror' (1868). One may detect in it a hotchpotch of influences, including Stockhausen, Xenakis for the fragmentation of the piano at certain points, and probably even the Schumann of the Phantasiestücke. In addition to the traditional virtuosity demanded by the work, the pianist must prepare the strings of four bass notes in order to produce a deformed sound, more percussive in nature, while still retaining the resonant aspect of the piano. However, we are not dealing here with a genuine percussion-piano in the manner of John Cage, but rather an imaginary organ pedalboard and deformations, almost to the point of ugliness, of the attacks in the instrument's bottom register.
Classical | FLAC / APE | HD & Vinyl
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