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Sir Colin Davis, London Symphony Orchestra - Sibelius: Symphonies Nos. 1 & 4 (2008) 96kHz Hi-Res

Sir Colin Davis, London Symphony Orchestra - Sibelius: Symphonies Nos. 1 & 4 (2008) 96kHz Hi-Res
  • Title: Sibelius: Symphonies Nos. 1 & 4
  • Year Of Release: 2008
  • Label: LSO Live
  • Genre: Classical
  • Quality: FLAC 24bit-96kHz / FLAC (tracks)
  • Total Time: 01:18:17
  • Total Size: 1.7 Gb / 304 Mb
  • WebSite:
Tracklist:

1. Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico 11:54
2. Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) 09:27
3. Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro 05:15
4. Symphony No. 1 in E Minor, Op. 39: IV. Finale (Quasi una fantasia). Andante 12:59
5. Symphony No. 4 in A Minor, Op. 63: I. Tempo molto moderato, quasi adagio 11:42
6. Symphony No. 4 in A Minor, Op. 63: II. Allegro molto vivace 04:58
7. Symphony No. 4 in A Minor, Op. 63: III. Il tempo largo 12:41
8. Symphony No. 4 in A Minor, Op. 63: IV. Allegro 09:21

Performers:
London Symphony Orchestra
Sir Colin Davis

Sir Colin Davis' award-winning cycle of Sibelius's symphonies reaches its conclusion with the release of Symphonies Nos 1 & 4. Sibelius was still heavily influenced by Tchaikovsky when he composed his First Symphony although there are clear signs of him developing his own highly individual style. The Fourth Symphony, completed eleven years later consitutes a dark heart at the centre of his symphonic output, written shortly after he underwent treatment for cancer.

"What makes Davis's Sibelius compelling is that he manages to have it both ways. He gives these fine players the encouragement to turn individual passages into moments of spineingling magic …But he never loses sight of the bigger objective,which is to pull together, bit by bit,the seemingly disparate themes …I doubt whether I shall ever hear an orchestra and conductor achieve a closer rapport in Sibelius" The Times

"Davis made it as taut and purposeful as the later symphonies, and as structurally cogent. It was certainly a vivid account,but Davis made details tell as much as the symphony's big tragic statements,and drew the thematic threads of the finale together with massive assurance” -- The Guardian




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