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Sir Colin Davis, London Symphony Orchestra - Weber: Der Freischütz (2013) Hi-Res

Sir Colin Davis, London Symphony Orchestra - Weber: Der Freischütz (2013) Hi-Res
  • Title: Weber: Der Freischütz
  • Year Of Release: 2013
  • Label: LSO Live
  • Genre: Classical
  • Quality: FLAC 24bit-96kHz / FLAC (tracks)
  • Total Time: 02:02:35
  • Total Size: 2.3 Gb / 492 Mb
  • WebSite:
Tracklist:

CD 1
1. Der Freischütz: Overture 10:37
2. Der Freischütz, Act I: Introduction - "Victoria!" 05:45
3. Der Freischütz, Act I: Terzett mit Chor - "O! diese Sonne" 06:59
4. Der Freischütz, Act I: Scene, Walzer und Arie - "Nein! Langer trag' ich nicht die Qualen" 09:26
5. Der Freischütz, Act I: Lied - "Hier im ird'schen Jammerthal" 02:36
6. Der Freischütz, Act I: Arie - "Schweig'!" 03:44
7. Der Freischütz, Act II: Duett - "Schelm! halt fest!" 05:01
8. Der Freischütz, Act II: Ariette - "Kommt ein schlanker Bursch gegangen" 04:07
9. Der Freischütz, Act II: Scene und Arie - "Wie nahte mir der Schlummer" 08:55
10. Der Freischütz, Act II: Terzett - "Wie? Was? Entsetzen!" 07:06

CD 2
1. Der Freischütz, Act II: Finale - "Die Wolfsschlucht" 18:08
2. Der Freischütz, Act III: Entre-Acte 02:03
3. Der Freischütz, Act III: Cavatine - "Und ob die Wolke sie verhulle" 05:30
4. Der Freischütz, Act III: Romanze und Arie - "Einst traumte meiner sel'gen Base" 06:50
5. Der Freischütz, Act III: Volkslied - "Wir winden dir den Jungfernkranz" 04:10
6. Der Freischütz, Act III: Jagerchor - "Was gleicht wohl auf Erden" 02:51
7. Der Freischütz, Act III: Finale - "Schaut, o schaut!" 18:47

Performers:
Christine Brewer (Agathe)
Sally Matthews (Ännchen)
Lars Woldt (Kaspar)
Simon O’Neill (Max)
Stephan Loges (Ottokar/Zamiel)
Martin Snell (Kuno)
Gidon Saks (A Hermit)
Marcus Farnsworth (Kilian)
Lucy Hall (Bridesmaids)

London Symphony Orchestra & Chorus
Sir Colin Davis

Sir Colin Davis conducts the London Symphony Orchestra and Chorus and a stellar cast of soloists in a concert performance of Weber’s eerily fantastical opera, 'Der Freischütz'.

'Der Freischütz' is heralded as one of the cornerstones of Romantic opera, drawing on traditional German folk tunes and elements of Romanticism for the first time in the history of opera. The evocative and colourful orchestration is particularly impressive in the '‘Wolf’s Glen’ scene: often considered the most gruesomely expressive rendering of evil to be found in a musical score!

All three main soloists are well established on LSO Live: Opera News declared the Verdi Requiem (LSO00683), featuring Christine Brewer, as "one of the finest recordings the work has ever received". Sally Matthews, who has performed regularly with Sir Colin Davis, was praised in her role in Haydn's 'Creation' (LSO0628). Simon O’Neill’s previous appearance on the label, in the title role of Verdi's 'Otello' (LSO0700) saw much critical acclaim, and confirmation that "he is the best heroic tenor to emerge over the last decade" The Telegraph.




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