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Dejan Lazic - Scarlatti, Bartók: Liaisons Vol. 1 (2018) [SACD]

Dejan Lazic - Scarlatti, Bartók: Liaisons Vol. 1 (2018) [SACD]

BAND/ARTIST: Dejan Lazic

  • Title: Scarlatti, Bartók: Liaisons Vol. 1
  • Year Of Release: 2018
  • Label: Channel Classics
  • Genre: Classical
  • Quality: DSD64 image (*.iso) / 2.0, 5.0 (2,8 MHz/1 Bit)
  • Total Time: 01:18:29
  • Total Size: 3.84 GB
  • WebSite:
Tracklist:

Domenico Scarlatti
01. Sonata in C Major, K. 420: Allegro
02. Sonata in F Minor, K. 58: Fuga
03. Sonata in F Major, K. 82: Allegro
Béla Bartók
3 Rondos on Slovak Folktunes, Sz 84, BB 92
04. in C Major
05. in D Major
06. in F Major
Domenico Scarlatti
07. Sonata in D Major, K. 491: Allegro
08. Sonata in D Major, K. 430: Non presto ma a tempo di ballo
09. Sonata in C Major, K. 159: Allegro
Béla Bartók
7 Sketches, Op. 9, Sz 44, BB 54
10. I. Portrait of a girl, Andante
11. II. See-saw, dickory-daw, Comodo
12. III. Lento
13. IV. Non troppo lento
14. V. Andante
15. VI. Allegretto
16. VII. Poco lento
Domenico Scarlatti
17. Sonata in D Minor, K. 9: Allegro
18. Sonata in F Major, K. 17: Presto
Béla Bartók
Funeral March from symphonic poem, "Kossuth", Sz 21, BB 31 (arranged for piano by the composer)
19. Lento-Adagio molto
Domenico Scarlatti
20. Sonata in A Minor, K. 3: Presto
21. Sonata in E major, K. 380: Andante comodo
22. Sonata in E major, K. 135: Allegro
Béla Bartók
6 Dance in bulgarian rhythm, from "Microcosmos", Sz. 107, BB. 105
23. Dance I
24. Dance II
25. Dance III
26. Dance IV
27. Dance V
28. Dance VI

At first sight, they appear to have nothing in common – but disregarding the stylistic elements and a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms and inspired by folk music. On the one hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord and integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand, Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, and was also influenced by Arabic folk music. Inspired by an 18th century performance practice, where two (…)




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