Eddie Palmieri - Ritmo Caliente (2003) FLAC
BAND/ARTIST: Eddie Palmieri
- Title: Ritmo Caliente
- Year Of Release: June 10, 2003
- Label: Concord
- Genre: Jazz, Latin Jazz, Afro-Cuban Jazz
- Quality: Flac lossless (Tracks)
- Total Time: 01:07:23
- Total Size: 438 MB
- WebSite: Album Preview
Tracks
01. La Voz Del Caribe
02. Gandpa Semi-Tones Blues
03. Billie
04. Lazaro Y Su Micrуfono
05. Ritmo Caliente II
06. Tema Para Renee
07. Leapfrog To Harlem
08. Gigue (Bach Goes Bata)
09. Dime
10. Sujetate La Lengua
11. Lo Que Traigo Es Sabroso II
Pianist Eddie Palmieri, an innovative part of the Latin jazz and salsa scenes since the late '50s, mixes together a variety of idioms on this intriguing set. He uses a number of horns (including two or three trombones), an expanded rhythm section, occasional strings, and (on six of the 11 selections) a vocal group. Although there are some fine individual solos (including those from Palmieri and trumpeter Brian Lynch), it is the joyful sound of the ensembles that is most impressive. The individual tunes do not stick in one's mind and sometimes the music wanders away from jazz altogether into commercial salsa, but most of this set should be of interest to Afro-Cuban jazz listeners.
Scott Yanow
01. La Voz Del Caribe
02. Gandpa Semi-Tones Blues
03. Billie
04. Lazaro Y Su Micrуfono
05. Ritmo Caliente II
06. Tema Para Renee
07. Leapfrog To Harlem
08. Gigue (Bach Goes Bata)
09. Dime
10. Sujetate La Lengua
11. Lo Que Traigo Es Sabroso II
Pianist Eddie Palmieri, an innovative part of the Latin jazz and salsa scenes since the late '50s, mixes together a variety of idioms on this intriguing set. He uses a number of horns (including two or three trombones), an expanded rhythm section, occasional strings, and (on six of the 11 selections) a vocal group. Although there are some fine individual solos (including those from Palmieri and trumpeter Brian Lynch), it is the joyful sound of the ensembles that is most impressive. The individual tunes do not stick in one's mind and sometimes the music wanders away from jazz altogether into commercial salsa, but most of this set should be of interest to Afro-Cuban jazz listeners.
Scott Yanow
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