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Les Cris de Paris & Geoffroy Jourdain - Robert Schumann: Missa Sacra (2012) [Hi-Res]

Les Cris de Paris & Geoffroy Jourdain - Robert Schumann: Missa Sacra (2012) [Hi-Res]
  • Title: Robert Schumann: Missa Sacra
  • Year Of Release: 2012
  • Label: Aparté
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 48.0kHz +Booklet
  • Total Time: 00:57:57
  • Total Size: 273 / 601 mb
  • WebSite:
Tracklist

01. Missa Sacra, Op. 147: Kyrie eleison
02. Missa Sacra, Op. 147: Gloria
03. Missa Sacra, Op. 147: Credo
04. Missa Sacra, Op. 147: Offertorium. Tota pulchra es
05. Missa Sacra, Op. 147: Sanctus
06. Missa Sacra, Op. 147: Agnus Dei
07. Vier doppelchorige Gesange, Op. 141: An die Sterne
08. Vier doppelchorige Gesange, Op. 141: Ungewisses Licht
09. Vier doppelchorige Gesange, Op. 141: Zuversicht
10. Vier doppelchorige Gesange, Op. 141: Talismane

Les Cris de Paris & Geoffroy Jourdain - Robert Schumann: Missa Sacra (2012) [Hi-Res]


From the last creative period of Schumann, Missa Sacra is a wonderful piece, but almost unknown, probably because of the circumstances of its composition. First written for choir and orchestra, Schumann wrote a version for choir and organ, that he sent, under a pseudonym, to an English society that was organizing a composing competition. The piece was revealed only after his death on the insistence of Clara Schumann and was only rarely programmed in concert, or in the choir and organ version.

So that is a real rediscovering made by Geoffroy Jourdain and Les Cris de Paris, they are about to reveal, for the first time on period instrument, this wonderful Missa Sacra with, as a soloist, one of the most talented current young singers, the mezzo-soprano Marianne Crebassa.

Unrecognized, this Missa Sacra is yet one of the most beautiful schumannien piece concerning the orchestral part. Geoffroy Jourdain decided to combine it with a splendid a capella cycle also written by Schumann: a German influenced program, purely romantic.

“it is worth shelling out the extra for this newcomer for its clearer orchestral sound picture, heartfelt choral singing and, as its coupling, a vivid and open-throated performance of four late double-choir part-songs.” (Gramophone Magazine)

“a pleasure throughout. The singing of the choir is confident, and the orchestra in the Mass has plenty of life. There are other versions of all these pieces in the catalogue, but I cannot imagine that any of the alternatives would be significantly better than this. The recording is immediate but has plenty of atmosphere” (MusicWeb International)

Marianne Crebassa, mezzo-soprano
Baptiste Lopez, violon
Les Cris de Paris
Choeur et Orchestre
Geoffroy Jourdain, conductor


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