L'Orfeo Barockorchester, Michi Gaigg - Schubert: Complete Symphonies & Fragments (2021)
BAND/ARTIST: L'Orfeo Barockorchester, Michi Gaigg
- Title: Schubert: Complete Symphonies & Fragments
- Year Of Release: 2021
- Label: CPO
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 04:37:19
- Total Size: 1.29 gb
- WebSite: Album Preview
Tracklist
CD1
01. Symphony No. 1 in D Major, D. 82: I. Adagio - Allegro vivace
02. Symphony No. 1 in D Major, D. 82: II. Andante
03. Symphony No. 1 in D Major, D. 82: III. Menuetto. Allegretto - Trio
04. Symphony No. 1 in D Major, D. 82: IV. Allegro vivace
05. Overture in D Major, D. 2a (Fragment)
06. Symphony in D Major, D. 2b (Fragment)
07. Overture in D Major, D. 2g (Fragment)
08. Orchestral Piece in D Major, D. 74a (Fragment)
09. Orchestral piece in D Major, D. 71c (Fragment)
10. Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro vivace
11. Symphony No. 2 in B-Flat Major, D. 125: II. Andante
12. Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto. Allegro vivace - Trio
13. Symphony No. 2 in B-Flat Major, D. 125: IV. Presto vivace
14. Orchestral piece in B-Flat Major, D. 94a (Fragment)
CD2
01. Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio
02. Symphony No. 3 in D Major, D. 200: II. Allegretto
03. Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace - Trio
04. Symphony No. 3 in D Major, D. 200: IV. Presto vivace
05. Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
06. Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
07. Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto - Trio
08. Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
09. Symphony No. 7 in B Minor, D. 759 "Unfinished": I. Allegro moderato
10. Symphony No. 7 in B Minor, D. 759 "Unfinished": II. Andante con moto
11. Symphony No. 7 in B Minor, D. 759 "Unfinished": III. Scherzo. Allegro (Fragment)
CD3
01. Symphony No. 4 in C Minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace
02. Symphony No. 4 in C Minor, D. 417 "Tragic": II. Andante
03. Symphony No. 4 in C Minor, D. 417 "Tragic": III. Menuetto. Allegro vivace - Trio
04. Symphony No. 4 in C Minor, D. 417 "Tragic": IV. Allegro
05. Symphony No. 6 in C Major, D. 589 "Little C Major": I. Adagio - Allegro
06. Symphony No. 6 in C Major, D. 589 "Little C Major": II. Andante
07. Symphony No. 6 in C Major, D. 589 "Little C Major": III. Scherzo. Presto - Piú lento
08. Symphony No. 6 in C Major, D. 589 "Little C Major": IV. Allegro moderato
09. Symphony No. 7 in E Major, D. 729: I. Adagio - Allegro
CD4
01. Symphony No. 8 in C Major, D. 944 "Great": I. Andante - Allegro ma non troppo
02. Symphony No. 8 in C Major, D. 944 "Great": II. Andante con moto
03. Symphony No. 8 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio
04. Symphony No. 8 in C Major, D. 944 "Great": IV. Allegro vivace
On the occasion of its twenty-fifth anniversary, the L’Orfeo Baroque Orchestra is releasing the present recording of Franz Schubert’s complete symphonies and complete symphonic fragments. It is the most recent gem in this orchestra’s multifaceted repertoire ranging from the suite of the French, German, and Austrian Baroque through the sinfonia of the Mannheim School to Viennese Classicism and Early Romanticism. Although Joseph von Spaun termed Schubert a “song composer” not long after his death, Schubert’s compositional oeuvre may be said to be framed by a symphonic fragment and a sketch for a symphony. The first of these fragments was the score for an overture (D. 2 A) committed to paper around 1810/11 and abandoned in the middle of the exposition, and the last was a draft of three movements for a Symphony in D major (D. 936 A), largely worked out in full, from the last weeks, if not from the last days, of his life. During the period of some eighteen years between these two manuscripts, Schubert occupied himself creatively with almost all the established forms, ensembles, and genres. The symphonic fragments heard here often consist of scores containing only a few measures with the later addition of the instrumentation of a piece, for example, measures 209 to 223 from the first movement of the String Quartet D. 74. Since the composer assigned the date “3 September 1813” to this movement following its final notes, he must have written the fragment immediately prior to beginning his work on the Symphony No. 1 in D major (D. 82).
CD1
01. Symphony No. 1 in D Major, D. 82: I. Adagio - Allegro vivace
02. Symphony No. 1 in D Major, D. 82: II. Andante
03. Symphony No. 1 in D Major, D. 82: III. Menuetto. Allegretto - Trio
04. Symphony No. 1 in D Major, D. 82: IV. Allegro vivace
05. Overture in D Major, D. 2a (Fragment)
06. Symphony in D Major, D. 2b (Fragment)
07. Overture in D Major, D. 2g (Fragment)
08. Orchestral Piece in D Major, D. 74a (Fragment)
09. Orchestral piece in D Major, D. 71c (Fragment)
10. Symphony No. 2 in B-Flat Major, D. 125: I. Largo - Allegro vivace
11. Symphony No. 2 in B-Flat Major, D. 125: II. Andante
12. Symphony No. 2 in B-Flat Major, D. 125: III. Menuetto. Allegro vivace - Trio
13. Symphony No. 2 in B-Flat Major, D. 125: IV. Presto vivace
14. Orchestral piece in B-Flat Major, D. 94a (Fragment)
CD2
01. Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio
02. Symphony No. 3 in D Major, D. 200: II. Allegretto
03. Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace - Trio
04. Symphony No. 3 in D Major, D. 200: IV. Presto vivace
05. Symphony No. 5 in B-Flat Major, D. 485: I. Allegro
06. Symphony No. 5 in B-Flat Major, D. 485: II. Andante con moto
07. Symphony No. 5 in B-Flat Major, D. 485: III. Menuetto. Allegro molto - Trio
08. Symphony No. 5 in B-Flat Major, D. 485: IV. Allegro vivace
09. Symphony No. 7 in B Minor, D. 759 "Unfinished": I. Allegro moderato
10. Symphony No. 7 in B Minor, D. 759 "Unfinished": II. Andante con moto
11. Symphony No. 7 in B Minor, D. 759 "Unfinished": III. Scherzo. Allegro (Fragment)
CD3
01. Symphony No. 4 in C Minor, D. 417 "Tragic": I. Adagio molto - Allegro vivace
02. Symphony No. 4 in C Minor, D. 417 "Tragic": II. Andante
03. Symphony No. 4 in C Minor, D. 417 "Tragic": III. Menuetto. Allegro vivace - Trio
04. Symphony No. 4 in C Minor, D. 417 "Tragic": IV. Allegro
05. Symphony No. 6 in C Major, D. 589 "Little C Major": I. Adagio - Allegro
06. Symphony No. 6 in C Major, D. 589 "Little C Major": II. Andante
07. Symphony No. 6 in C Major, D. 589 "Little C Major": III. Scherzo. Presto - Piú lento
08. Symphony No. 6 in C Major, D. 589 "Little C Major": IV. Allegro moderato
09. Symphony No. 7 in E Major, D. 729: I. Adagio - Allegro
CD4
01. Symphony No. 8 in C Major, D. 944 "Great": I. Andante - Allegro ma non troppo
02. Symphony No. 8 in C Major, D. 944 "Great": II. Andante con moto
03. Symphony No. 8 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio
04. Symphony No. 8 in C Major, D. 944 "Great": IV. Allegro vivace
On the occasion of its twenty-fifth anniversary, the L’Orfeo Baroque Orchestra is releasing the present recording of Franz Schubert’s complete symphonies and complete symphonic fragments. It is the most recent gem in this orchestra’s multifaceted repertoire ranging from the suite of the French, German, and Austrian Baroque through the sinfonia of the Mannheim School to Viennese Classicism and Early Romanticism. Although Joseph von Spaun termed Schubert a “song composer” not long after his death, Schubert’s compositional oeuvre may be said to be framed by a symphonic fragment and a sketch for a symphony. The first of these fragments was the score for an overture (D. 2 A) committed to paper around 1810/11 and abandoned in the middle of the exposition, and the last was a draft of three movements for a Symphony in D major (D. 936 A), largely worked out in full, from the last weeks, if not from the last days, of his life. During the period of some eighteen years between these two manuscripts, Schubert occupied himself creatively with almost all the established forms, ensembles, and genres. The symphonic fragments heard here often consist of scores containing only a few measures with the later addition of the instrumentation of a piece, for example, measures 209 to 223 from the first movement of the String Quartet D. 74. Since the composer assigned the date “3 September 1813” to this movement following its final notes, he must have written the fragment immediately prior to beginning his work on the Symphony No. 1 in D major (D. 82).
Year 2021 | Classical | FLAC / APE
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