Olivia Vermeulen, Harmonie Universelle, Florian Deuter - Giovanni Domenico Ferrandini: Cantate drammatiche (2014)
BAND/ARTIST: Olivia Vermeulen, Harmonie Universelle, Florian Deuter
- Title: Giovanni Domenico Ferrandini: Cantate drammatiche
- Year Of Release: 2014
- Label: Accent
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:02:29
- Total Size: 295 mb
- WebSite: Album Preview
Tracklist
01. Sinfonia pastorale in D Major
02. Cantata No. 1: Recitative. Tinte à notte di sangue
03. Cantata No. 1: Aria. Tuo mi chiami
04. Cantata No. 1: Recitative. Almen, se d'altro amante
05. Cantata No. 1: Aria. Se mi dirai
06. Cantata No. 3: Recitative. All'apparir della vermiglia aurore
07. Cantata No. 3: Aria. Dite il vero
08. Cantata No. 3: Recitative. Nel vostro campo
09. Cantata No. 3: Aria. Non vi voglio
10. Sinfonia in B-Flat Major: I. Allegro
11. Sinfonia in B-Flat Major: II. Adagio
12. Sinfonia in B-Flat Major: III. Allegro
13. Cantata No. 4: Aria. Dell'idol mio traffitto
14. Cantata No. 4: Recitative. O Dio!
15. Cantata No. 4: Aria. Vengano i fulmini
Giovanni Domenico Ferrandini (1709-1791) came to the Munich Court with his father already in 1722; initially active there as an oboist, he was appointed Kammer-Compositore by Elector Karl Albrecht in 1732 before being named Director of Chamber Music and appointed to the Electoral Council in 1737. As a contemporary of far better-known masters such as Galuppi, Pergolesi and Gluck, he developed his very own variant of the gallant style: highly expressive, with a dense string sound, idiosyncratic in its melody and rhythm whilst remaining extremely sensitively written for the singers. This is no wonder, for Ferrandini enjoyed international fame as a vocal pedagogue, counting such luminaries as the tenor Anton Raff (the first Idomeneo in Mozart's opera of the same name) amongst his pupils. It is especially his secular cantatas that provide eloquent testimony to Ferrandini's vocal art. The mezzo soprano Olivia Vermeulen and Harmonie Universelle under Florian Deuter introduce here three cantatas from a volume of six 'Cantate con Istromenti' for soprano, strings and basso continuo that has been preserved in a particularly beautiful copy in the Dresden State Library. The fact that his passion cantata 'Il pianto di Maria' was long considered a work of Handel’s provides proof of the quality of Ferrandini's music.
01. Sinfonia pastorale in D Major
02. Cantata No. 1: Recitative. Tinte à notte di sangue
03. Cantata No. 1: Aria. Tuo mi chiami
04. Cantata No. 1: Recitative. Almen, se d'altro amante
05. Cantata No. 1: Aria. Se mi dirai
06. Cantata No. 3: Recitative. All'apparir della vermiglia aurore
07. Cantata No. 3: Aria. Dite il vero
08. Cantata No. 3: Recitative. Nel vostro campo
09. Cantata No. 3: Aria. Non vi voglio
10. Sinfonia in B-Flat Major: I. Allegro
11. Sinfonia in B-Flat Major: II. Adagio
12. Sinfonia in B-Flat Major: III. Allegro
13. Cantata No. 4: Aria. Dell'idol mio traffitto
14. Cantata No. 4: Recitative. O Dio!
15. Cantata No. 4: Aria. Vengano i fulmini
Giovanni Domenico Ferrandini (1709-1791) came to the Munich Court with his father already in 1722; initially active there as an oboist, he was appointed Kammer-Compositore by Elector Karl Albrecht in 1732 before being named Director of Chamber Music and appointed to the Electoral Council in 1737. As a contemporary of far better-known masters such as Galuppi, Pergolesi and Gluck, he developed his very own variant of the gallant style: highly expressive, with a dense string sound, idiosyncratic in its melody and rhythm whilst remaining extremely sensitively written for the singers. This is no wonder, for Ferrandini enjoyed international fame as a vocal pedagogue, counting such luminaries as the tenor Anton Raff (the first Idomeneo in Mozart's opera of the same name) amongst his pupils. It is especially his secular cantatas that provide eloquent testimony to Ferrandini's vocal art. The mezzo soprano Olivia Vermeulen and Harmonie Universelle under Florian Deuter introduce here three cantatas from a volume of six 'Cantate con Istromenti' for soprano, strings and basso continuo that has been preserved in a particularly beautiful copy in the Dresden State Library. The fact that his passion cantata 'Il pianto di Maria' was long considered a work of Handel’s provides proof of the quality of Ferrandini's music.
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