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Melbourne Symphony Orchestra - Bartók: Concerto for Orchestra & The Miraculous Mandarin (1990/2021)

Melbourne Symphony Orchestra - Bartók: Concerto for Orchestra & The Miraculous Mandarin (1990/2021)
  • Title: Bartók: Concerto for Orchestra & The Miraculous Mandarin
  • Year Of Release: 1990/2021
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 57:43 min
  • Total Size: 298 MB
  • WebSite:
Tracklist:

1. The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning
2. The Miraculous Mandarin, Op. 19, Sz. 73: II. The Curtain Rises
3. The Miraculous Mandarin, Op. 19, Sz. 73: III. First Seduction Game
4. The Miraculous Mandarin, Op. 19, Sz. 73: IV. Second Seduction Game
5. The Miraculous Mandarin, Op. 19, Sz. 73: V. Third Seduction Game
6. The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Mandarin Enters
7. The Miraculous Mandarin, Op. 19, Sz. 73: VII. Entrance of the Mandarin
8. The Miraculous Mandarin, Op. 19, Sz. 73: VIII. Girl's Dance
9. The Miraculous Mandarin, Op. 19, Sz. 73: IX. The Chase
10. The Miraculous Mandarin, Op. 19, Sz. 73: X. The Fight
11. The Miraculous Mandarin, Op. 19, Sz. 73: XI. The Mandarin Is Stabbed
12. The Miraculous Mandarin, Op. 19, Sz. 73: XII. The Mandarin Is Hanged
13. The Miraculous Mandarin, Op. 19, Sz. 73: XIII. The Girl and the Mandarin Embrace
14. The Miraculous Mandarin, Op. 19, Sz. 73: XIV. The Mandarin Dies
15. Concerto for Orchestra, Sz. 116: I. Introduzione. Andante non troppo - Allegro vivace
16. Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie. Allegretto scherzando
17. Concerto for Orchestra, Sz. 116: III. Elegia. Andante non troppo
18. Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
19. Concerto for Orchestra, Sz. 116: V. Finale. Pesante - Presto


Japanese conductor Hiroyuki Iwaki has led the Melbourne SO for a record twenty:three years, during which it has become a top:tier orchestra, with an impressive discography, specialized in modern music. This album dedicated to Bartók includes his masterpiece The Miraculous Mandarin, his second ballet, and a gripping score whose coarse eroticism created a scandal when premiered in 1926. Iwaki’s vigorous conducting of the complete ballet (rarely recorded in its entirety) works wonders in this recording and its complement, the Concerto for Orchestra.


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