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Wilhelm Furtwängler - Complete RIAS Recordings (Live in Berlin, 1947-1954) (2009) [Hi-Res]

Wilhelm Furtwängler - Complete RIAS Recordings (Live in Berlin, 1947-1954) (2009) [Hi-Res]
  • Title: Complete RIAS Recordings (Live in Berlin, 1947-1954)
  • Year Of Release: 2009
  • Label: audite Musikproduktion
  • Genre: Classical
  • Quality: FLAC (tracks) [48kHz/24bit]
  • Total Time: 14:32:49
  • Total Size: 6.08 / 2.7 GB
  • WebSite:
Tracklist:

Symphony No. 6 in F Major, Op. 68 Pastorale:
01. I. Allegro ma non Troppo (Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande) (1947 Recording [Live])
02. II. Andante molto Mosso (Szene am Bach) (1947 Recording [Live])
03. III. Allegro (Lustiges Zusammensein der Landleute) (1947 Recording [Live])
04. IV. Allegro (Gewitter, Sturm) (1947 Recording [Live])
05. V. Allegretto (Hirtengesang, frohe und dankbare Gefühle nach dem Sturm) (1947 Recording [Live])

Symphony No. 5 in C Minor, Op. 67:
06. I. Allegro con brio (1947 Recording [Live])
07. II. Andante con moto (1947 Recording [Live])
08. III. Allegro (1947 Recording [Live])
09. IV. Allegro (1947 Recording [Live])

10. Allegro di molto (Live)

Violin Concerto in D Major, Op. 61:
11. I. Allegro ma non troppo (Live)
12. II. Larghetto (Live)
13. III. Rondo (Live)

Orchestral Suite in D Major, BWV 1068:
14. I. Ouverture (Live)
15. II. Air (Live)
16. III. Gavotte (Live)
17. IV. Bourrée (Live)
18. V. Gigue (Live)

Symphony No. 8 in B Minor, D. 759 Unfinished:
19. I. Allegro moderato (1948 recording [Live])
20. II. Andante con moto (1948 Recording [Live])

Symphony No. 4 in E Minor, Op. 98:
21. I. Allegro non Troppo (Live)
22. II. Andante Moderato (Live)
23. III. Allegro giocoso - Poco meno Presto (Live)
24. IV. Allegro energico e passionato - Più Allegro (Live)

Symphony No. 8 in C Minor (2nd Version 1890, Edition Robert Haas):
25. II. Scherzo. Allegro moderato. Trio. Langsam (Live)
26. I. Allegro Moderato (Live)
27. III. Adagio. Feierlich langsam, doch nicht Schleppend (Live)
28. IV. Finale. Feierlich, nicht Schnell (Live)

29. Overture (Rasch) (Live)

Symphony No. 3 in F Major, Op. 90:
30. I. Allegro con brio (1949 recording [Live])
31. II. Andante (1949 recording [Live])
32. III. Poco Allegretto (1949 recording [Live])
33. IV. Allegro (1949 recording [Live])

Concerto for Violin and large Chamber Orchestra:
34. I. Allegro con Brio (Live)
35. II. Canzone. Andantino (Live)
36. III. Introduction e Rondo. Molto Allegro - Allegro poco scherzando - Presto (Live)

37. Funeral Music (Sehr langsam - Feierlich) (Live)
38. Prelude to Act I : Sehr mäßig Bewegt (Live)

Concerto grosso in D Minor, Op. 6 No. 10:
39. I. Ouverture (Live)
40. II. Allegro (Live)
41. III. Air. Lentement (Live)
42. V. Allegro (Live)
43. VI. Allegro moderato (Live)

Variations on a theme by Joseph Haydn, Op. 56a:
44. Thema. Chorale St. Antoni. Andante (Live)
45. Variation I. Poco più animato (Live)
46. II. Più Vivace (Live)
47. Variation III. Con moto (Live)
48. Variation IV. Andante con moto (Live)
49. Variation V. Vivace (Live)
50. Variation VI. Vivace (Live)
51. Variation VII. Grazioso (Live)
52. Variation VIII. Presto non Troppo (Live)
53. Finale. Andante (Live)

Concerto for Orchestra, Op. 38:
54. I. Mit Kraft, mäßig schnelle Viertel (Live)
55. II. Sehr schnelle Halbe (Live)
56. III. Marsch für Holzbläser. Nicht zu langsame Viertel (Live)
57. IV. Basso ostinato. Schnelle Viertel (Live)

Symphony No. 3 in E-Flat Major, Op. 55 Eroica:
58. I. Allegro con brio (1950 recording [Live])
59. II. Marcia funebre. Adagio assai (1950 recording [Live])
60. III. Scherzo. Allegro vivace (1950 recording [Live])
61. IV. Finale. Allegro molto (1950 recording [Live])
62. Applause (Live)

63. Intrada. Un poco moderato - Andante (Live)

Concerto grosso in D Major, Op. 6 No. 5:
64. I. Larghetto e Staccato (Live)
65. II. Allegro (Live)
66. III. Presto (Live)
67. IV. Largo (Live)
68. VI. Menuet. Un poco Larghetto (Live)
69. V. Allegro (Live)
70. Applause (Live)

Overture to Der Freischütz:
71. Overture (Adagio - Molto Vivace) (Live)
72. Applause (Live)

Symphony Die Harmonie der Welt:
73. I. Musica Instrumentalis. Breit - Marsch. Gewichtig (Live)
74. II. Musica Humana. Sehr Getragen (Live)
75. III. Musica mundana. Sehr breit - Passacaglia. Ruhig Bewegt (Live)

Symphony No. 3 in E-Flat Major, Op. 55 Eroica:
76. I. Allegro con brio (1952 recording [Live])
77. II. Marcia funebre. Adagio assai (1952 recording [Live])
78. III. Scherzo. Allegro vivace (1952 Recording [Live])
79. IV. Finale. Allegro molto (1952 recording [Live])
80. Applause (Live)

Overture to Rosamunde, Op. 26, D 644:
81. Overture to 'Rosamunde', Op. 26, D 644: Andante - Allegro Vivace (Live)
82. Applause (Live)

83. Moderato - Molto Allegro (Live)

Symphony No. 8 in B Minor, D. 759 Unfinished:
84. I. Allegro moderato (1953 recording [Live])
85. II. Andante con moto (1953 recording [Live])

Symphony No. 9 in C Major, D. 944 The Great:
86. I. Andante - Allegro ma non Troppo (Live)
87. II. Andante con Moto (Live)
88. III. Scherzo. Allegro vivace - Trio (Live)
89. IV. Finale. Allegro Vivace (Live)

Symphony No. 3 in F Major, Op. 90:
90. I. Allegro con brio (1954 recording [Live])
91. II. Andante (1954 Recording [Live])
92. III. Poco Allegretto (1954 Recording [Live])
93. IV. Allegro (1954 Recording [Live])

94. Allegro molto con brio (Live)

Tristan und Isolde:
95. Prelude (Live)
96. Isoldes Liebestod (Live)

Symphony No. 6 in F Major, Op. 68 Pastorale:
97. I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non Troppo (1954 Recording [Live])
98. II. Szene am Bach. Andante molto Mosso (1954 Recording [Live])
99. III. Lustiges Zusammensein der Landleute. Allegro (1954 Recording [Live])
100. IV. Gewitter, Sturm. Allegro (1954 Recording [Live])
101. V. Hirtengesang, frohe und dankbare Gefühle nach dem Sturm. Allegretto (1954 Recording [Live])

Symphony No. 5 in C Minor, Op. 67:
102. I. Allegro con brio (1954 recording [Live])
103. II. Andante con Moto (1954 Recording [Live])
104. III. Allegro (1954 Recording [Live])
105. IV. Allegro (1954 Recording [Live])

The majority of the concerts given by Wilhelm Furtwängler and the Berlin Philharmonic between 1947 and 1954 were recorded by the RIAS Berlin all of these recordings are documented in this boxed set. The original tapes from the RIAS archives have been made available for the first time for this edition so these CDs also offer unsurpassed technical quality. Furthermore, some of the recordings are presented for the very first time, such as the Fortner Violin Concerto with Gerhard Taschner. These RIAS recordings are documents of historical value: they contain a major part of Furtwängler's late oeuvre as a conductor, which was characterised by a high level of focus in different respects. Focus on repertoire which has at its core the symphonic works of Beethoven, Brahms and Bruckner and is supplemented by works by Bach and Handel and also by topical composers of the time, including Hindemith, Blacher and Fortner: artists who were counted amongst the members of 'moderate modernism' and who were not perceived to have been tainted by the cultural politics of the National Socialists. Focus was also a guiding principle in Furtwängler's concert programmes which always feature a particular idea. His interpretations also demonstrate extremely high levels of focus: concentration and focus for him meant a contemporary decoding, a re-creation, which would express the fundamental content of a work. A number of works - the Third, Fifth and Sixth Symphonies by Ludwig van Beethoven as well as Johannes Brahms' Third Symphony - are included in two interpretations. They reveal how Furtwängler was able to accentuate different aspects of a work whilst maintaining the same, clear basic conception - and how the actual interpretation depended on the context of the particular programme. The production is part of our series 'Legendary Recordings'and bears the quality feature '1st Master Release'. This term stands for the excellent quality of archival productions at audite. For all historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today's standards, with their tape speed of up to 76 cm / sec. The remastering - professionally competent and sensitively applied - also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based on private recordings from broadcasts or old shellac records cannot be compared with these.

Yehudi Menuhin, violin
Gerhard Taschner, violin
Berliner Philharmoniker
Wilhelm Furtwängler, conductor


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  • olga1001
  •  wrote in 09:52
    • Like
    • 1
No bonus CD (CD 13), don't remove it from your collection !

See for press kit, sleeves and so on (click Multimedia)

https://www.audite.de/en/product/13CD/21403-edition_wilhelm_furtwaengler_the_complete_rias_recordings.html

And this is interesting ?

https://www.audite.de/media/file/00/05/58/audite-podcast-on-the-subject-remastering.mp3

Thank you for 24-48