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Bamberg Symphony Orchestra, Jakub Hrusa - Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (The 3 Versions) (2021) [Hi-Res]

Bamberg Symphony Orchestra, Jakub Hrusa - Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (The 3 Versions) (2021) [Hi-Res]
  • Title: Bruckner: Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (The 3 Versions)
  • Year Of Release: 2021
  • Label: Accentus Music
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 04:34:09
  • Total Size: 1.07 / 4.27 GB
  • WebSite:
Tracklist:

CD1
1. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): I. Allegro (20:55)
2. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): II. II. Andante (18:47)
3. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): III. Sehr schnell (12:45)
4. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1874 Version): IV. Allegro (19:56)

CD2
1. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Version): I. Bewegt, nicht zu schnell (19:45)
2. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Version): II. Andante, quasi allegretto (16:02)
3. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Version): III. Scherzo. Bewegt (10:27)
4. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Version): IV. Finale. Bewegt, doch nicht zu schnell (22:45)

CD3
1. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): I. Ruhig bewegt (19:40)
2. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): II. Andante (16:33)
3. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): III. Scherzo. Bewegt (9:36)
4. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): IV. Finale. Mäßig bewegt (22:15)

CD4
1. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Unpublished Version): I. Measures 63-83 (0:52)
2. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version): I. Measures 63-83 (0:55)
3. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Unpublished Version): I. Measures 289-341 (2:01)
4. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version): I. Measures 289-341 (2:01)
5. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): I. Measures 289-341 (1:58)
6. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Unpublished Version): I. Measures 423-453 (1:04)
7. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version): I. Measures 423-453 (1:06)
8. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Unpublished Version): II. Measure 171 (2:44)
9. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version): II. Measures 171-195 (1:35)
10. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Unpublished Version): III. Trio (0:39)
11. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1880 Version): III. Trio (0:41)
12. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1881 Version): IV. Measures 339-437 (4:25)
13. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1881 Version): IV. Measure 339 (1:09)
14. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1888 Version): IV. Measure 339 (3:07)
15. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1878 Version): IV. Finale. Bewegt, doch nicht zu schnell "Volksfest" (17:57)
16. Symphony No. 4 in E-Flat Major, WAB 104 "Romantic" (1881 Version): IV. Finale. Mäßig bewegt (22:47)

Bruckner’s Fourth Symphony occupies a special position in Anton Bruckner's symphonic cycle. It heralds the cycle of his "mature" symphonies and with it the composer addressed his audience directly and wanted to be understood by them. He succeeded in this - today the “Romantic” is one of Bruckner's most popular symphonies. Still, he revised it time and again and today there are three versions of it.

With the Bamberg Symphony, which can draw on many years of Bruckner interpretation, Jakub Hrůša has now recorded all versions of the Fourth Symphony. For a conductor, it is a unique opportunity to be able to record all versions of a symphony. In addition, as Hrůša says, the project enables the interested audience to form their own opinion of the quality and tailoring of the respective version. In this way, listeners can decide for themselves whether the composer was right in his doubts, and whether it makes any sense at all to “pit” one version against the other.


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  • olga1001
  •  wrote in 23:42
    • Like
    • 0
Bruckner buff like Gerd Schaller ?
Performance is opposite, tight but colorful !
I support modern sense of Hrůša :)
Many thanks