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Norwegian Baroque Orchestra and Ketil Haugsand - J.S. Bach: Orchestral Suites 1 & 2 - Harpsichord Concerto BWV 1053 (2001)

Norwegian Baroque Orchestra and Ketil Haugsand - J.S. Bach: Orchestral Suites 1 & 2 - Harpsichord Concerto BWV 1053 (2001)
  • Title: J.S. Bach: Orchestral Suites 1 & 2 - Harpsichord Concerto BWV 1053
  • Year Of Release: 2001
  • Label: Linn Records
  • Genre: Classical
  • Quality: flac lossless (tracks)
  • Total Time: 01:09:13
  • Total Size: 378 mb
  • WebSite:
Tracklist

01. Cantata, BWV 42: Sinfonia
02. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
03. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
04. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
05. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
06. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise
07. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
08. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
09. Harpsichord Concerto in E Major, BWV 1053: I. Allegro
10. Harpsichord Concerto in E Major, BWV 1053: II. Siciliano
11. Harpsichord Concerto in E Major, BWV 1053: III. Allegro
12. Orchestral Suite No. 1 in C Major, BWV 1066: I. Ouverture
13. Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante
14. Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavottes I & II
15. Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane
16. Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II
17. Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourrées I & II
18. Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepieds I & II

A crisp performance of a selection of Bach's orchestral music by the inimitable NBO.

Ketil Haugsand directs the Norwegian Baroque Orchestra performing J.S Bach's Orchestral Suites 1 & 2 and the Harpsichord Concerto, BWV 1053.

The two orchestral suites contain some of Bach's most exuberant and attractive music. Suite no. 2 was written at a time when the new transverse flute was much in vogue. All of Bach's Harpsichord concertos date from the 1730's and are transcriptions of earlier works. The E major concerto heard here may originate in a lost oboe concerto in E flat. The three movements had already been re-used in cantatas 169 and 49: the outer movements formed sinfonias while the slow movement was an aria.



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