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Carolyn Sampson, Tapiola Sinfonietta & Pascal Rophé - Canteloube: Chants d'Auvergne (2021) [Hi-Res]

Carolyn Sampson, Tapiola Sinfonietta & Pascal Rophé - Canteloube: Chants d'Auvergne (2021) [Hi-Res]
  • Title: Canteloube: Chants d'Auvergne
  • Year Of Release: 2021
  • Label: BIS
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 68:31
  • Total Size: 260 MB / 1.12 GB
  • WebSite:
Tracklist:

1. Chants d'Auvergne, Series 1 (Version for Soprano & Orchestra): No. 1, La pastoura als camps (2:37)
2. Chants d'Auvergne, Series 1 (Version for Soprano & Orchestra): No. 2, Baïlèro (5:42)
3. Chants d'Auvergne, Series 1 (Version for Soprano & Orchestra): No. 3a, 3 Bourrées. L'aïo dè rotso (1:14)
4. Chants d'Auvergne, Series 1 (Version for Soprano & Orchestra): No. 3b, 3 Bourrées. Ound' onorèn gorda ? (3:11)
5. Chants d'Auvergne, Series 1 (Version for Soprano & Orchestra): No. 3c, 3 Bourrées. Obal, din lou Limouzi (2:43)
6. Chants d'Auvergne, Series 2 (Version for Soprano & Orchestra) [Excerpts]: No. 1, Pastourelle (3:26)
7. Chants d'Auvergne, Series 2 (Version for Soprano & Orchestra) [Excerpts]: No. 4, La delaïssádo (4:18)
8. Chants d'Auvergne, Series 2 (Version for Soprano & Orchestra) [Excerpts]: No. 5a, 2 Bourrées. N'aï pas iéu de mio (3:57)
9. Chants d'Auvergne, Series 2 (Version for Soprano & Orchestra) [Excerpts]: No. 5b, 2 Bourrées. Lo calhé (1:49)
10. Chants d'Auvergne, Series 3 (Version for Soprano & Orchestra): No. 1, Lo fiolairé (2:22)
11. Chants d'Auvergne, Series 3 (Version for Soprano & Orchestra): No. 2, Passo pel prat (3:04)
12. Chants d'Auvergne, Series 3 (Version for Soprano & Orchestra): No. 3, Lou boussu (2:13)
13. Chants d'Auvergne, Series 3 (Version for Soprano & Orchestra): No. 4, Brezairola (3:05)
14. Chants d'Auvergne, Series 3 (Version for Soprano & Orchestra): No. 5, Malurous qu'o uno fenno (1:40)
15. Chants d'Auvergne, Series 4 (Version for Soprano & Orchestra) [Excerpts]: No. 1, Jou l'Pount d'o Mirabel (4:08)
16. Chants d'Auvergne, Series 4 (Version for Soprano & Orchestra) [Excerpts]: No. 2, Oï ayaï (3:06)
17. Chants d'Auvergne, Series 4 (Version for Soprano & Orchestra) [Excerpts]: No. 3, Per l'èfon (2:38)
18. Chants d'Auvergne, Series 4 (Version for Soprano & Orchestra) [Excerpts]: No. 4, Tchut, tchut (2:06)
19. Chants d'Auvergne, Series 4 (Version for Soprano & Orchestra) [Excerpts]: No. 6, Lou coucut (1:56)
20. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 2, Quan z'eyro petitoune (2:43)
21. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 3, Là-haut, sur le rocher (3:56)
22. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 4, Hé ! Beyla-z-y dau fé ! (1:54)
23. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 6, Tè, l'co, tè ! (0:40)
24. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 7, Uno jionto postouro (2:48)
25. Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 8, Lou diziou bé (1:25)

That Baïlèro, a shepherd’s song from the highlands of Auvergne sung in the Occitan dialect of the area, should become a favourite with singers ranging from Victoria de los Angeles to Sarah Brightman by way of Renée Fleming and Karita Mattila, is all because of Marie-Joseph Canteloube de Malaret. As a budding composer in Paris in the 1900s, Canteloube was unable to interest himself in the various musical cliques and currents. Instead he looked for inspiration in Auvergne in central France where he was born, starting to collect the songs of the farmers and shepherds that lived in the mountainous region. But he did so as a composer rather than a musicologist, and between 1923 and 1954 he published a total of thirty Chants d’Auvergne, arranged, harmonized and sumptuously orchestrated.

The result is, one might say, idealized folk music: Canteloube largely respects the melodic line of the originals, but adds instrumental introductions, interludes and postludes, and gives an important role to the woodwind section. For the present recording, Carolyn Sampson and Pascal Rophé have selected 25 of the songs – ranging from love songs and lullabies to working songs and laments. They perform them together with Tapiola Sinfonietta, bringing sparkle to Canteloube's luxurious scores halfway between the impressionism of Debussy and the bucolic lyricism of d'Indy.


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  • User offline
  • olga1001
  •  wrote in 23:13
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    • 0
Sensual Auvergne !?
She changed from pure Purcell and Bach Cantatas with Suzuki !
But also fascinating :p
Orchestra a little cloudy but colorful !
I love Chants d'Auvergne and my best is by Les Musiciens de Saint-Julien in spite of just 3 pieces !!
Thanks
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  • platico
  •  wrote in 00:00
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    • 0
gracias...