Peter Whelan and Ensemble Marsyas - The Proud Bassoon (2014)
BAND/ARTIST: Peter Whelan, Ensemble Marsyas
- Title: The Proud Bassoon
- Year Of Release: 2014
- Label: Linn Records
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:00:41
- Total Size: 310 mb
- WebSite: Album Preview
Tracklist
01. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: I. Les Sauvages (Arr. Jean-Philippe Rameau)
02. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: II. La Furstemberg
03. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: III. Tamborin (Arr. Jean-Philippe Rameau)
04. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo
05. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: Allemanda: I. Allegro
06. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo
07. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: II. Giga
08. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: I. Largo
09. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: II. Allegro
10. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: III. Andante
11. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: IV. Allegro Assai
12. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: I. Vivement
13. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: II. Air (Agréablement)
14. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: III. Sarabande (Tendrement)
15. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: IV. Chaconne (Légère)
16. Sonata in F Minor, TWV 41:f1: I. Triste
17. Sonata in F Minor, TWV 41:f1: II. Triste Allegro
18. Sonata in F Minor, TWV 41:f1: III. Triste Andante
19. Sonata in F Minor, TWV 41:f1: IV. Triste Vivace
20. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: I. Andante-Staccato
21. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: II. Allemanda (Allegro)
22. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: III. Aria (Affetvos)
23. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: IV. Gavotta (Presto)
24. Eileen Aroon with Variations Set by Mr. Dubourg
The Proud Bassoon marks the debut solo recording of Peter Whelan, singled out for praise in his performances with the Scottish Chamber Orchestra and Ensemble Marsyas.
This unique album is a collection of the very best of the virtuoso solo music composed for the galant French styled baroque bassoon. Included are a wide range of works composed for the court, the Opèra, for the home and from the street, brought back to life by Peter and special guests Ensemble Marsyas.
The basson or bassoon inspired many now forgotten high-level artworks by the greatest French composers. As the leaders in musical fashion, they in turn influenced their German contemporaries who were inspired by the elegance and lyrical possibilities of the new French instrument, especially in the expressive tenor register.
This recording includes a world-premiere of the Irish Air, Eileen Aroon, arranged for bassoon and continuo by Handel's first violinist in Dublin, Matthew Dubourg. This beautiful melody subsequently became very popular in Europe and inspired compositions by both Haydn and Beethoven.
01. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: I. Les Sauvages (Arr. Jean-Philippe Rameau)
02. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: II. La Furstemberg
03. Les Gentils Airs-Ou Airs Connus, Ajustee en duo, pour basson seul accompagné d'un clavecin: III. Tamborin (Arr. Jean-Philippe Rameau)
04. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo
05. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: Allemanda: I. Allegro
06. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo
07. Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: II. Giga
08. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: I. Largo
09. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: II. Allegro
10. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: III. Andante
11. Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: IV. Allegro Assai
12. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: I. Vivement
13. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: II. Air (Agréablement)
14. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: III. Sarabande (Tendrement)
15. Les goûts-réunis, ou Nouveaux concerts, Treizième Concert: IV. Chaconne (Légère)
16. Sonata in F Minor, TWV 41:f1: I. Triste
17. Sonata in F Minor, TWV 41:f1: II. Triste Allegro
18. Sonata in F Minor, TWV 41:f1: III. Triste Andante
19. Sonata in F Minor, TWV 41:f1: IV. Triste Vivace
20. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: I. Andante-Staccato
21. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: II. Allemanda (Allegro)
22. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: III. Aria (Affetvos)
23. Sonata in E Minor for Bassoon and Continuo, Op. 50 No. 1: IV. Gavotta (Presto)
24. Eileen Aroon with Variations Set by Mr. Dubourg
The Proud Bassoon marks the debut solo recording of Peter Whelan, singled out for praise in his performances with the Scottish Chamber Orchestra and Ensemble Marsyas.
This unique album is a collection of the very best of the virtuoso solo music composed for the galant French styled baroque bassoon. Included are a wide range of works composed for the court, the Opèra, for the home and from the street, brought back to life by Peter and special guests Ensemble Marsyas.
The basson or bassoon inspired many now forgotten high-level artworks by the greatest French composers. As the leaders in musical fashion, they in turn influenced their German contemporaries who were inspired by the elegance and lyrical possibilities of the new French instrument, especially in the expressive tenor register.
This recording includes a world-premiere of the Irish Air, Eileen Aroon, arranged for bassoon and continuo by Handel's first violinist in Dublin, Matthew Dubourg. This beautiful melody subsequently became very popular in Europe and inspired compositions by both Haydn and Beethoven.
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