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Hariolf Schlichtig, Yumi Sekiya - J.S. Bach: Sonatas for Viola and Piano, BWV 1027-1029, Chorale Preludes (2011)

Hariolf Schlichtig, Yumi Sekiya - J.S. Bach: Sonatas for Viola and Piano, BWV 1027-1029, Chorale Preludes (2011)
  • Title: J.S. Bach: Sonatas for Viola and Piano, BWV 1027-1029, Chorale Preludes (2011)
  • Year Of Release: 2011
  • Label: MDG Scene
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 53:45
  • Total Size: 237 Mb
  • WebSite:
Tracklist:

1. Wachet Auf, Ruft Uns Die Stimme BWV 645 4:02
Arranged By [For Viola And Piano] – Franz Beyer
Sonata BWV 1027, For Viola And Piano In G Major (12:30)
2. Adagio 3:46
3. Allegro Ma Non Tanto 3:23
4. Andante 2:23
5. Allegro Moderato 2:56
6. Oh Mensch, Bewein' Dein Sünde Gross BWV 622
Arranged By [For Viola And Piano] – Franz Beyer
Sonata BWV 1028, For Viola And Piano In D Mayor (13:06)
7. (Adagio) 1:45
8. (Allegro) 3:30
9. Andante 3:55
10. Allegro 3:54
11. Ich Rüf´ Zu Dir, Herr Jesu Christ, BWV 639 2:30
Arranged By [For Viola And Piano] – Franz Beyer
Sonata BWV 1029, For Viola And Piano In G Minor (13:25)
12. Vivace 4:57
13. Adagio 4:57
14. Allegro 3:29
15. Nun Komm´, Der Heiden Heiland, BWV 669 4:24
Arranged By [For Viola And Piano] – Franz Beyer

Performers:
Hariolf Schlichtig (viola)
Yumi Sekiya (piano)

Though the cello and especially the violin were the beneficiaries of numerous solo works by the pen of J.S. Bach, the instrument we know today simply as the viola (but in Bach's time would have been the viola da braccio) was not fortunate enough to receive original, solo compositions. Instead, violists were bestowed with the lead role in the great Sixth Brandenburg Concerto. This MDG album headlines the Bach sonatas for viola and piano, this is a bit misleading. Rather, these are the three sonatas for viola da gamba (a substantially different instrument with six strings and frets) and harpsichord. Along with the three sonatas, violist Hariolf Schlichtig and pianist Yumi Sekiya transcriptions of four chorale preludes to their program. The only downside to their chosen instrumentation is one of projection. Schlichtig does not have an especially big, penetrating sound, and up against a concert grand, his voice is sometimes subdued more than desirable. Apart from this, their playing is enjoyable. Schlichtig's tone is warm and nicely rounded; he plays with spot-on intonation, clear articulation, and brings a welcome straightforward interpretation to his listeners. Sekiya's touch is gentle and elegant, and always right in step with Schlichtig's pacing. While some purists may not be in favor of the instrumentation, the quality, and integrity in their performance is undeniable.




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  • jackBlu
  •  wrote in 17:34
    • Like
    • 0
why is there always only the cover for all mdg posts but never the back ???????????????????