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Angela Alesci, Domenico Cerasani, Massimo Lonardi - Luca Marenzio e il suo tempo (2014)

Angela Alesci, Domenico Cerasani, Massimo Lonardi - Luca Marenzio e il suo tempo (2014)
  • Title: Luca Marenzio e il suo tempo
  • Year Of Release: 2014
  • Label: Tactus
  • Genre: Classical
  • Quality: FLAC (tracks + booklet)
  • Total Time: 56:02
  • Total Size: 254 MB
  • WebSite:
Tracklist:

01. Che fa hoggi il mio sole
02. Canario
03. Il primo libro delle villanelle: Al primo vostro sguardo
04. Fronimo - Contrappunto 1 (arr. for 2 lutes)
05. Il primo libro delle villanelle: Lasso non e cor mio ch'io ti rimiri
06. La rocca e il fuso
07. Il quarto libro delle villanelle: Occhi dolci e soavi
08. Padoana
09. Il primo libro de madrigali: Dolorosi martir, fieri tormenti
10. Preambulum
11. Fantasia quarta
12. Il terzo libro delle villanelle: Io son ferito e chi mi punse il core
13. Ricercare del nono tuono
14. Il primo libro delle villanelle: Fuggiro tant'amore
15. Spagnoletta
16. Il terzo libro delle villanelle: Degli occhi il dolce giro
17. Duo tutti di fantasia
18. Se'l raggio dei vostr'occhi
19. Fantasia
20. Il primo libro de madrigali: Tirsi morir volea
21. Bianco fiore (arr. for 2 lutes)
22. Il primo libro delle villanelle: Con la fronte fiorita e i crin'ardenti
23. Contrapuncto
24. Fantasia Sesta
25. Il primo libro de madrigali: Questa di verd'herbette

In the year 1580, Luca Marenzio, then a young man, published his first collection of compositions: Primo libro de’ madrigali a cinque voci. In the sophisticated Roman musical circles of the end of the sixteenth century, it revealed a personality that was able to express the aesthetic requirements of that period with supreme mastery. Marenzio was born in Coccaglio, near Brescia, around 1553. He moved to Rome at the age of twenty to work in the employment of Cardinal Cristoforo Madruzzo, and was appreciated because of some madrigals of his that were included in anthologies, and because he was a good singer. Thanks to these first published works of his, Marenzio won a position of primacy among Italian composers, and his fame soon reached other European countries. In England, notably, several editions of anthologies that included madrigals by Marenzio were published a few years later, and Marenzio’s works were highly admired. This Cd contains an overview of the profane musical genres of the late ‘500, which Marenzio and his contemporaries were the leading figures.


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