Raphael Hevicke - Virtuosi (2021) Hi-Res
BAND/ARTIST: Raphael Hevicke, Gernot Süßmuth, David Castro-Balbi, Jörg Reddin, Clara Blessing, Thüringer Bach Collegium
- Title: Virtuosi
- Year Of Release: 2021
- Label: audite Musikproduktion
- Genre: Classical
- Quality: FLAC 16/24 Bit (96 KHz / tracks+booklet
- Total Time: 66:44 min
- Total Size: 375 MB / 1,4 GB
- WebSite: Album Preview
Tracklist:
1. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: I. Allegro
2. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: II. Adagio
3. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: III. Allegro
4. Concert for Organ in D Minor (Fragment after Giuseppe Torelli): Allegro
5. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: I. Allegro
6. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: II. Adagio
7. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: III. Allegro
8. Concert for Organ in C Major, BWV 595 (Fragment after Prinz Johann Ernst von Sachsen:Weimar)
9. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): I
10. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): II. Adagio
11. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): III. Allegro
12. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): I
13. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): II. Grave
14. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): III. Presto
15. Concert for 2 Violins in D Minor, BWV 1043: I. Vivace
16. Concert for 2 Violins in D Minor, BWV 1043: II. Largo ma non Tanto
17. Concert for 2 Violins in D Minor, BWV 1043: III. Allegro
1. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: I. Allegro
2. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: II. Adagio
3. Concert for 3 Violins and Orchestra in D Major, BWV 1064r: III. Allegro
4. Concert for Organ in D Minor (Fragment after Giuseppe Torelli): Allegro
5. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: I. Allegro
6. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: II. Adagio
7. Concert for Oboe, Violin and Orchestra in C Minor, BWV 1060r: III. Allegro
8. Concert for Organ in C Major, BWV 595 (Fragment after Prinz Johann Ernst von Sachsen:Weimar)
9. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): I
10. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): II. Adagio
11. Concert for Violin and Orchestra in B:Flat Major, BWV 983 (Reconstruction by Gernot Süßmuth): III. Allegro
12. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): I
13. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): II. Grave
14. Concert for Organ in G Major, BWV 592 (After Prinz Johann Ernst von Sachsen:Weimar): III. Presto
15. Concert for 2 Violins in D Minor, BWV 1043: I. Vivace
16. Concert for 2 Violins in D Minor, BWV 1043: II. Largo ma non Tanto
17. Concert for 2 Violins in D Minor, BWV 1043: III. Allegro
It was a momentous encounter: around 1714, the Weimar court organist Johann Sebastian Bach came across Antonio Vivaldi's opus 3 L'Estro armonico, hot off the press, and soon nothing would be the same for him musically. Bach eagerly appropriated the Venetian Red Priest's modern concerto style. And true to the meaning of the word "concertare", which in Italian means "to unite", but in Latin means "to argue" or "to fight", Bach rapidly entered into a competition, first with his Italian models and then with himself.
At the outset, he arranged Vivaldi's violin concertos for his (main) instrument, the organ. But then he transferred Vivaldi's principles into his own instrumental concerto style. The results were his immortal Köthen concertos for one to three solo instruments and orchestra, blending the concerto principle of structural tutti ritornellos and interspersed imaginative solo episodes with Bach's unique polyphonic style : highly virtuosic works in which all participating instruments connect with one another at eye level, and also enter into fierce competition with each other.
All this can be heard on the third audite album of the Thüringer Bach Collegium: a good 70 minutes of competition for the best musical arguments, presented with irresistibly sparkling virtuosity.
At the outset, he arranged Vivaldi's violin concertos for his (main) instrument, the organ. But then he transferred Vivaldi's principles into his own instrumental concerto style. The results were his immortal Köthen concertos for one to three solo instruments and orchestra, blending the concerto principle of structural tutti ritornellos and interspersed imaginative solo episodes with Bach's unique polyphonic style : highly virtuosic works in which all participating instruments connect with one another at eye level, and also enter into fierce competition with each other.
All this can be heard on the third audite album of the Thüringer Bach Collegium: a good 70 minutes of competition for the best musical arguments, presented with irresistibly sparkling virtuosity.
Year 2021 | Classical | FLAC / APE | HD & Vinyl
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