Ensemble ConSerto Musico & Roberto Loreggian - Galuppi: Complete Harpsichord Concertos (2011)
BAND/ARTIST: Ensemble ConSerto Musico, Roberto Loreggian
- Title: Galuppi: Complete Harpsichord Concertos
- Year Of Release: 2011
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 02:00:10
- Total Size: 725 mb
- WebSite: Album Preview
Tracklist
01. Harpsichord Concerto in C Major: I. Allegro
02. Harpsichord Concerto in C Major: II. Largo
03. Harpsichord Concerto in C Major: III. Allegro
04. Harpsichord Concerto in E-Flat Major: I. Allegro ma non presto
05. Harpsichord Concerto in E-Flat Major: II. Largo
06. Harpsichord Concerto in E-Flat Major: III. Allegro
07. Harpsichord Concerto in G Major: I. Allegro
08. Harpsichord Concerto in G Major: II. Andantino con moto
09. Harpsichord Concerto in G Major: III. Allegro
10. Harpsichord Concerto in F Major: I. Allegro
11. Harpsichord Concerto in F Major: II. Andante
12. Harpsichord Concerto in F Major: III. Allegro ma non presto
13. Harpsichord Concerto in C Minor: I. Allegro assai
14. Harpsichord Concerto in C Minor: II. Andantino
15. Harpsichord Concerto in C Minor: III. Allegro ma non presto
16. Harpsichord Concerto in A Major: I. Non tanto allegro
17. Harpsichord Concerto in A Major: II. Andante
18. Harpsichord Concerto in A Major: III. Allegro
19. Concerto for Flute, Strings and Basso Continuo: I. Allegro
20. Concerto for Flute, Strings and Basso Continuo: II. Adagio
21. Concerto for Flute, Strings and Basso Continuo: III. Allegro assai
22. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: I. Allegro Moderato
23. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: II. Andante
24. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: III. Allegro
25. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: I. Allegro
26. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: II. Andante
27. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: III. Allegretto
28. Harpsichord Concerto in F Major: I. Allegro non tanto
29. Harpsichord Concerto in F Major: II. Grave
30. Harpsichord Concerto in F Major: III. Presto
Baldassare Galuppi was born on the Italian island of Burano in 1706, and died in Venice in 1785. His life was an extremely eventful and productive one for the son of a humble barber and violinist in the village band.
After his father gave him his first musical education, he composed his first opera at the age of 16, following this by taking up studies with Lotti. A steady flow of operas followed, and Goldoni became his regular librettist – distinguishing his operas from a literary viewpoint as well as a musical one. He lived in London from 1741-3, and in St Petersburg from 1765-8. He later became Vice Chapel Master in St Marks, Venice in 1748 before becoming Chapel Master in 1762.
Apart from Galuppi’s vast body of work for the opera house, he was also a prolific composer of concertos and chamber music. These CDs contain his entire harpsichord concertos, which are generally in the traditional fast–slow–fast pattern of the classical concerto. Cadenzas had started to become fashionable in the mid 18th century, and the soloist has taken the liberty of utilising cadenzas composed by Muzio Clementi for use in these recordings.
01. Harpsichord Concerto in C Major: I. Allegro
02. Harpsichord Concerto in C Major: II. Largo
03. Harpsichord Concerto in C Major: III. Allegro
04. Harpsichord Concerto in E-Flat Major: I. Allegro ma non presto
05. Harpsichord Concerto in E-Flat Major: II. Largo
06. Harpsichord Concerto in E-Flat Major: III. Allegro
07. Harpsichord Concerto in G Major: I. Allegro
08. Harpsichord Concerto in G Major: II. Andantino con moto
09. Harpsichord Concerto in G Major: III. Allegro
10. Harpsichord Concerto in F Major: I. Allegro
11. Harpsichord Concerto in F Major: II. Andante
12. Harpsichord Concerto in F Major: III. Allegro ma non presto
13. Harpsichord Concerto in C Minor: I. Allegro assai
14. Harpsichord Concerto in C Minor: II. Andantino
15. Harpsichord Concerto in C Minor: III. Allegro ma non presto
16. Harpsichord Concerto in A Major: I. Non tanto allegro
17. Harpsichord Concerto in A Major: II. Andante
18. Harpsichord Concerto in A Major: III. Allegro
19. Concerto for Flute, Strings and Basso Continuo: I. Allegro
20. Concerto for Flute, Strings and Basso Continuo: II. Adagio
21. Concerto for Flute, Strings and Basso Continuo: III. Allegro assai
22. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: I. Allegro Moderato
23. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: II. Andante
24. Concerto In D Major, Attributed To Franz Joseph Haydn, Hob. XVIII, No. 2: III. Allegro
25. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: I. Allegro
26. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: II. Andante
27. Concerto in G Major for Flute, Harpsichord and Strings, Harpsichord Part: III. Allegretto
28. Harpsichord Concerto in F Major: I. Allegro non tanto
29. Harpsichord Concerto in F Major: II. Grave
30. Harpsichord Concerto in F Major: III. Presto
Baldassare Galuppi was born on the Italian island of Burano in 1706, and died in Venice in 1785. His life was an extremely eventful and productive one for the son of a humble barber and violinist in the village band.
After his father gave him his first musical education, he composed his first opera at the age of 16, following this by taking up studies with Lotti. A steady flow of operas followed, and Goldoni became his regular librettist – distinguishing his operas from a literary viewpoint as well as a musical one. He lived in London from 1741-3, and in St Petersburg from 1765-8. He later became Vice Chapel Master in St Marks, Venice in 1748 before becoming Chapel Master in 1762.
Apart from Galuppi’s vast body of work for the opera house, he was also a prolific composer of concertos and chamber music. These CDs contain his entire harpsichord concertos, which are generally in the traditional fast–slow–fast pattern of the classical concerto. Cadenzas had started to become fashionable in the mid 18th century, and the soloist has taken the liberty of utilising cadenzas composed by Muzio Clementi for use in these recordings.
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