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Richard Goode - Beethoven: The Complete Sonatas (2005)

Richard Goode - Beethoven: The Complete Sonatas (2005)

BAND/ARTIST: Richard Goode

  • Title: Beethoven: The Complete Sonatas
  • Year Of Release: 2005
  • Label: Nonesuch
  • Genre: Classical Piano
  • Quality: flac lossless
  • Total Time: 10:08:46
  • Total Size: 1.56 gb
  • WebSite:
Tracklist

01. Sonata No. 1 in F minor, Op. 2, No. 1: I. Allegro
02. Sonata No. 1 in F minor, Op. 2, No. 1: II. Adagio
03. Sonata No. 1 in F minor, Op. 2, No. 1: III. Menuetto: Allegretto
04. Sonata No. 1 in F minor, Op. 2, No. 1: IV. Prestissimo
05. Sonata No. 2 in A Major, Op. 2, No. 2: I. Allegro vivace
06. Sonata No. 2 in A Major, Op. 2, No. 2: II. Largo appassionato
07. Sonata No. 2 in A Major, Op. 2, No. 2: III. Scherzo: Allegretto
08. Sonata No. 2 in A Major, Op. 2, No. 2: IV. Rondo: Grazioso
09. Sonata No. 3 in C Major, Op. 2, No. 3: I. Allegro con brio
10. Sonata No. 3 in C Major, Op. 2, No. 3: II. Adagio
11. Sonata No. 3 in C Major, Op. 2, No. 3: III. Scherzo: Allegro
12. Sonata No. 3 in C Major, Op. 2, No. 3: IV. Scherzo: Allegro assai
13. Sonata No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio
14. Sonata No. 5 in C minor, Op. 10 No. 1: II. Adagio molto
15. Sonata No. 5 in C minor, Op. 10 No. 1: III. Finale: Prestissimo
16. Sonata No. 6 in F major, Op. 10 No. 2: I. Allegro
17. Sonata No. 6 in F major, Op. 10 No. 2: II. Allegretto
18. Sonata No. 6 in F major, Op. 10 No. 2: III. Presto
19. Sonata No. 7 in D major, Op. 10 No. 3: I. Presto
20. Sonata No. 7 in D major, Op. 10 No. 3: II. Largo e mesto
21. Sonata No. 7 in D major, Op. 10 No. 3: III. Menuetto: Allegro
22. Sonata No. 7 in D major, Op. 10 No. 3: IV. Rondo: Allegro
23. Sonata No. 4 in E-Flat Major, Op. 7: I. Allegro molto e con brio
24. Sonata No. 4 in E-Flat Major, Op. 7: II. Largo, con gran espressione
25. Sonata No. 4 in E-Flat Major, Op. 7: III. Allegro
26. Sonata No. 4 in E-Flat Major, Op. 7: IV. Rondo: Poco allegretto e grazioso
27. Sonata No. 9 in E Major, Op. 14, No. 1: I. Allegro
28. Sonata No. 9 in E Major, Op. 14, No. 1: II. Allegretto
29. Sonata No. 9 in E Major, Op. 14, No. 1: III. Rondo: Allegro comodo
30. Sonata No. 8 in C Minor, Op. 13 'Pathétique': I. Grave - Allegro molto e con brio
31. Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile
32. Sonata No. 8 in C Minor, Op. 13 'Pathétique': III. Rondo: Allegro
33. Sonata No. 10 in G Major, Op. 14 No. 2: I. Allegro
34. Sonata No. 10 in G Major, Op. 14 No. 2: II. Andante
35. Sonata No. 10 in G Major, Op. 14 No. 2: III. Scherzo: Allegro assai
36. Sonata No. 11 In B-flat Major, Op. 22: I. Allegro con brio
37. Sonata No. 11 In B-flat Major, Op. 22: II. Adagio con molto espressione
38. Sonata No. 11 In B-flat Major, Op. 22: III. Menuetto
39. Sonata No. 11 In B-flat Major, Op. 22: IV. Rondo: Allegretto
40. Sonata No. 12 in A-flat Major, Op. 26: I. Andante con Variazioni
41. Sonata No. 12 in A-flat Major, Op. 26: II. Scherzo: Allegro molto
42. Sonata No. 12 in A-flat Major, Op. 26: III. Marcia funebre (Sulla morte d'un Eroe)
43. Sonata No. 12 in A-flat Major, Op. 26: IV. Allegro
44. Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": I. Andante - Allegro - Andante
45. Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": II. Allegro molto vivace
46. Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": III. Adagio con espressione
47. Sonata No. 13 in E-Flat Major, Op. 27 No. 1 "Sonata quasi una fantasia": IV. Allegro vivace
48. Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': I. Adagio sostenuto
49. Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': II. Allegretto
50. Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 'Moonlight': III. Presto agitato
51. Sonata No. 15 in D Major, Op. 28 'Pastorale': I. Allegro
52. Sonata No. 15 in D Major, Op. 28 'Pastorale': II. Andante
53. Sonata No. 15 in D Major, Op. 28 'Pastorale': III. Scherzo: Allegro vivace
54. Sonata No. 15 in D Major, Op. 28 'Pastorale': IV. Rondo: Allegro ma non troppo
55. Sonata No. 16 in G Major, Op. 31 No. 1: I. Allegro vivace
56. Sonata No. 16 in G Major, Op. 31 No. 1: II. Adagio grazioso
57. Sonata No. 16 in G Major, Op. 31 No. 1: III. Rondo: Allegretto
58. Sonata No. 17 in D Minor, Op. 31 No. 2 "Der Sturm": I. Largo - Allegro
59. Sonata No. 17 in D Minor, Op. 31 No. 2 "Der Sturm": II. Adagio
60. Sonata No. 17 in D Minor, Op. 31 No. 2 "Der Sturm": III. Allegretto
61. Sonata No. 18 in E-Flat Major, Op. 31 No. 3 'The Hunt': I. Allegro
62. Sonata No. 18 in E-Flat Major, Op. 31 No. 3 'The Hunt': II. Scherzo: Allegretto vivace
63. Sonata No. 18 in E-Flat Major, Op. 31 No. 3 'The Hunt': III. Menuetto: Moderato e grazioso
64. Sonata No. 18 in E-Flat Major, Op. 31 No. 3 'The Hunt': IV. Presto con fuoco
65. Sonata No. 21 in C major, op. 53 "Waldstein": I. Allegro con brio
66. Sonata No. 21 in C major, op. 53 "Waldstein": II. Introduzione: Adagio molto
67. Sonata No. 21 in C major, op. 53 "Waldstein": III. Rondo: Allegretto moderato
68. Sonata No. 22 in F Major, Op. 54: I. In tempo d'un Menuetto
69. Sonata No. 22 in F Major, Op. 54: II. Allegretto
70. Sonata No. 23 in F Minor, Op. 57 'Appassionata': I. Allegro Assai
71. Sonata No. 23 in F Minor, Op. 57 'Appassionata': II. Andante con moto
72. Sonata No. 23 in F Minor, Op. 57 'Appassionata': III. Allegro non troppo
73. Sonata No. 19 in G minor, Op. 49 No. 1: I. Andante
74. Sonata No. 19 in G minor, Op. 49 No. 1: II. Rondo: Allegro
75. Sonata No. 19 in G minor, Op. 49 No. 1: III. Allegro ma non troppo
76. Sonata No. 20 in G major, Op. 49 No. 2: Tempo di Menuetto
77. Sonata No. 24 in F-Sharp Major, Op. 78: I. Adagio cantabile; Allegro ma non troppo
78. Sonata No. 24 in F-Sharp Major, Op. 78: II. Allegro vivace
79. Sonata No. 25 in G Major, Op. 79: I. Presto alla tedesca
80. Sonata No. 25 in G Major, Op. 79: II. Andante
81. Sonata No. 25 in G Major, Op. 79: III. Vivace
82. Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": Adagio: Allegro (Les adieux)
83. Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": II. Andante espressivo (L'Absence)
84. Sonata No. 26 in E-Flat Major, Op. 81a "Les adieux": III. Vivacissimamente (Le Retour)
85. Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck (Vivaciously and with feeling and expression throughout)
86. Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen (Not too quickly and very songfully)
87. Sonata No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung
88. Sonata No. 28 in A major, Op. 101: II. Lebhaft. Marschmässig
89. Sonata No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll; Zeitmass des ersten Stückes; Geschwinde, doch nicht zu sehr, und mit Entschlossenheit
90. Sonata No. 29 in B-Flat Major, Op. 106 'Hammerklavier': I. Allegro
91. Sonata No. 29 in B-Flat Major, Op. 106 'Hammerklavier': II. Scherzo: Assai vivace
92. Sonata No. 29 in B-Flat Major, Op. 106 'Hammerklavier': III. Adagio sostenuto
93. Sonata No. 29 in B-Flat Major, Op. 106 'Hammerklavier': IV. Largo - Fuga - Allegor risoluto
94. Sonata No. 30 in E Major, Op. 109: I. Vivace ma non troppo - Adaggio espressivo
95. Sonata No. 30 in E Major, Op. 109: II. Prestissimo
96. Sonata No. 30 in E Major, Op. 109: III. Tema: Molto cantabile es espressivo; Variazioni I-VI
97. Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile, molto espressivo
98. Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto
99. Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo; Arioso dolente; Fuga; Allegro, ma non troppo, L'istesso tempo di Arioso; L'inversione della Fuga
100. Sonata No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
101. Sonata No. 32 in C minor, Op. 111: II. Arietta: Adagio molto semplice e cantabile

« Parue au début des années 1990, la réédition, grâce à Warner, de l’intégrale des sonates de Beethoven sous les doigts de Richard Goode – elle fut la première intégrale réalisée par un pianiste américain – est une excellente initiative. L’interprétation très compacte (Goode fut un disciple de Serkin) souffre parfois d’une imagination un peu bridée, notamment dans les pièces tardives. Il n’empêche : voilà une somme d’une intelligence et d’une énergie peu communes.» (Classica, novembre 2017)

« [...] La qualité de son intégrale tient d'abord dans une littéralité exemplaire, qui place le texte et sa réalisation précise, loyale, au tout premier plan, avant l'expression d'un regard personnel. Pourtant, Richard Goode est là, bien là, chaleureux, visionnaire, emporté, réfléchi, intérieur, virtuose, joueur, humoristique [...] » (Diapason, janvier 2018 / Alain Lompech)

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