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Eleni Karaindrou - Trilogy: The Weeping Meadow (Musique du film de Theo Angelopoulos) (2004)

Eleni Karaindrou - Trilogy: The Weeping Meadow (Musique du film de Theo Angelopoulos) (2004)

BAND/ARTIST: Eleni Karaindrou

  • Title: Trilogy: The Weeping Meadow (Musique du film de Theo Angelopoulos)
  • Year Of Release: 2004
  • Label: ECM New Series
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 43:49
  • Total Size: 203 Mb
  • WebSite:
Tracklist:

1. The Weeping Meadow 3:56
2. Theme Of The Uprooting I 1:08
3. Waiting I 4:18
4. Memories 3:34
5. The Tree 2:43
6. Young Man's Theme I 1:56
7. The Weeping Meadow I 3:23
8. Theme Of The Uprooting II 1:18
9. Waiting II 2:03
10. Theme Of The Uprooting 3:07
11. Prayer 4:14
12. The Tree 2:45
13. On The Road 3:38
14. Young Man's Theme 2:11
15. Theme Of The Uprooting III 1:10
16. The Weeping Meadow II 2:38

Performers:
Maria Bildea harp
Konstantinos Raptis accordion
Socratis Sinopoulos constantinople lyra
Vangelis Skouras french horn
Renato Ripo violoncello
Sergiu Nastasa violin
Angelos Repapis double-bass
String Orchestra La Camerata Athens
Eleni Karaindrou piano
Antonis Kontogeorgiou choirmaster

Film and orchestral music composer Eleni Karaindrou has made a beautiful and moving statement with THE WEEPING MEADOW. A native of Greece, Karaindrou's influences are decidedly European, and within the music, one can hear the stamp of impressionistic composers like Erik Satie, avant garde innovators like Bartok, as well as Greek and Balkan folk forms. Karaindrou's music also traffics in 20th-century minimalism, creating tense, atmospheric spaces that feel empty and dense at once (one of the composer's frequently used motifs involves "patterns" that recall the tingling, polyphonic gestures of Phillip Glass).

Although several themes are reprised throughout the album, the combination of ambient textures, folk phrasing (accordions, guitars, and violins figure prominently into several pieces), and lush orchestral work keep the music consistently interesting. The pieces are often set in a minor key, so a somber, melancholic mood prevails yet never feels forced or melodramatic, and the spacious, tasteful arrangements are in keeping with the ECM aesthetic. THE WEEPING MEADOW is largely instrumental, but also features several choral pieces, adding to the variety and depth of the overall palette on this impressive achievement.




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