Tafelmusik, Bruno Weil - Gluck: Don Juan & Semiramis (Ballet Pantomimes) (2015)
BAND/ARTIST: Tafelmusik, Bruno Weil
- Title: Gluck: Don Juan & Semiramis (Ballet Pantomimes)
- Year Of Release: 2015
- Label: Sony Classical
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:04:11
- Total Size: 311 mb
- WebSite: Album Preview
Tracklist
01. Don Juan, Wq. 52: Sinfonia. Allegro
02. Don Juan, Wq. 52: 1. Andante grazioso
03. Don Juan, Wq. 52: 2. Andante
04. Don Juan, Wq. 52: 3. Allegro maestoso
05. Don Juan, Wq. 52: 4. Allegro furioso - Adagio
06. Don Juan, Wq. 52: 5. Allegro forte risoluto - Andante - Allegretto
07. Don Juan, Wq. 52: 6. Risoluto moderato
08. Don Juan, Wq. 52: 7. Gavotte
09. Don Juan, Wq. 52: 8. Brillante
10. Don Juan, Wq. 52: 9. Allegretto
11. Don Juan, Wq. 52: 10. Moderato
12. Don Juan, Wq. 52: 11. Giusto
13. Don Juan, Wq. 52: 12. Allegro - Presto
14. Don Juan, Wq. 52: 13. Andante grazioso
15. Don Juan, Wq. 52: 14. Andante
16. Don Juan, Wq. 52: 15. Presto
17. Don Juan, Wq. 52: 16. Allegretto - Presto - Andante - Tempo primo
18. Don Juan, Wq. 52: 17. Andante
19. Don Juan, Wq. 52: 18. Allegro giusto
20. Don Juan, Wq. 52: 19. Moderato
21. Don Juan, Wq. 52: 20. Andante
22. Don Juan, Wq. 52: 21. Grazioso
23. Don Juan, Wq. 52: 22. Allegretto
24. Don Juan, Wq. 52: 23. Moderato - Presto - Moderato - Presto
25. Don Juan, Wq. 52: 24. Risoluto e moderato
26. Don Juan, Wq. 52: 25. Allegro - Allegro giusto - Allegro
27. Don Juan, Wq. 52: 26. Andante staccato
28. Don Juan, Wq. 52: 27. Allegro
29. Don Juan, Wq. 52: 28. Allegretto
30. Don Juan, Wq. 52: 29. Andante staccato
31. Don Juan, Wq. 52: 30. Larghetto
32. Don Juan, Wq. 52: 31. Allegro non troppo
33. Semiramis, Wq. Anh. C/1: Sinfonia. Maestoso
34. Semiramis, Wq. Anh. C/1: 1. Andante
35. Semiramis, Wq. Anh. C/1: 2. Allegro
36. Semiramis, Wq. Anh. C/1: 3. Moderato
37. Semiramis, Wq. Anh. C/1: 4. Moderato - Grazioso
38. Semiramis, Wq. Anh. C/1: 5. Moderato
39. Semiramis, Wq. Anh. C/1: 6. Maestoso
40. Semiramis, Wq. Anh. C/1: 7. Grazioso
41. Semiramis, Wq. Anh. C/1: 8. Maestoso
42. Semiramis, Wq. Anh. C/1: 9a. Affettuoso - 9b. Affettuoso
43. Semiramis, Wq. Anh. C/1: 10. Adagio - Più adagio
44. Semiramis, Wq. Anh. C/1: 11. Affettuoso
45. Semiramis, Wq. Anh. C/1: 12. Adagio
46. Semiramis, Wq. Anh. C/1: 13. Allegro maestoso
47. Semiramis, Wq. Anh. C/1: 14. Adagio - Allegro
48. Semiramis, Wq. Anh. C/1: 15. Allegro assai
Gluck made his reputation as one of opera's great reformers. He was the 18th century's Wagner, an artist who fought against the tyranny of the singer in order to establish a more unified conception of opera in which each element was subservient to the composer's dramatic plan. But what made this radical concept work was a much more positive role for the orchestra, and it's a quality you can hear very clearly in these two ballets. The final scene of Don Juan, depicting his descent into hell, had a direct effect on Mozart when he wrote Don Giovanni. It's the first representation of real terror in music. This then is an important disc historically, but even better, it's highly entertaining musically.
01. Don Juan, Wq. 52: Sinfonia. Allegro
02. Don Juan, Wq. 52: 1. Andante grazioso
03. Don Juan, Wq. 52: 2. Andante
04. Don Juan, Wq. 52: 3. Allegro maestoso
05. Don Juan, Wq. 52: 4. Allegro furioso - Adagio
06. Don Juan, Wq. 52: 5. Allegro forte risoluto - Andante - Allegretto
07. Don Juan, Wq. 52: 6. Risoluto moderato
08. Don Juan, Wq. 52: 7. Gavotte
09. Don Juan, Wq. 52: 8. Brillante
10. Don Juan, Wq. 52: 9. Allegretto
11. Don Juan, Wq. 52: 10. Moderato
12. Don Juan, Wq. 52: 11. Giusto
13. Don Juan, Wq. 52: 12. Allegro - Presto
14. Don Juan, Wq. 52: 13. Andante grazioso
15. Don Juan, Wq. 52: 14. Andante
16. Don Juan, Wq. 52: 15. Presto
17. Don Juan, Wq. 52: 16. Allegretto - Presto - Andante - Tempo primo
18. Don Juan, Wq. 52: 17. Andante
19. Don Juan, Wq. 52: 18. Allegro giusto
20. Don Juan, Wq. 52: 19. Moderato
21. Don Juan, Wq. 52: 20. Andante
22. Don Juan, Wq. 52: 21. Grazioso
23. Don Juan, Wq. 52: 22. Allegretto
24. Don Juan, Wq. 52: 23. Moderato - Presto - Moderato - Presto
25. Don Juan, Wq. 52: 24. Risoluto e moderato
26. Don Juan, Wq. 52: 25. Allegro - Allegro giusto - Allegro
27. Don Juan, Wq. 52: 26. Andante staccato
28. Don Juan, Wq. 52: 27. Allegro
29. Don Juan, Wq. 52: 28. Allegretto
30. Don Juan, Wq. 52: 29. Andante staccato
31. Don Juan, Wq. 52: 30. Larghetto
32. Don Juan, Wq. 52: 31. Allegro non troppo
33. Semiramis, Wq. Anh. C/1: Sinfonia. Maestoso
34. Semiramis, Wq. Anh. C/1: 1. Andante
35. Semiramis, Wq. Anh. C/1: 2. Allegro
36. Semiramis, Wq. Anh. C/1: 3. Moderato
37. Semiramis, Wq. Anh. C/1: 4. Moderato - Grazioso
38. Semiramis, Wq. Anh. C/1: 5. Moderato
39. Semiramis, Wq. Anh. C/1: 6. Maestoso
40. Semiramis, Wq. Anh. C/1: 7. Grazioso
41. Semiramis, Wq. Anh. C/1: 8. Maestoso
42. Semiramis, Wq. Anh. C/1: 9a. Affettuoso - 9b. Affettuoso
43. Semiramis, Wq. Anh. C/1: 10. Adagio - Più adagio
44. Semiramis, Wq. Anh. C/1: 11. Affettuoso
45. Semiramis, Wq. Anh. C/1: 12. Adagio
46. Semiramis, Wq. Anh. C/1: 13. Allegro maestoso
47. Semiramis, Wq. Anh. C/1: 14. Adagio - Allegro
48. Semiramis, Wq. Anh. C/1: 15. Allegro assai
Gluck made his reputation as one of opera's great reformers. He was the 18th century's Wagner, an artist who fought against the tyranny of the singer in order to establish a more unified conception of opera in which each element was subservient to the composer's dramatic plan. But what made this radical concept work was a much more positive role for the orchestra, and it's a quality you can hear very clearly in these two ballets. The final scene of Don Juan, depicting his descent into hell, had a direct effect on Mozart when he wrote Don Giovanni. It's the first representation of real terror in music. This then is an important disc historically, but even better, it's highly entertaining musically.
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