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Beethoven Orchester Bonn - Beethoven: Egmont, Op. 84 (2019)

Beethoven Orchester Bonn - Beethoven: Egmont, Op. 84 (2019)
  • Title: Beethoven: Egmont, Op. 84
  • Year Of Release: 2019
  • Label: MDG Gold
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 45:49
  • Total Size: 155 Mb
  • WebSite:
Tracklist:

1. Egmont für Orchester, Op. 84: Ouvertüre 07:22
2. Egmont für Orchester, Op. 84: In Brüssel herrscht Ruhe 01:50
3. Egmont für Orchester, Op. 84: No. 1, Die Trommel gerühret! (Klärchens Lied) 03:06
4. Egmont für Orchester, Op. 84: Freiheit! Ein schönes Wort, wer's recht verstände 01:04
5. Egmont für Orchester, Op. 84, Erster Zwischenakt: No. 2, Andante 03:10
6. Egmont für Orchester, Op. 84: Der Tumult ist gestillt 02:11
7. Egmont für Orchester, Op. 84, Zweiter Zwischenakt: No. 3, Larghetto 04:43
8. Egmont für Orchester, Op. 84: Ordnung und Freiheit, Sicherheit und Ruhe 01:06
9. Egmont für Orchester, Op. 84: No. 4, Freudvoll und leidvoll (Klärchens Lied) 01:37
10. Egmont für Orchester, Op. 84, Dritter Zwischenakt: No. 5, Allegro 03:40
11. Egmont für Orchester, Op. 84, Krieg! Wisset ihr auch, was ihr da ruft? 02:02
12. Egmont für Orchester, Op. 84, Vierter Zwischenakt: No. 6, Poco sostenuto e risoluto 03:13
13. Egmont für Orchester, Op. 84: Egmont verurteilt! 00:34
14. Egmont für Orchester, Op. 84: No. 7, Klärchens Tod bezeichnend - Larghetto 02:22
15. Egmont für Orchester, Op. 84: Es ist der Klang der Mordaxt 00:41
16. Egmont für Orchester, Op. 84: No. 8, Melodram - Poco sostenuto 04:23
17. Egmont für Orchester, Op. 84: Ich hab geträumt! 01:31
18. Egmont für Orchester, Op. 84: No. 9, Siegessinfonie - Allegro con brio 01:14

Performers:
Beethoven Orchester Bonn
Dirk Kaftan
Olga Bezsmertna

Among Goethes dramas, Egmont stands practically unrivaled in its vibrant portrayal of protagonists faced with emotional anxieties and conflicts. For the convincing presentation of these states of heart and mind on the stage, the Prince of German Poets prescribed music for the key scenes as early as the works premiere. Now the Beethoven Orchestra of Bonn under its new principal conductor Dirk Kaftan has set itself the task of performing Beethovens incidental music. The magnificent Matthias Brandt collaborated with the dramaturge Tilman Böttcher on this new version of the drama and renders his part with moving intensity. The text and the music experience their most intimate union in the melodrama. In a heart-stirring performance, Matthias Brandts Egmont first longs for sleep and then sees Klarchens spirit while dreaming. This Bonn production recorded in three-dimensional sound and with the finest technology conveys the live effect of theater experience and represents audiophile listening in the truest sense of the term.




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