Duo d'Accord - Bachiana (2015)
BAND/ARTIST: Duo d'Accord
- Title: Bachiana
- Year Of Release: 2015
- Label: SWR Classic
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:06:56
- Total Size: 230 mb
- WebSite: Album Preview
Tracklist
01. Melodisch-Kontrapunktische Studien, Op. 137b: No. 2, Prelude in D Major (After J.S. Bach's BWV 874)
02. Melodisch-Kontrapunktische Studien, Op. 137b: No. 6, Prelude in B Minor (After J.S. Bach's BWV 869 in Strict Style)
03. 6 Fugues on B-A-C-H, Op. 60: No. 1 in B-Flat Major. Langsam (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
04. Melodisch-Kontrapunktische Studien, Op. 137b: No. 3, Prelude in G Major (After J.S. Bach's BWV 860)
05. Melodisch-Kontrapunktische Studien, Op. 137b: No. 8, Prelude in D Minor (After J.S. Bach's BWV 875)
06. 6 Fugues on B-A-C-H, Op. 60: No. 2 in B-Flat Major. Lebhaft (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
07. Melodisch-Kontrapunktische Studien, Op. 137b: No. 9, Prelude in C-Sharp Minor (After J.S. Bach's BWV 849)
08. Melodisch-Kontrapunktische Studien, Op. 137b: No. 6, Prelude in B Minor (After J.S. Bach's BWV 869 in Free Style)
09. 6 Fugues on B-A-C-H, Op. 60: No. 3 in G Minor. Mit sanften Stimmen (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
10. Melodisch-Kontrapunktische Studien, Op. 137b: No. 1, Prelude in C Major (After J.S. Bach's BWV 846)
11. Melodisch-Kontrapunktische Studien, Op. 137b: No. 5, Prelude in D Minor (After J.S. Bach's BWV 851)
12. 6 Fugues on B-A-C-H, Op. 60: No. 4 in B-Flat Major. Mäßig, doch nicht zu langsam (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
13. Melodisch-Kontrapunktische Studien, Op. 137b: No. 10, Prelude in C Minor (After J.S. Bach's BWV 847)
14. Melodisch-Kontrapunktische Studien, Op. 137b: No. 4, Prelude in E-Flat Major (After J.S. Bach's BWV 876)
15. 6 Fugues on B-A-C-H, Op. 60: No. 5 in F Major. Lebhaft (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
16. Melodisch-Kontrapunktische Studien, Op. 137b: No. 7, Prelude in B-Flat Major (After J.S. Bach's BWV 866)
17. 6 Fugues on B-A-C-H, Op. 60: No. 6 in B-Flat Major. Mäßig, nach und nach schneller (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
18. Variationen über eine Sarabande von J.S. Bach, Op. 24
Bach, a poet? In our day and age, this statement sounds surreal, and seems to reek of nostalgia. How could it be otherwise? After all, nearly two centuries have passed from the time Schumann uttered these words, centuries in which a comprehensive exegesis of interpretation has evolved whose discoveries and principles are part and parcel of today’s Bach reception – headed by intensive efforts at keeping faithful to the original and the “correct” performing style, informed by a comprehensive knowledge of Baroque performance practice.
From this perspective, the album presented here must appear anachronistic, since its music takes us back to an epoch in which Bach was played in a free, occasionally downright carefree, style. What no one would permit themselves today was modern back then: a sense of theatrical effects, an exuberant dynamic richness and a rather elastic perception of the metrical element, as was simply in accordance with the Romantic attitude toward life.
01. Melodisch-Kontrapunktische Studien, Op. 137b: No. 2, Prelude in D Major (After J.S. Bach's BWV 874)
02. Melodisch-Kontrapunktische Studien, Op. 137b: No. 6, Prelude in B Minor (After J.S. Bach's BWV 869 in Strict Style)
03. 6 Fugues on B-A-C-H, Op. 60: No. 1 in B-Flat Major. Langsam (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
04. Melodisch-Kontrapunktische Studien, Op. 137b: No. 3, Prelude in G Major (After J.S. Bach's BWV 860)
05. Melodisch-Kontrapunktische Studien, Op. 137b: No. 8, Prelude in D Minor (After J.S. Bach's BWV 875)
06. 6 Fugues on B-A-C-H, Op. 60: No. 2 in B-Flat Major. Lebhaft (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
07. Melodisch-Kontrapunktische Studien, Op. 137b: No. 9, Prelude in C-Sharp Minor (After J.S. Bach's BWV 849)
08. Melodisch-Kontrapunktische Studien, Op. 137b: No. 6, Prelude in B Minor (After J.S. Bach's BWV 869 in Free Style)
09. 6 Fugues on B-A-C-H, Op. 60: No. 3 in G Minor. Mit sanften Stimmen (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
10. Melodisch-Kontrapunktische Studien, Op. 137b: No. 1, Prelude in C Major (After J.S. Bach's BWV 846)
11. Melodisch-Kontrapunktische Studien, Op. 137b: No. 5, Prelude in D Minor (After J.S. Bach's BWV 851)
12. 6 Fugues on B-A-C-H, Op. 60: No. 4 in B-Flat Major. Mäßig, doch nicht zu langsam (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
13. Melodisch-Kontrapunktische Studien, Op. 137b: No. 10, Prelude in C Minor (After J.S. Bach's BWV 847)
14. Melodisch-Kontrapunktische Studien, Op. 137b: No. 4, Prelude in E-Flat Major (After J.S. Bach's BWV 876)
15. 6 Fugues on B-A-C-H, Op. 60: No. 5 in F Major. Lebhaft (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
16. Melodisch-Kontrapunktische Studien, Op. 137b: No. 7, Prelude in B-Flat Major (After J.S. Bach's BWV 866)
17. 6 Fugues on B-A-C-H, Op. 60: No. 6 in B-Flat Major. Mäßig, nach und nach schneller (Arr. Lucia Huang & S. Euler for Piano 4 Hands)
18. Variationen über eine Sarabande von J.S. Bach, Op. 24
Bach, a poet? In our day and age, this statement sounds surreal, and seems to reek of nostalgia. How could it be otherwise? After all, nearly two centuries have passed from the time Schumann uttered these words, centuries in which a comprehensive exegesis of interpretation has evolved whose discoveries and principles are part and parcel of today’s Bach reception – headed by intensive efforts at keeping faithful to the original and the “correct” performing style, informed by a comprehensive knowledge of Baroque performance practice.
From this perspective, the album presented here must appear anachronistic, since its music takes us back to an epoch in which Bach was played in a free, occasionally downright carefree, style. What no one would permit themselves today was modern back then: a sense of theatrical effects, an exuberant dynamic richness and a rather elastic perception of the metrical element, as was simply in accordance with the Romantic attitude toward life.
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