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Claudia Acuña - Luna (2004) FLAC

Claudia Acuña - Luna (2004) FLAC

BAND/ARTIST: Claudia Acuña

Tracks

01. Esta Tarde Vi Llover
02. Yesterday You And I
03. Tú, Mi Delirio
04. Arrímate Mi Amor
05. Historias
06. Chorado
07. A Meditation On Two Chords
08. Océano
09. Yo No Llevo La Razón
10. Lilas
11. Carita De Lun

Personnel

Claudia Acuña Vocals; Jason Lindner Piano & Fender Rhodes; John Benitez Acoustic & Electric Bass; Gene Jackson Drums; Luisito Quintero Percussion; Jimmy Greene Soprano Saxophone.


MaxJazz, the independent jazz label formed in the late-1990s which originally specialized in vocal jazz, continues its well-received vocal jazz series with what can only be termed a pièce de résistance, the recording of Chilean-born singer Claudia Acuna. Miss Acu'a has two previously releases on Verve that have helped establish her a talent worthy of recognition. Her present recording, Luna, extends that worthiness.


Luna is an assembly of pieces in Spanish and English, with the better part of the songs sung in the former. Often this presents a problem for monolingual listeners. However, Ms. Acu'a's delivery is so engaging that it transcends mere language in the same way that most Opera does. Thus, "Esta Tarde Vi Llover" with its sand-shifting Latin rhythms and pianist Jason Linder's funky-Caribbean "Yesterday You and I" are equally challenging and enjoyable.



Acuna's voice is a beautifully uncomplicated alto with a pungent distilled purity. The deep richness of her voice is maximized on the ballads "Tu. Mi, Delirio" and "Carita De Luna." Her voice dissolves into and recrystalizes out of the melodies and accompaniment on "Historias, " "Chorardo," and "Yo No Llevo La Razon." On the former, Ms. Acuna's voice melds with Linder's electric piano and the very fine John Benitez's funky electric bass. Benitez was the absolutely most perfect bassist to tap for this date.



"Yo No Llevo La Razon" features the soul of Latin music in percussionist Luisito Quintero. You might not be able to identify this music as Chilean, but you will not mistake it for Mexican, Tex-Mex, or Cuban. In the music of Claudia Acuna, melody and rhythm are on a more equal footing making the music less "hot" and more serene. This recording will certainly show up on many 2004 best-of lists.


MICHAEL BAILEY


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