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Michèle Losier, Daniel Blumenthal - Henri Duparc: Complete Melodies (2009)

Michèle Losier, Daniel Blumenthal - Henri Duparc: Complete Melodies (2009)
  • Title: Henri Duparc: Complete Melodies
  • Year Of Release: 2009
  • Label: Fuga Libera
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:01:36
  • Total Size: 227 Mb
  • WebSite:
Tracklist:

1. L'invitation au voyage 04:17
2. Au pays où se fait la guerre 05:16
3. Romance de Mignon 04:29
4. Le galop 03:07
5. Soupir 03:10
6. Sérénade 02:28
7. Chanson triste 03:13
8. La vague et la cloche 06:05
9. Elégie 03:12
10. Le manoir de Rosemonde 02:44
11. Extase 03:32
12. Sérénade florentine 02:42
13. Phidylé 05:27
14. Lamento 03:24
15. Testament 03:48
16. La vie antérieure 04:42

Performers:
Michèle Losier (mezzo-soprano)
Daniel Blumenthal (piano)

The bulk of Henri Duparc's oeuvre consists of 17 songs, the 16 recorded here plus one duet for soprano and tenor. He was a master of the late Romantic mélodie, and many of these songs are masterpieces of the genre. The recital by Canadian mezzo-soprano Michèle Losier is to some degree a successful account of the songs, but her performance isn't entirely consistent. She sings with passion and nuanced intelligence and brings real understanding to her interpretations. Her voice is full and secure through her range, even down to the depths of La vague et la cloche. The songs are predominantly dark and driven by Romantic angst, but Losier is most effective in the songs that are lighter in tone and don't require her to push. In the more dramatically charged songs, there is a sense that she is striving for an intensity that's beyond her natural comfort level, and the result is sometimes faulty intonation and a vibrato that's not entirely under control. She has demonstrated that she can negotiate the songs' low-lying sections, but when she pushes too hard in that register, as in L'invitation au voyage, for instance, she sounds unsupported. She doesn't have the gift for easily and effortlessly coloring her voice, so her tone quality tends to be somewhat monochromatic. In the more delicate songs, though, such as Chanson Triste and Phidylé, she sounds warmly lovely and entirely at ease. Duparc's piano parts are dynamic and dramatic, and Daniel Blumenthal shines in his vivid accompaniments. The sound is clean and well balanced.




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