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La Sfera Armoniosa & Mike Fentross - Francesco Cavalli: L'ipermestra (2019) [CD-Rip]

La Sfera Armoniosa & Mike Fentross - Francesco Cavalli: L'ipermestra (2019) [CD-Rip]
  • Title: Francesco Cavalli: L'ipermestra
  • Year Of Release: 2019
  • Label: Challenge Classics
  • Genre: Classical
  • Quality: FLAC (image + .cue, log, booklet)
  • Total Time: 2:46:04
  • Total Size: 823 MB
  • WebSite:
Tracklist:

Disc 1
01. ATTO PRIMO. Sinfonia from opera “Doriclea” 1645 by Franceso Cavalli
02. Scena 1 - Linceo, Ipermestra: Qual mai benigna Stella
03. Scena 2 - Arbante: Mia sventura vuol così
04. Scena 3 - Elisa, Arbante: Adorato Tiranno mia Deità severa
05. Scena 4 - Elisa: Qual deità d’Abisso
06. Scena 5 - Berenice, Elisa: Per fare onore alle Reali spose
07. Scena 6 - Berenice: Chi non sa quanta sia l’ardente frenesia
08. Scena 7 - Danao, Ipermestra: Figlia, diletta figlia
09. Scena 8 - Ipermestra: E qual dolente stato
10. Scena 9 - Linceo: A portar luce d’Amore
11. Scena 11 - Linceo, Ipermestra: Così, mia bella Diva
12. Scena 12 - Ipermestra: Giacchè non ode il Cielo
13. Scena 13 - Berenice: Che spetacoli orrendi!
14. Scena 14 - Ipermestra, Danao, Berenice: Come à sì fiero colpo
15. Scena 15 - Berenice: Che strana usanza, e nuova!

Disc 2
01. ATTO SECONDO. Scena 1 - Elisa, Ipermestra: Il tuo amante, il tuo sposo
02. Scena 2 - Berenice, Ipermestra: Ipermestra, deh senti
03. Scena 3 - Ipermestra: Nel mar de’miei tormenti
04. Scena 4 - Ipermestra, Arbante: Dimmi, pietoso Amore
05. Scena 5 - Elisa, Arbante: Arresta il piede
06. Scena 6 - Elisa, Arbante, Danao: Signor, se mai ti punse
07. Scena 7 - Danao, Arbante: Già dell’Egizie schiere
08. Scena 8 - Danao: Affetti, pietà, partite da me
09. Scena 9 - Ipermestra, Danao: Oh come irato viene?
10. Scena 10 - Ipermestra: Ipermestra, che fai?
11. Scena 11 - Elisa, Ipermestra, Berenice: Ipermestra il tuo sposo
12. Scena 12 - Ipermestra: Durissime catene
13. Scena 21 - Linceo: Ben muove all’alta impresa
14. Scena 22 - Arbante, Linceo: Glorioso Linceo... / Fermati, Arbante
15. Scena 23 - Linceo: Guerra, guerra vogl’io
16. Scena 24 - Elisa, Linceo: Da quella Reggia, ove il tuo cor soggiorna
17. Scena 25 - Berenice, Elisa, Linceo: Parti, Elisa veloce
18. Scena 26 - Danao: Città d’Argo, che abbrucia
19. “Battalla de Barabaso yerno de Satana” 1650 by Andrea Falconieri

Disc 3
01. ATTO TERZO. Scena 1 - Instrumental
02. Scena 2 - Ipermestra: Uccidimi, Delmiro
03. Scena 3 - Ipermestra: Cara la vita à me, se morto adoro?
04. Scena 4 - Elisa, Ipermestra: E pur tu sei, e pure ti rivedo, Ipermestra
05. Scena 5 - Arbante: Disperato cor mio, dimmi, che fai?
06. Scena 7 - Linceo: E come vincitore goder poss’io, mentre ho perduto il core?
07. Scena 8 - Berenice, Linceo, Elisa: Eccolo à punto. Elisa, sia la modestia teco
08. Scena 9 - Berenice, Elisa: Fagli almeno un inchino
09. Scena 10 - Berenice: Così senza pensarvi
10. Scena 11 - Ipermestra: Come viver poss’io, misera, se Linceo non è più mio?
11. Scena 12 - Ipermestra, Berenice, Linceo: Moro, ò Linceo, col tuo bel nome in bocca
12. Scena 13 - Berenice, Elisa: Lasso, crepo d’ affanno
13. Scena 15 - Ipermestra, Linceo: Dammi morte, o Linceo
14. Scena 16 - Arbante, Linceo: Signor ecco al tuo piede
15. Scena 17 - Elisa, Ipermestra, Linceo, Arbante, Berenice: Occhi, non m’ingannate


When this recording was made in 2006, recordings and even performances of the operas of Francesco Cavalli were rare. Many are difficult to stage, but those who persist, find works that have a good deal of power and were critical to the development of opera as it is known today. For one thing, Cavalli moved opera away from the declamation of Monteverdi's works and toward a more contemporary concept of melody. Sample almost anywhere to hear Cavalli's not-quite-arias, not-quite-recitatives, perhaps the long speech of Linceo in Act One, Scene Nine. For another, although this opera was written for Florentine princely patrons, Cavalli was a man of the theater who realized the need to grab an audience's attention. G.A. Moniglia's libretto, later imitated by Pietro Metastasio, is a gory tale of a battle royal that follows the murder of 49 sons of an Egyptian king by their wives, and the refusal of the 50th wife, Ipermestra, to go through with the murder because she loves her husband, Linceo. There's plenty of action, and it comes through here in the performance by lutenist-director Mike Fentross and his ensemble La Sfera Armoniosa. This is something of a scholarly recording. The notes tell of the rediscovery of the opera's manuscript in a Venetian library, and the text is given only in the original Italian. However, non-Italophones will get the gist (although not the detail), and Fentross keeps things moving with his large continuo section: the performance was also pioneering in its recognition of the crucial role of the continuo. Further productions of the work, one by William Christie in England and one in Eastern Europe, have followed, but this one was the milestone. The lead roles of Ipermestra and Linceo, both sung by women, are competently and persuasively done, and the sound, within the limitations of live recording in 2006, is quite clear. This deserves a place in good opera collections. ~ James Manheim


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  • Rabisox
  •  wrote in 16:37
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