Tatyana Melnychenko, Plamena Mangova, Natalia Prischepenko, Sebastian Klinger - Shostakovich: Trio No. 2 - Seven Romances to Poems By Alexander Blok (2007)
BAND/ARTIST: Tatyana Melnychenko, Plamena Mangova, Natalia Prischepenko, Sebastian Klinger
- Title: Shostakovich: Trio No. 2 - Seven Romances to Poems By Alexander Blok
- Year Of Release: 2007
- Label: Fuga Libera
- Genre: Classical
- Quality: flac lossless
- Total Time: 00:53:01
- Total Size: 240 mb
- WebSite: Album Preview
Tracklist
01. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: I. Andante - Moderato
02. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: II. Allegro non troppo
03. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: III. Largo - Attacca
04. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: IV. Allegretto - Adagio
05. Seven Romances to Poems By Alexander Blok, Op. 127: I. Song of Ophelia
06. Seven Romances to Poems By Alexander Blok, Op. 127: II. Gamayun, the Prophet Bird
07. Seven Romances to Poems By Alexander Blok, Op. 127: III. We Were Together
08. Seven Romances to Poems By Alexander Blok, Op. 127: IV. The City Sleeps
09. Seven Romances to Poems By Alexander Blok, Op. 127: V. The Storm
10. Seven Romances to Poems By Alexander Blok, Op. 127: VI. Secret Signs
11. Seven Romances to Poems By Alexander Blok, Op. 127: VII. Music
Audiophiles take note: this is among the best example of recorded sound available - almost enough to let the listener smell the rosin on the violin bow, feel the touch of the keyboard, and sense the intake of breath before the soprano sings. Producer Michael Stockhen and engineer Jaroslav Frankowski (working in Brussels in July 2006 in a studio aptly called The Right Place), deserve enormous credit. The performances themselves are also highly recommendable, even if they are upstaged by the recording itself. In Shostakovich's Piano Trio No. 2, pianist Plamena Mangova, violinist Natalia Prischepenko, and cellist Sebastian Klinger are both pensive and courageous. With a fearless attack and a very tight ensemble, they convey the work's mordant wit and morbid tone with strength and sympathy. When joined by soprano Tatyana Melnychenko in the same composer's Seven Romances to poems by Alexander Blok, the purely instrumental trio is transformed by the soprano's searing intensity into a trio of almost vocal expressiveness.
01. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: I. Andante - Moderato
02. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: II. Allegro non troppo
03. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: III. Largo - Attacca
04. Trio for Violin, Cello and Piano No. 2 In E Minor, Op. 67: IV. Allegretto - Adagio
05. Seven Romances to Poems By Alexander Blok, Op. 127: I. Song of Ophelia
06. Seven Romances to Poems By Alexander Blok, Op. 127: II. Gamayun, the Prophet Bird
07. Seven Romances to Poems By Alexander Blok, Op. 127: III. We Were Together
08. Seven Romances to Poems By Alexander Blok, Op. 127: IV. The City Sleeps
09. Seven Romances to Poems By Alexander Blok, Op. 127: V. The Storm
10. Seven Romances to Poems By Alexander Blok, Op. 127: VI. Secret Signs
11. Seven Romances to Poems By Alexander Blok, Op. 127: VII. Music
Audiophiles take note: this is among the best example of recorded sound available - almost enough to let the listener smell the rosin on the violin bow, feel the touch of the keyboard, and sense the intake of breath before the soprano sings. Producer Michael Stockhen and engineer Jaroslav Frankowski (working in Brussels in July 2006 in a studio aptly called The Right Place), deserve enormous credit. The performances themselves are also highly recommendable, even if they are upstaged by the recording itself. In Shostakovich's Piano Trio No. 2, pianist Plamena Mangova, violinist Natalia Prischepenko, and cellist Sebastian Klinger are both pensive and courageous. With a fearless attack and a very tight ensemble, they convey the work's mordant wit and morbid tone with strength and sympathy. When joined by soprano Tatyana Melnychenko in the same composer's Seven Romances to poems by Alexander Blok, the purely instrumental trio is transformed by the soprano's searing intensity into a trio of almost vocal expressiveness.
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