L'Arte dell'Arco, Pier Luigi Fabretti, Federico Guglielmo - Vivaldi: Violin Concertos, Op. 11 & 12 (2016)
BAND/ARTIST: L'Arte dell'Arco, Pier Luigi Fabretti, Federico Guglielmo
- Title: Vivaldi: Violin Concertos, Op. 11 & 12
- Year Of Release: 2016
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:58:36
- Total Size: 691 mb
- WebSite: Album Preview
Tracklist
01. Violin Concerto No. 5 in C Minor, RV 202: I. Allegro non molto
02. Violin Concerto No. 5 in C Minor, RV 202: II. Largo
03. Violin Concerto No. 5 in C Minor, RV 202: III. Allegro non molto
04. Violin Concerto No. 4 in G Major, RV 308: I. Allegro
05. Violin Concerto No. 4 in G Major, RV 308: II. Largo cantabile
06. Violin Concerto No. 4 in G Major, RV 308: III. Allegro
07. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": I. Allegro
08. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": II. Andante
09. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": III. Allegro
10. Violin Concerto No. 3 in A Major, RV 336: I. Allegro
11. Violin Concerto No. 3 in A Major, RV 336: II. Aria andante
12. Violin Concerto No. 3 in A Major, RV 336: III. Allegro
13. Violin Concerto No. 1 in D Major, RV 207: I. Allegro
14. Violin Concerto No. 1 in D Major, RV 207: II. Largo
15. Violin Concerto No. 1 in D Major, RV 207: III. Allegro
16. Oboe Concerto No. 6 in G Minor, RV 460: I. Allegro non tanto
17. Oboe Concerto No. 6 in G Minor, RV 460: II. Largo
18. Oboe Concerto No. 6 in G Minor, RV 460: III. Allegro non molto
19. Violin Concerto No. 5 in B-Flat Major, RV 379: I. Allegro
20. Violin Concerto No. 5 in B-Flat Major, RV 379: II. Largo
21. Violin Concerto No. 5 in B-Flat Major, RV 379: III. Allegro
22. Violin Concerto No. 1 in G Minor, RV 317: I. Allegro
23. Violin Concerto No. 1 in G Minor, RV 317: II. Largo
24. Violin Concerto No. 1 in G Minor, RV 317: III. Allegro
25. Violin Concerto No. 4 in C Major, RV 173: I. Largo spiccato, allegro
26. Violin Concerto No. 4 in C Major, RV 173: II. Largo
27. Violin Concerto No. 4 in C Major, RV 173: III. Allegro
28. Violin Concerto No. 2 in D Minor, RV 244: I. Allegro
29. Violin Concerto No. 2 in D Minor, RV 244: II. Larghetto
30. Violin Concerto No. 2 in D Minor, RV 244: III. Allegro
31. Violin Concerto No. 6 in B-Flat Major, RV 361: I. Allegro
32. Violin Concerto No. 6 in B-Flat Major, RV 361: II. Largo
33. Violin Concerto No. 6 in B-Flat Major, RV 361: III. Allegro
34. Concerto for Strings No. 3 in D Major, RV 124: I. Allegro
35. Concerto for Strings No. 3 in D Major, RV 124: II. Grave
36. Concerto for Strings No. 3 in D Major, RV 124: III. Allegro
With this new release, L’Arte dell’Arco complete their survey of the concertos and sonatas Opp. 1-12 which spread the fame of Antonio Vivaldi across Europe thanks to their publication by Etienne Roger in Amsterdam. These final two sets were published in 1729, 18 years after the L’estro armonico collection Op.2 had created a sensation with their unprecedented brilliance of solo writing, rhythmic vivacity and originality of disposition between solo and accompaniment.
The entire collection is available as a boxset (BC95200) and has received wide critical praise. ‘Let me start by saying that if ever a super-budget box deserved the epithet ‘Brilliant’ it is this one. Not only does it bring together the first twelve opus numbers of Vivaldi, half of them in a new critical edition, but also they are performed by a first rate ensemble. That we also get excellent sound and notes too makes this set a real winner.´ (Musicweb International). According to Diapason, L’Arte dell’Arco ‘understand the secret language of Vivaldi…rich and generous instrumental textures envelop the expressive lines of the solo violin.’
Federico Guglielmo contributes a scholarly note to the booklet, in which study of the manuscripts have uncovered new contexts to these concertos. Although it is uncertain how much Vivaldi supervised their publication, and to what degree they are compilations of earlier work, the concertos bear the hallmarks of the fully mature composer. By this time in his full maturity, Vivaldi was highly receptive to the appeal of the new galant taste, enriched by his experience with opera, and sensitive to discussion with acclaimed composers such as Leonardo Vinci, Nicola Porpora and Leonardo Leo. Two of them were likely written for one Anna Maria, a student of particular virtuoso abilities at the Ospedale della Pieta where Vivaldi was the long-serving music master. The final concerto of Op.11 was originally conceived as an oboe concerto, and in that form is presented here.
The prestigious Vivaldi Project by Federico Guglielmo (the complete recording of the opus number 1-12) is gloriously closed with the recording of the Violin Concertos Op. 11 and 12, works without a nickname but still Vintage Vivaldi: brilliance, virtuosity, audacious handling of harmony and plenty of dramatic power.
Violinist Federico Guglielmo and his elite band L’Arte dell’Arco have accomplished a standard setting edition of the first 12 Opus numbers by Vivaldi, the first complete recording on period instruments. The press has been unanimous in its praise: “a definitive recording, bravo!” (Diapason), “infectious joy, improvisatory flair and instinct, this is music making minted in the moment” (BBC 3), “They know the secret language of Vivaldi..” (Diapason).
Liner notes in English and Italian.
01. Violin Concerto No. 5 in C Minor, RV 202: I. Allegro non molto
02. Violin Concerto No. 5 in C Minor, RV 202: II. Largo
03. Violin Concerto No. 5 in C Minor, RV 202: III. Allegro non molto
04. Violin Concerto No. 4 in G Major, RV 308: I. Allegro
05. Violin Concerto No. 4 in G Major, RV 308: II. Largo cantabile
06. Violin Concerto No. 4 in G Major, RV 308: III. Allegro
07. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": I. Allegro
08. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": II. Andante
09. Violin Concerto No. 2 in E Minor, RV 277 "Il favorito": III. Allegro
10. Violin Concerto No. 3 in A Major, RV 336: I. Allegro
11. Violin Concerto No. 3 in A Major, RV 336: II. Aria andante
12. Violin Concerto No. 3 in A Major, RV 336: III. Allegro
13. Violin Concerto No. 1 in D Major, RV 207: I. Allegro
14. Violin Concerto No. 1 in D Major, RV 207: II. Largo
15. Violin Concerto No. 1 in D Major, RV 207: III. Allegro
16. Oboe Concerto No. 6 in G Minor, RV 460: I. Allegro non tanto
17. Oboe Concerto No. 6 in G Minor, RV 460: II. Largo
18. Oboe Concerto No. 6 in G Minor, RV 460: III. Allegro non molto
19. Violin Concerto No. 5 in B-Flat Major, RV 379: I. Allegro
20. Violin Concerto No. 5 in B-Flat Major, RV 379: II. Largo
21. Violin Concerto No. 5 in B-Flat Major, RV 379: III. Allegro
22. Violin Concerto No. 1 in G Minor, RV 317: I. Allegro
23. Violin Concerto No. 1 in G Minor, RV 317: II. Largo
24. Violin Concerto No. 1 in G Minor, RV 317: III. Allegro
25. Violin Concerto No. 4 in C Major, RV 173: I. Largo spiccato, allegro
26. Violin Concerto No. 4 in C Major, RV 173: II. Largo
27. Violin Concerto No. 4 in C Major, RV 173: III. Allegro
28. Violin Concerto No. 2 in D Minor, RV 244: I. Allegro
29. Violin Concerto No. 2 in D Minor, RV 244: II. Larghetto
30. Violin Concerto No. 2 in D Minor, RV 244: III. Allegro
31. Violin Concerto No. 6 in B-Flat Major, RV 361: I. Allegro
32. Violin Concerto No. 6 in B-Flat Major, RV 361: II. Largo
33. Violin Concerto No. 6 in B-Flat Major, RV 361: III. Allegro
34. Concerto for Strings No. 3 in D Major, RV 124: I. Allegro
35. Concerto for Strings No. 3 in D Major, RV 124: II. Grave
36. Concerto for Strings No. 3 in D Major, RV 124: III. Allegro
With this new release, L’Arte dell’Arco complete their survey of the concertos and sonatas Opp. 1-12 which spread the fame of Antonio Vivaldi across Europe thanks to their publication by Etienne Roger in Amsterdam. These final two sets were published in 1729, 18 years after the L’estro armonico collection Op.2 had created a sensation with their unprecedented brilliance of solo writing, rhythmic vivacity and originality of disposition between solo and accompaniment.
The entire collection is available as a boxset (BC95200) and has received wide critical praise. ‘Let me start by saying that if ever a super-budget box deserved the epithet ‘Brilliant’ it is this one. Not only does it bring together the first twelve opus numbers of Vivaldi, half of them in a new critical edition, but also they are performed by a first rate ensemble. That we also get excellent sound and notes too makes this set a real winner.´ (Musicweb International). According to Diapason, L’Arte dell’Arco ‘understand the secret language of Vivaldi…rich and generous instrumental textures envelop the expressive lines of the solo violin.’
Federico Guglielmo contributes a scholarly note to the booklet, in which study of the manuscripts have uncovered new contexts to these concertos. Although it is uncertain how much Vivaldi supervised their publication, and to what degree they are compilations of earlier work, the concertos bear the hallmarks of the fully mature composer. By this time in his full maturity, Vivaldi was highly receptive to the appeal of the new galant taste, enriched by his experience with opera, and sensitive to discussion with acclaimed composers such as Leonardo Vinci, Nicola Porpora and Leonardo Leo. Two of them were likely written for one Anna Maria, a student of particular virtuoso abilities at the Ospedale della Pieta where Vivaldi was the long-serving music master. The final concerto of Op.11 was originally conceived as an oboe concerto, and in that form is presented here.
The prestigious Vivaldi Project by Federico Guglielmo (the complete recording of the opus number 1-12) is gloriously closed with the recording of the Violin Concertos Op. 11 and 12, works without a nickname but still Vintage Vivaldi: brilliance, virtuosity, audacious handling of harmony and plenty of dramatic power.
Violinist Federico Guglielmo and his elite band L’Arte dell’Arco have accomplished a standard setting edition of the first 12 Opus numbers by Vivaldi, the first complete recording on period instruments. The press has been unanimous in its praise: “a definitive recording, bravo!” (Diapason), “infectious joy, improvisatory flair and instinct, this is music making minted in the moment” (BBC 3), “They know the secret language of Vivaldi..” (Diapason).
Liner notes in English and Italian.
Year 2016 | Classical | FLAC / APE
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